Tag: Yavapai County

Stamp Mill Picture of the Week

Everyone has heard the axiom, “All roads lead to Rome.” Well, they don’t exist in Yavapai County. Over the past couple of years of traveling Arizona’s back roads, I’ve found that they lead to mines, and with good reason. We all have a vision of a dusty prospector sneaking off with a couple of burros to a secret gold mine in the mountains—this is before he became the Arizona Lottery huckster. A man like Jacob Waltz may discover a vein of gold, but it takes a corporation to extract it effectively.

You have to move a thousand tons of ore to make a ton of money. A few burlap sacks strapped to a burro’s back won’t do. You must move unrefined earth by wagon, truck, or railroad car. So, part of The Company’s infrastructure is getting things to and from the mine site. That is the Phelps-Dodge and the Senator Mine story—and this month’s back road adventure.

While bouncing along the Senator Highway in R-Chee (according to his license plate, that’s the correct spelling), Anne suddenly blurted, “There’s a large building down there.” Since my side wasn’t overlooking the cliff, I couldn’t see it, so I stopped the truck and walked back to see the steel skeleton of an old structure. “Cool,” I told her as I climbed back into the driver’s seat. “It’s too early, so we’ll stop on the way back when the light is better.”

Stamp Mill - The ruins of the Senator mine stamp mill are perched above the headwaters of the Hassayampa River.
Stamp Mill—The ruins of the Senator Mine stamp mill perch above the headwaters of the Hassayampa River. The mill is visible on Google Earth if you zoom in on the Senator Highway, which crosses the Hassayampa River.

After some research, I discovered that the building was a 10-unit stamp mill for the Senator Mines. As rock came from one of the three parallel shafts, the miners hauled it to the mill, where the hammers pounded big boulders into small ones. As far as ghost towns go, we struck gold (I couldn’t resist the pun, sorry). Concrete foundations are usually all we find in these places, but since this frame was steel and not timber, the skeleton survives and gives scale to its size. From the road, I could easily walk down the stairs and wander the four floors. Vandals decorated the remaining vertical walls for Christmas with colorful graffiti everywhere, so I guessed we weren’t the first to find this place.

Kennecott Mine - The Kennecott mining town is preserved in the Wrangell-St Elias National Park in Alaska. This should give you an idea of how a mill looked with the clapboard still intact.
Kennecott Mine—The National Park Service has preserved the Kennecott mining in Wrangell-St Elias National Park in Alaska. This photo should give you an idea of a mill’s appearance with intact clapboard.

I visited a similar mill in Alaska at the Kennecott Mine in the Wrangell Saint Elias National Park. At this location, the Park Service keeps that building in an arrested state of decay and still has the red clapboard siding. I wanted to show you how Senator Stamp Mill might have looked while running, so I’m including my Alaska photo.

For this week’s featured image—Stamp Mill—I wanted to show the building and its environment, which is hard to do while standing inside of it. So, I took this shot from the far side of the Hassayampa River Canyon as the sun hung low in the western sky. I was lucky in that the remaining silver paint glowed in the afternoon sun, making the frame pop from the background.

Click here to see a larger version of Stamp Mill on its website. I hope you like it. Be sure to return next week when we present the final image from our drive on the Senator Highway.

Until next time — jw

Shadows, Boulders, and Cracks Picture of the Week

Queen Anne and I had only ventured into the Bradshaw’s once before this month’s Senator Highway adventure. We borrowed a friend’s 4wd tow truck and wanted to see how well it performed on dirt roads. We decided to drive to Crown King for Sunday brunch. It was a horrible experience—lunch was nice, but the track was one long washboard. The truck bounced so much that it took a week for our eyes to stop vibrating. That was before Google Maps—actually, it was before computers—so we added another unnecessary 50 miles to the trip. Anne swore off dirt roads forever.

That’s too bad because the Bradshaws (named for trailblazer William D. Bradshaw) fascinated me since I moved to Phoenix. From the valley, they’re the high range to the north. When you head Flagstaff, they’re the first pine-covered mountains that you pass. The Sunset Point rest stop, which is at the range’s eastern flank, is where I feel that we’ve at last got past the city limits. Finally, during the summer monsoons, they create the storms that bring rain to the valley (as I look out my window today, I see what could be our first seasonal storm—and it’s moving south from the Bradshaws—if it gets here at all).

Whenever we’ve stopped at Sunset Point, and I had to wait for you-know-who to finish up in the bathroom, I always looked up at the mountains and mistakenly thought that they were dry and deserted. I’d think to myself, “It’s too bad there aren’t any fishing lakes up there.” On our recent trip, I found out that I was wrong because back roads lace through the range leading to former mining towns filled with summer cabins. There are even a couple of small lakes—but they’re so close to Prescott, I’d classify them as town lakes. Perhaps it’s just as well that there’s no destination up there, because if there were a big lake up there, then there’d be freeways and planned communities around it.

Shadows, Boulders, and Cracks - This is the simplest essence of what I found interesting about a pair of granite boulders south of Groom Creek, Arizona.
Shadows, Boulders, and Cracks – This is the purest essence of what I found interesting about a pair of granite boulders south of Groom Creek, Arizona.

As Anne and I continued exploring Senator Highway, we came across a boulder field south of Groom Creek. I find these large lumps of granite interesting, but they’re all over the state, and my rock collection is vast. I hear people say, “Meh. It’s another rock picture.” So, for this week’s featured image, I tried to show just the part that made me raise the camera to my eye. In the case of this week’s featured image, that I call Shadows, Boulders, and Cracks, it was the texture of the massive rocks, the delicate shadows of the deciduous trees, and the fracture that splits the right sphere in half. Even without seeing the entire boulder, you instinctively know that you couldn’t skip one of these pebbles across Goldwater Lake.

You can see a larger version of Shadows, Boulders, and Cracks on its Web Page by clicking here. I hope you like it. Be sure to come back next week when we present another image from the Senator Highway going south from Prescott.

Until next time — jw

Road Bend Picture of the Week

Although I’ve tried my best to hold back time, the season has changed,  and it’s summer again in the desert. Summer’s dog days are the worst time to be photographing our arid home. Except for the brief respite at either end of the day, the bright sun and ozone combine to wash the colors away. It’s like seeing the world through a 2% milk bottle—the glass ones, not the cartons. You need polarizing sunglasses to force the blue to show in the sky again.

We desert-rats are nothing if not adaptive. Like all of the other Sonoran critters, we hide in our holes during the day. For example, the Round-tailed Ground Squirrel escapes the day heat in his den by sleeping splayed-out on his back. I do the same thing, and I’d show you photographic evidence except I’d be banned forever from the Internet. The other thing we do is migrate. Even during this pandemic, Highway U.S. 93 was a parade of boats heading north towards the rivers and lakes on this holiday weekend.

When we were deciding on a project for July, Queen Anne and I followed a similar logic. We looked for someplace cooler—trust me, 90º is cooler than 110º. We scoured our maps for a place nearby in the mountains, a location that wouldn’t have crowds yet be accessible. We settled on the Senator Highway that runs from Prescott south into the Bradshaw Mountains.

Road Bend - Bright yellow-leaved deciduous trees obscure what's beyond the road on the Senator Highway south of Prescott, Arizona.
Road Bend – Bright yellow-leaved deciduous trees obscure what’s beyond the road on the Senator Highway south of Prescott, Arizona.

Until this month, I didn’t know why there was a dirt road called the Senator Highway. I imagined that it was a route that our state assemblymen traveled when Arizona’s capital swapped several times between Prescott and Phoenix—foolish me. Instead, it’s just another mine road that the miners built it to transport ore and supplies between the Senator Mine and Prescott. If you’re skilled at navigating the Bradshaws, you can technically get to Congress via the Senator Highway.

I find the pine-covered mountains, like the Bradshaw’s, hard to shoot. The trees get in the way. I mean, how many different ways can you get an image of ponderosa pine tree bark? I hunt for edges—splashes of color, an opening to the horizon, or building ruins. That’s what I’m showing in this week’s featured image. At a bend on the highway, I saw some trees (I believe Arizona Ash) with bright yellow-green leaves shinning in the sun against the duller blue-green evergreens. I liked how they obscured the path. My mind wants to find out what’s beyond. It’s a classic leading-line perspective trick, and I find the dappled shade on the road a bonus. I named the first image for our July project Road Bend because it’s a simple title for a simple photo.

You can see a larger version of Road Bend on its Web Page by clicking here. I hope you like it. Be sure to come back next week when we present another image from the Senator Highway outside of Prescott.

Until next time — jw

New Drone Film – The Weaver Mountains The third film in my ongoing series of Arizona Desert Mountain Ranges

I have some excellent news this morning. I posted my third YouTube Video, and it’s ready for you to watch. I admit that in these troubling times, my films are little more than eye-candy, but I’m hoping they give you something nice to watch on TV for a change of pace.

The video is the third in my desert mountain series, and this episode features the Weaver Mountain Range. Those are the mountains that I see every day from my front porch, so in these times of stay-at-home orders, they were a convenient subject.

The reason that I’m producing these films is two-fold. When I look on the net for background on my weekly blog posts, I usually only find a two-paragraph entry in Wikipedia, and if I’m lucky, it may have a photograph or two (usually of historic value). I’m trying to capture these mountains in the ‘now’—a specific season and year—so viewers can see their aesthetic beauty as I do. I’m trying to fill the void of context that these lower ranges are missing. My other reason for these projects is purely selfish. Queen Anne said I could have a drone if it got me out of the house and left her alone. Done and done!

You can view this seven-minute film in several ways. The easiest is to click on the embedded link here in the post above. Or you can see it on your computer by typing this link in your address bar: (https://youtu.be/09knCZ9HY4c). And finally—and I think the best—is to watch it on your smart 4K TV by going to YouTube and search for Jim Witkowski (there are several, but I’m the old guy in the baseball cap). Then, navigate to my Arizona Desert Mountains channel. I hope you enjoy seeing it. Please consider sharing it with your friends and family and clicking on the thumbs-up icon (like-button).

Until next time — jw

Kirkland Junction Picture of the Week

A couple of decades ago, there was a TV ad where a sleepy-eyed baker got out of bed and made his way to his Dunkin Donuts store, and as he made his way, he mumbled, “Time to Make the Doughnuts.” I felt sorry for the poor guy and wished he could crawl back in bed. But, if your business is selling coffee and deep-fried cake to a morning crowd, you gotta’ make some product. You’ve got to work your schedule.

In photography, the quality of light is vital for making memorable images. Pictures that stand apart from the millions posted daily on Instagram. This topic is one that I’ve covered in my writings several times. Any subject looks better when you capture it when the light is warmer, and the shadows are longer—known as the golden hours. Those happen after sunrise when healthy people are still in bed, and before sunset when smart people have sunset cocktails. When I go out on a photo shoot, I try to time my sessions using that light.

The light is even more complicated in Arizona. Because we live in a longitude closer to the equator, that golden hour dramatically shrinks in summers. To further complicate things,  the desert afternoons are too hot for scouting subjects. That’s why I chose the early morning when Fred and I went to Placerita. To get there at the right time, we left before sunrise. Unfortunately, by the time we arrived, the clouds moved in and took away the color, so I made a second trip last week. This time I was on my own because Fred was nursing an old war wound, and Queen Anne doesn’t get out of bed unless there’s a jewelry store involved.

So, in the darkness, I packed my gear into Archie and drove north on State Route 89 with a USB stick full of fresh tunes and a hot mug of coffee in the cupholder. In Yarnell, the sky was bright with a line of clouds leftover from the day before. I watched the color deepen as I passed through Peeples Valley. By the time I arrived at Kirkland Junction, I had to stop so that I could get a shot. After turning onto Wagoner Road—this month’s back road—there was enough light to show color on the ground. I lined up the scene so that some abandoned structures were under the pink clouds.

A set of abandoned buildings at Kirkland Junction underneath beautiful pink clouds.
This week’s photo is of a set of abandoned buildings at Kirkland Junction underneath beautiful pink clouds. The mountain in the background is Kirkland Peak.

That’s how I took the last photo in June’s series. I call this week’s featured image, Kirkland Junction. Interestingly, this month we showed the subject of this month’s journey from the end to the beginning. We began the month at our destination—Placerita-and worked to the road’s start. It’s like that movie Momento.  You knew the protagonist was guilty of the murder right up to the story’s beginning that was at the film’s end. I was so confused by the time the movie was over; I had to think about it for weeks. I hope that I haven’t done that for you.

You can see a larger version of Kirkland Junction on its Web Page by clicking here. I hope you enjoy it. Next week, we’ll begin a new journey on a different, less-traveled highway. I hope you’ll join our expedition.

Until next time — jw