Travel – Page 33 – On the road with Jim

Rock Frog Picture of the Week

Our adopted town of Congress is a quiet retirement community these days, but it wasn’t always this sleepy. Like most of the old mining towns in Arizona, Congress was a bustling hive of activity as long as gold poured out of the ground. At its peak, the town had more people than a dusty farming village called Phoenix. But when the gold ran out, so did the reason to stick around. The land here is too rocky to farm, and there isn’t much to see—unless you’re a fan of large green amphibians.

Yes, Frog Rock puts Congress on the map. It’s not just any pile of boulders; it’s a pile of boulders that has been painted to look like a giant frog since 1928. I like to imagine that this oddball landmark sprang from the mind of Sarah Perkins, a homesteader’s wife who was bored out of her mind.

Picture a sweltering summer afternoon in 1928. Sarah is rocking on her front porch, the oppressive heat pressing down like a wet blanket. She’s sipping lukewarm lemonade and staring at the same pile of rocks she’s stared at every day for the last decade. Across the road runs US89, the main highway through town—a lifeline of commerce and travel. “Lester,” she says, her voice dripping with determination, “next time you’re in town, bring me some green paint.”

Lester, who’d been married long enough to know better than to question Sarah’s whims, nodded without so much as a grunt of inquiry. Weeks later, when he returned from Wickenburg with supplies in their rickety Model A pickup, Sarah found two cans of green paint and three sturdy brushes buried among the flour and beans.

The following day, before the heat became unbearable, Sarah gathered her sons and marched them across the road to the pile of boulders. With the determination of Michelangelo tackling the Sistine Chapel, they slapped on layer after layer of green paint. By noon, the Perkins family had created a masterpiece: a giant rock frog that gazed serenely at passing Model Ts.

Over the years, Frog Rock has become Congress’s pride and joy, our version of the world’s largest ball of twine or the giant ketchup bottle. Sure, it’s kitschy, but it’s our kitschy. When the paint fades, a self-appointed committee—armed with more enthusiasm than skill—ensures Frog Rock gets a fresh coat. On their last go-round, they even added spots to its back for extra flair.

Today, that highway is known as Arizona State Route 89, a quieter and more scenic version of its old self. Locals call it The Lost 89, a stretch of road that seems to have slipped out of time. Frog Rock has kept watch over it all—through the rise and fall of mining, the rerouting of highways, and the inevitable march of progress.

When I decided to photograph Frog Rock, I wanted to capture more than just the green paint job. I wanted to show how the massive granite boulder fits into its rugged desert surroundings, so I framed it with other rocks in the foreground. The result is a tribute to Sarah’s imagination and Congress’s ability to find joy in the simple things.

If you’re ever passing through town, stop by and say hello to Frog Rock. Don’t be surprised if you feel inspired to grab a brush and add your artistic touch. After all, in Congress, anything is possible—even turning a pile of rocks into a legacy.

Until next time — jw

Mobil Antlers Picture of the Week

A long time before we moved here, I remember driving through our little hamlet and noticing the old buildings in town. Queen Anne and I were traveling to visit my folks in Kingman, and after leaving Wickenburg, traffic stopped. Thinking it must be a result of an accident, I said to Anne, “We can detour around it by going to Congress.” It was ten miles out-of-the-way, but at least we’d be moving. It was when we reached the village that I saw the structures and said to her, “That’s so cool. I don’t remember this being a ghost town. I’ll have to come back and photograph it, someday.” (As an aside, my detour didn’t work because the accident was further north on US 93. We finally drove over to the river and took US 95, which put us several hours behind.)

There’s a reason why I didn’t remember those old buildings even though I had gone that way several times before. They weren’t there. After moving to Congress, that someday that I had set aside to photograph Congress’s historic district finally came. When I did, it disappointed me to learn that they’re a fake, like a back-lot movie set. The buildings are empty shells apparently used to display someone’s antique sign collection, but I don’t know why. It’s like someone threw up some structures as a tourist attraction and then quit before finishing.

The area of town at the AZ 89 and AZ 71 junction isn’t the historic part of Congress. It used to be called Congress Junction or Congress Depot. The historical part of town was up Ghost Town Road near the mine. In this Wikipedia article, there’s a 1914 photograph that shows how it was. When the mine closed in the 1930s, the town moved to today’s location—lock, stock, and barrel. All of the buildings in the photo are gone. The land was scraped clean, including the mine structures. The only thing remaining is the old cemetery and a shed for Stephan—the mine’s caretaker.

Wouldn’t it be nice if someone bought and moved these buildings along the railroad tracks from old town? I don’t know, because there’s nothing to explain their existence. The only remaining business there is someone selling landscape rocks. Maybe you know the story and can share it with us, or perhaps, when I get a ’round-to-it,’ I’ll investigate and post an update.

I’ve pretty much ignored this part of town for the past three years, but since we’re featuring Congress during March, I wanted to show you what always catches my eye as I drive by them. It’s the Mobil Oil red flying horse sign. I’d like to have something like it to hang on the gable over my garage door—perhaps a Ferrari, Porsche, or one from Sunoco. To be accurate, however, my sign would be for beat-up Chevy station wagons.

In this week’s featured picture that I call Mobil Antlers, a set of antlers upstage the flying horse, so I concocted a fantastic story about it. It represents a tale about a red horse that soars high in the sky. He spots his prey in the meadow below—a handsome buck. The horse swoops in for the kill, and there’s a mighty struggle with the deer attempting to gore the soft underbelly of its attacker. Red-horse prevails and devours Bambi except for the antlers because they’re indigestible. Then I thought, nah—I’m not going to say that—it’s just too bizarre, and people will think I’m weird.

You can see a larger version of Mobil Antlers on its Web Page by clicking here. I hope you enjoy viewing this week’s image and come back next week when we’ll talk more about Congress.

Until next time — jw

Rainbow Power Picture of the Week

Like a lot of photographers, I shoot a lot more images than I show. Most of them never see the light of day. On each outing—like last week’s rain day—I’ll fire off 50 to 75 shots and when I transfer them to my computer, I’ll have one or two keepers—if I’m lucky. The first thing I do is to delete the mistakes immediately—you know, the accidental shot of my feet that I get when taking the camera out of the bag—or shots that are hopelessly out of focus. Then I look for the best. I really should get rid of the rest, but even though I may never look at them again, I keep them on file.

There are lots of reasons that I reject a photograph. The composition isn’t right, the focus is soft, or the shot didn’t work. As a landscape photographer, I have a thing about power lines. They’re everywhere, and I have to work around them. That means that I’ll drive or walk a bit to remove them from the scene.

And that brings me to this week’s featured image that I call Rainbow Power. No matter how much we grumpy old photographers groan about them, we still look at pictures of flowers, babies, kittens, and rainbows. We just don’t want to get caught doing it. This week’s image is one of those rejects that I kept returning to it because it shows the range of light last week’s fast-moving storm dragged along the Joshua Tree Parkway as it moved north. Besides, I think rainbows are pretty.

I’ll probably never print this image because of the power lines, but this rainbow was intense and seemed to disappear into the clouds then descend again to the left out of the camera’s view. Oh, and I missed the pink unicorn because it ran over the hill before I could frame the shot. Moments after snapping this image, even the rainbow disappeared. The weather was happening so fast that I didn’t have time to work it—trying different angles, different framing, or changing the site to eliminate the wires. All that I had time to do was capture the moment—warts and all.

You can see a larger version of Rainbow Power on its Web Page by clicking here. I hope you enjoy viewing this week’s post and next week; we’ll show another featured image from the Joshua Tree Parkway.

Until next time — jw

Sleeping Under the Stars Picture of the Week

There’s something wonderfully romantic about how cowboys spent evenings eating beans around a fire before laying out their bedrolls and sleeping under the stars. It makes me wonder if I would have been any good riding a fence line. I love the outdoors, campfires, looking at the stars, and dreaming of the ladies back in town (sigh). I can assure you that I could never do that because the last horse I got on said, “oof” and sleeping on the ground has rocks, snakes, spiders, scorpions, skunks, and rabid chipmunks—not to mention the inclement weather.

Queen Anne and I still enjoy getting out in the wilderness; we just bring half of the house with us. For some reason, I sleep very well in our little Casita trailer. She has two layers of foam over the cushions that make into a full-size bed, and when I crawl under our down coverlet, my eyes slam shut faster than a mouse trap. As I lie next to my love and wrestle for more space, I listen to her rhythmic breathing. The hypnotic cadence is a mantra luring me to dreamland—until she misses a gear and sounds like a manual transmission exploding. But, she stops as soon as I nudge her to roll over.

All of this is fresh in my mind because we’re recently back from spending the week in the KofA Wildlife Refuge with The Ritz—our trailer. We succeeded in getting more images to finish up with this month’s topic but concluded that there is a lot more to the KofA range than a couple of blog posts. I think it may need to be a long-term project.

This tip was the first time we used the trailer in winter, and although the days were sunny, the wind blew, and the nights were colder than our Alaska trip. We had to use its heater at night. Even though we set the thermostat to 58º, it still came on often and blared at 85_dB. The first time it came on, it made that burning dust smell and I thought we were going to die of carbon monoxide poising, so I opened the windows, which was counterproductive. Like all furnaces, the smell cleared eventually and we stopped jumping every time it started. Even with that racket, I slept until sun up.

We spent two days exploring and shooting photos at the refuge, and on the last day, the wind died, so we were able to use a week’s worth of wood for a fire. We ate brats, drank rich cocoa, and roasted marshmallows for jimmyums over the burning logs. Its warmth kept us outside long enough that the stars came out—all of them. We stared at Mars so hard that it began darting across the sky until we looked through binoculars and proved it wasn’t doing that. Finally, the creamy streak of the Milky Way began to reveal itself and forced me to set up my camera.

This week’s featured image is the result of that effort. It’s called KofA Milky Way, and I shot it from our campsite. The bright spots on the ground are from the next camp. The mountain is Signal Peak silhouetted against the lights of Phoenix—150 miles to the east. The constellation Orion is center-right, and Pegasus with the Andromeda galaxy would be overhead, but the fire died, and the cold chased us inside before we could find it.

As usual, you can see a larger version of KofA Milky Way on its Web Page by clicking here. I hope you enjoy viewing this week’s post and next week; we’ll show another featured image from Arizona.

Until next time — jw

Saguaro Climbers Picture of the Week

You can tell a story in several ways. You can start with details and pull back to reveal the whole, you can take the long-shot and move in for the close-up, or you can jump back and forth. I find the third option hard to pull off well, so I avoid it. I see the skydiver method the easiest—jump out of the plane at 20 thousand feet and then move in closer for details. It’s self-limiting because I have to make my point before the ground interrupts my story.

When I visit a new place like this month’s topic—KofA Wildlife Refuge—it makes sense for me to take mountain pictures and then work closer, because a story isn’t complete without details. Interesting things are happening in the cracks. Literally, like in the case with this week’s featured image.

Saguaro Climbers – three saguaros slowly make their way to the summit.

I photographed this scene along the Palm Canyon Trail. Unlike the palms, this side canyon was better suited for the lens I was carrying, so it was easier to compose. Instead of the palms that I was after, it’s just three common (to the Sonoran Desert) saguaros in a steep ravine. It’s the light of sundown that makes the image work. It emphasizes the canyon’s depth without being so harsh that it blacks out details.

I usually title my photos with descriptive titles, so I don’t have to be imaginative, but in this case, I didn’t. While I processed it—with the aid of my Medicare supplied drugs—I visualized the saguaros as mountain climbers trudging their way to a summit. I called it Saguaro Climbers. That’s crazy because we all know that saguaros can’t climb—don’t we?

As usual, you can see a larger version of Saguaro Climbers on its Web Page by clicking here. I hope you enjoy viewing this week’s post and next week when we’ll show another featured image from the KofA Wildlife Refuge.

Until next time — jw