Timberline – The subjects of this image suggest that it is on a scale larger than it really is.
The wind was warmer than I expected at this altitude. Blowing on my back, it seemed to help push me along the John Muir Trail in California’s High Sierra’s. The Mt. Whitney Trail was only a half mile further when I stopped to snap this photo of massive granite formations along the tree line.
I just made all of that up. My chances of hiking those famous trails have long vanished, but this week’s photo has a sense of scale that could work with a fictitious story like that. I took this photo I call Timberline at the Granite Dells along with the others featured this month. It’s the angle that fools the eye so that you think you’re looking at a craggy mountaintop. The trees also play tricks with your sense of scale. They’re actually shrub-size like they were scale models of ones that are much taller—bonsai versions if you will, and the sheer drop in the lower left isn’t the hundreds of feet that it seems. It’s only a dozen feet over your head as you hike the Flume Trail to the park’s northern boundary.
The reason I included Timberline in this month’s set is that it distills the Granite Dells into three simple elements; massive rocks, trees eking a living in hostile conditions, and the changing sky over them. The photo speaks of weight—or mass—and it shows a time contrast of a changing sky and momentary life against the permanence of the weathered granite. The sky changes hourly while the trees will be different in a century, but the granite will survive the next millennia unaltered.
You can see a larger version of Timberline on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we start a new set of images from a new location.
English Kitchen – Originally built using adobe blocks by Charley Hong to replace his Connor Hotel kitchen that went up in flames in 1899, was open until 2007. Until then, it was the longest-running restaurant in Arizona. Despite its name, they served Chinese food when Charley ran the place.
To coerce Queen Anne to join me on a photo outing, I have to bribe her with something precious—like food or ice cream. If I schedule everything carefully, I can get away with having to pay for only one meal while we’re on the road. I wanted to shoot in Jerome in the good afternoon light and the drive from our house is a little over a couple of hours, so my cheapest bet was to buy her lunch. When we travel we use the TripAdvisor rankings to see what the popular restaurants are at our destination. It eliminates some guesswork picking out a place to eat. We look at the best reviews and then try to find them when we get to town and for our Jerome trip, Bobby D’s BBQ was their top pick.
Bobby’s is in the English Kitchen Building directly across the street from the Liberty Theater. The old building has hosted various restaurants since Charley Hong built it in 1899, according to the story on the back of the menu. I enjoyed reading the part about the English Kitchen name because—being a Chinese restaurant—it never served traditional British fare. If unwitting diners ordered an English breakfast, they were more likely served a dish of chop suey.
The interior of the original building is simple with about dozen wooden tables and historic Jerome photos decorating the wall. There’s not much room inside and since it was a pleasant day, we opted for seats on the deck. Our friendly hostess quickly found a spot at one of the many picnic tables. We enjoyed a nice breeze in the shade of the orange canopies and gawked at the Verde Valley panorama while the aroma of the smokers seduced our appetites. Our pleasant waitress brought menus and took our drink orders before we finished looking around.
Bobby D’s is a BBQ joint and the staff proudly proclaims that they’ve won a Best in Arizona award. The first page of the menu is all BBQ, but we weren’t that hungry so instead, we split the Arizona Cheesesteak from the second page. It consisted of brisket, sautéed onions, pepper jack cheese and (Ortega) chilies stuffed into a hoagie. It sounded different. It came to the table dry along with four house-made sauces for us to sample.
I’m a guy that likes BBQ and I’ve cooked a mean rib a time or two. I like a lot of flavor. A good sauce should singe your nose hairs but leave a sweet taste. The sandwich was good, but it surprised me at how little smoke and rub seasoning was in the meat. While I’m picking nits here, the mild chilies they use are lost in such a bold sandwich as this—jalapeños would have been a better choice. Their BBQ is southern style so one of the sauces is mustard-based, but it was too reminiscent of honey-mustard dressing for me. A second blend they have is called Jalapeño Molasses and again the chilies were missing in the sweet syrup. That leaves their Little Miss Tango sauce as my pick among the three. Anne liked it too—so that alone shows that it wasn’t spicy enough.
Bobby D’s is a good place in Jerome for lunch or an early dinner. It’s fun to eat in and learn about the historic diner. Our service was very good, and the staff was attentive. The food was also very good even if I felt it was on the bland side. Is this the best restaurant in Jerome? The reviews say it is, but I haven’t tried the others. Is it the best BBQ in Arizona? I’ve had better, but BBQ is always a safe bet. Because Jerome isn’t an overnight destination, many of its restaurants close by 2:00 while Bobby’s is open until 6:00. If this were a Yelp or TripAdvisor review, I’d offer four out of five stars.
Jerome Iris – One of my better selling images. It was taken in 2004 on a Jerome trip I made with my friend, Russ Good.
I took this photo of iris in front of a cracked foundation wall in 2004 when my friend, Russ Good and I went to Jerome on a photo-shoot. It’s a popular image and has sold well. The photo’s story is the contrast—the softness of iris petals against the hardness of the concrete foundation and the vibrant purple flowers in front of dull concrete. It also speaks about longevity. The family that planted the flowers and the house they decorated are gone but the bulbs put out new flowers each spring without a caretaker. Getting this shot was difficult. I remember lying on my stomach in the street to focus the image on my 4×5’s ground glass while Russ stood guard over me. Each time I visit Jerome, I look for similar setups and I found another one that is this week’s image.
Art and Flowers – Not just a pretty flower picture. Someone watches that you don’t pick them.
I titled it Art and Flowers and I shot it from the sidewalk in front of the Hilltop Deli building on SR-89. Because my newer camera has a folding view-screen, I didn’t have to get down on the ground this time. Getting down is one thing but—at my age—getting up is another set of variables entirely. The hollyhocks seem to be popular in Jerome this year, they were in gardens everywhere. I selected this specimen because of the jagged wall behind it and the dark crawl space it frames. As you study the image, does it seem like someone is watching you? Well … you’re right. As I was shooting this, I tried different angles and in the middle of shifting positions, I noticed a painting on the wall inside the crawl space. It’s a portrait of a young lady—her chin resting in her hands—painted inside the opening in such a way that you don’t see it as you walk along the sidewalk. I don’t know who the artist was or how long it’s been there, but it’s not just graffiti. After I saw it, I knew I had to frame my last shot so that the hollyhock was in front—but not obscuring the painting—and I set my exposure to make the eyes barely visible in the background. It’s like one of the apparitions that Jerome is famous for. If you visit the version on my home-page—while this image is on display there this month—more of her shape revels as the image lightens.
You can see a larger version of Art and Flowers on its Web Page by clicking here. I hope you enjoy viewing my newest entry and come back next week when I post another Jerome photograph.
Until next time — jw
Ps: Thanks to Glenda Meyers and Sharon Roberts for flower identification.
By now, you know that I’m a history buff—or perhaps I’m only interested in trivia. I don’t see the distinction, but I know I’m not cut out to be a scholar. I don’t have the patience to spend months in the Vatican Library tracing the origins of … anything. If Google or Wikipedia doesn’t explain, I move on. However, if someone mentions Hannibal, I think of elephants, not fava beans. I even watched all the James Burke’s Connections series—twice. I’m the only person that I know who has a personal copy of Arizona Place Names—and uses it. This probably explains why I write blog posts instead of novels, and it is the reason behind this thought I had when I published this week’s image—I wonder how many young people know the history of the sidewalk’s stamp.
While scurrying up and down Jerome’s hilly streets last week, I went into the Holy Family Catholic Church on Country Road for an interior shot. After that, because the day was late and I was out of breath, I returned to Main Street, where Queen Anne awaited me. A few stairs were at the end of the street, so I looked down to prevent falling. That’s when I first saw the stamping and decided that I needed to take another photograph. I call it WPA Sidewalk.
This section of sidewalk in Jerome is a museum piece that people walk on daily.
This is only the second existing example of a Works Progress Administration—renamed in 1939 as the Works Project Administration; it was the depression era program that employed people for public works projects—that I have cataloged in my brain’s world map. The other is a bridge on the US89 north of Flagstaff. (Maybe finding and shooting WPA sites would be a book-worthy photography project.) Jerome has already replaced many of its walkways with ADA-compliant versions. They had to because of age, winter freezing, and earth movement, but this one is still in good shape and used daily. With the hand-scribed lines (for better footing?), it’s certainly different from the sterile versions that machines spit out today. Since it’s over fifty years old, it probably qualifies for protection under the American Antiquities Act. This sidewalk is the only museum piece I know you can leisurely stroll down.
You can see a larger version of WPA Sidewalk on its Web Page by clicking here. I hope you enjoy viewing my newest entry and return next week when I post another Jerome photograph.
When I first moved to Arizona in 1972, I hung out at a certain Scottsdale Restaurant. It was a trendy steakhouse that had a minimalist décor of white walls with dark wood trim and original oil paintings—on loan from a gallery—decorated the walls. One painting in particular that impressed me was of an eagle emblem with a broken wing positioned over the word Liberty. The design was simple enough to be a graphic poster, but the style was photorealistic and it looked as though it could be a building sign. This was back when we all had long hair and wore bellbottom pants, so I thought it was a political statement when I first saw it.
“Oh no, that’s the Liberty Theater in Jerome,” my waitress corrected.
“Jerome, what’s that?” I asked.
“It’s the ghost town near Sedona. You’ll have to go there sometime.”
Jerome’s Liberty Theater-My introduction to Jerome came about from a painting of this façade. Back then, part of the eagle and lettering hadn’t fallen off.
So I did, and as I wandered the streets of the old copper mine town, I felt strangely comfortable—like I had always known this place. There was something familiar about its terraced streets lined with white clapboard row-houses. Jerome reminded me of the Pittsburgh neighborhood where my great-grandmother’s—Busha—apartment house was, and where my family lived until I was in the first grade. I remember it was on Bigelow Boulevard—a wide thoroughfare that ran east from downtown up a long grade onto Pollock-Hill—the local slur for the neighborhood. Just like Jerome, laborers built our community on a mountainside on unsuitable plots and walked to work up and down endless staircases. Our apartment at Busha’s was on the second floor if you came through the front entry, but from the backyard, we were on the fourth floor of a five-story building.
Growing up in neighborhoods like these isn’t for the feeble. My preschool playmates and I would test our balance by walking along the top of the retaining wall supporting the boulevard. It was a couple of feet wide, but the sheer drops would have killed us had we fallen. Another example of peril was in our apartment’s backyard. It was paved with bricks and the neighbor’s yard was low enough that we could jump from our fence rail, over a three-foot gap, and onto the neighbor’s wood-shed roof, which—as kids always do—we double-dog dared each other to do. The jump to the roof was easy. Just climb to the top of the railing and leap onto the roof. However, the return flight required clearing the four-foot rail. I mastered the jump several times before I missed and crashed head-on into the guardrail. As gravity drug me down, I saved myself by grabbing and holding onto the railing’s bottom pipe. I hung on for dear life above the abyss and started screaming so loud that my mother could hear me four flights away. I almost lost my grip when she finally came to my rescue and as she started to pull me up, she couldn’t hold on and I became a human pachinko ball as I ricocheted between the concrete retaining wall and the shed siding. I survived the fall but not without a slight scar under my right eye that is only noticeable as a bag under my eye when I’m tired. Then, my eye has a noticeable bag under it. I don’t know what hurt worse, the bloody cut or the beating I got when my dad got home.
Flatiron Building – The Flatiron is located below downtown and it is where AZ-89 divides into two one-way streets. In the background is the House of Joy Brothel that was one of Arizona’s best places for dinner.
It’s been more than ten years since we’ve been to Jerome, and a couple of things struck me when Queen Anne and I visited last week. I didn’t understand at first, but there is a sense of openness now. Most of the abandoned homes have been torn down. Jerome was full of decaying houses that had crumbling foundations, sagging roofs, and signs on them that said, “Condemned – Danger – Keep Out.” Those are gone now. The buildings that remain have been extensively restored and reinforced. There are a few new homes built on the vacant lots, and that’s good to see.
The other big change is disappointing to me. It’s the closing of the House of Joy. The historic brothel was once one of Arizona’s première restaurants but it’s closed now and the building is for sale. Eating at the House of Joy was a big occasion and a good reason for spending a night in Jerome. I’m sad that I missed the chance to dine there. Most of the current eateries are open only for breakfast and lunch, so except for the geezer cover-bands playing at the Spirit Room, evenings in town must be quiet.
Spirit Room – The bar is in the Connor Hotel building. On weekends, dozens of motorcycles fill the parking spaces while middle-aged professionals are inside having a beer while listening to a geezer cover-band playing classic rock songs.
Jerome is still a great place to spend a day out of the valley. There are plenty of stores on Main Street to buy a tee-shirt, try on jewelry, admire local art, enjoy an ice cream cone, or relax with a cold beer. There are more haunted buildings than ever, and the museums and mine are worth visiting. Jerome, as always, is one of the spots that you take your eastern relatives so they’ll get an idea of Arizona’s history and geographical diversity. It’s just … the old ghost town is more refined now and not the rough and tumble kind of place I first knew.
It’s June already and our wall thermometer is reading over 100º so it’s time to shoot somewhere a little cooler. Queen Anne and I racked our brains to come up with a scene close enough for day trips, and we decided to focus on Jerome this month. It’s a ghost town close by, it is a mile high clinging to the side of Mingus Mountain, and it is cooler than here. I have personal recollections about Jerome that I plan on sharing later this week, but Sunday’s are reserved for new picture announcements, so let’s get on with it.
I’ve photographed Jerome several times over previous decades and I already have a library of the town’s familiar buildings, so on this trip, I wanted to look for details that give Jerome character—you know—the artsy pictures. I got some shots that fit that bill, but to set the stage for Jerome Month, I wanted to start with an image that would give people who have never visited the town an idea of its geographical placement, and I think this week’s featured image does that.
House with a View – Building and maintaining a home on a mountainside is a daunting task. But like this house in Jerome, the views are priceless.
I call this image House with a View and it is one of the few private residences that has survived intact. It’s a modest home that is one story on the street but has three levels at the back. It’s a brick building indicating that it was home to a family of means—like a mine manager. To me, it shows how steep the slope of the lot it’s on and how much engineering it took to keep the house from sliding into Clarkdale below. Conversely, the upside of being tethered to a mountainside is the million dollar view of the Verde Valley two-thousand feet below—and to the north, the red rocks of Sedona. Can you imagine having cocktails on that veranda while watching the sunset on the southern edge of the Colorado Plateau?
You can see a larger version of House with a View on its Web Page by clicking here. I hope you enjoy viewing my newest entry and join Queen Anne and I as we show off Jerome this month.
This week’s featured photo concludes our May adventure to Alamo Lake’s mud cliffs. I have another couple of detail shots that would fit nicely into this grouping, but I’ve run out of weeks this month and we have other places to go. I suppose I could put together a set of six and make up a folio like Santa Lucia Fog, or maybe I’ll go back and shoot enough images to complete a portfolio. I’ll have to think about that—what do you think?
False Cave – This appears to be the opening of a shallow cave, but it’s not that simple.
May’s final image looks like I shot the mouth of a shallow cave with—if you squint and let your imagination go wild—a pair of cherub heads as keystones, and that’s exactly what it looks like when you approach this structure in the field. But there’s something in the photo that gives a clue that this isn’t a cave. It’s the light shining on the floor past the opening. If you crawled into the cave where that light area is, you could stand up—or you could just walk around the pile of mud to the left, and come back down the stream bed. This is actually a low arch that is torso high. If I had a model, her legs would show in the lower opening while her head and shoulders would be visible on top. It would make a unique open shower design—like you would have poolside.
In all honesty, I wasn’t creative enough to come up with that idea. The woman in spring’s photo class, whose images inspired me to visit this place, came here with a group, and one of her friends posed behind the arch. Except he was a guy and he wasn’t naked. When I walked up to this spot, I wasn’t sure it was the same because it’s so well camouflaged. If I do go back for a reshoot, I’ll need to have a model join me. What are the odds of that happening: me—a toothless old geezer—convincing an attractive woman to go with me to this barren wasteland so that we could shoot that picture? Yeah, I didn’t think so either.
You can see a larger version of False Cave on its Web page by clicking here. I hope you enjoy viewing my newest entry and join Queen Anne and I as we present new photos from a different location—this time in Yavapai County.
