Tin Shed Picture of the Week

It was the fourth article about my time shooting pictures in Colorado’s San Juan Mountains when Queen Anne burst into my office—all akimbo—and began scolding me. “Fred and me this, and Fred and me that. I haven’t had press in a month.” I felt like the guy in that Toyota commercial trying to answer his wife’s question. “I’m sure there’s a right answer here.” I quickly flipped through my brain’s Rolodex of apology cards, before I realized she was right. I had to change tactics, “If you want press, you have to put your butt in the truck.” I had her.

Last week, I announced that I was leaving for one of my back-road photoshoots, and I wouldn’t be back until after dark. I packed my gear and went into the house to grab my cooler stuffed with water and snacks. When I got back to the garage and jumped into Archie’s driver’s seat, guess who was sitting shotgun? Yes—it was Her Highness.

Now that her ego is satiated, I can tell you about October’s topic. I picked out a back-road that goes from Bagdad to Williamson Valley—northwest of Prescott. On my Gazetteer map, it’s identified as Behm Mesa Road, but it had several other names as we drove it, like Camp Wood Road, Forest Service 21, or Yavapai County Route 68. The map says it’s broad and well-graded, so a passenger car should make it, but there are sections on Behm Mesa’s shoulder that are rough and rutted, so I’d feel more comfortable driving at least a pickup truck with some ground clearance.

The terrain starts in Bagdad with large boulder fields interspersed with grassy flats on the mesa tops. As the trail gains elevation, the trees change from scrub oak to juniper and ponderosa pine near the Santa Maria Mountains.  After that, the road descends into the open grasslands found around Prescott. There are a couple of cattle gates that you have to open (and close) as you cross private ranches. Most of the route’s middle section runs through the Prescott National Forest, including a part along the edge of last Augusts’ Sheridan Fire. It’s weird/unusual to see a healthy forest on the road’s north side while the south side is black and barren.

Tin Shed - An old corrugated tool shed along the Camp Wood Road.
Tin Shed – An old corrugated tool shed seen along the Camp Wood Road.

I took this week’s featured image near our starting point. As the road leaves Bagdad, you slowly travel on the shoulder of Behm Mesa—where the rough part is. September’s heavy rains may have been the cause of the ruts, and the county hasn’t regraded it. Shortly after it makes its way to the mesa’s top, you reach the first gate at a ranch house, with black cattle hanging around a water tank. Just past the tank was this tin shed in a golden grass field that had a nice contrast against the deep blue sky (opposites on the color wheel). You all know that old buildings—like this one—are a favorite subject of mine, so I had to get out and snap a picture. I call it Tin Shed.

You can see a larger version of Tin Shed on its Web Page by clicking here. I hope you enjoy viewing it. Next week, we’ll have another image to show from the drive that Queen Anne (she gets make-up press) took on the Camp Wood road.

Until next time — jw

Poughkeepsie Gulch Picture of the Week

Even though we had to wing it, I think that the day in the mountains Fred and I had was a very successful adventure. We both got a lot out of it. Fred was able to put his—new to him—Toyota FJ through its paces, we saw some beautiful rugged country, we took a lot of pictures, and we came back in one piece. When we got back to base camp, our wives—Deb and Queen Anne—knew we had a good time from the big bug-stained grins on our faces, and the incessant chattering about our day.

We visited four of the two dozen high passes in the San Juan Mountains, and those were the day’s high points (pun intended) of our trip. Coincidentally, that’s enough material for a typical month’s worth of blog posts. But September has five Sundays this year, so I get to show you another picture that I took; of the twenty-two keepers, this one is my favorite.

I don’t usually work this way. When I’m out alone with my camera, I try to work a scene. I’ll shoot several angles, zoom in and out, add or remove elements in the composition, or maybe wait for better light. When I’m back at my desk, I’ll review the raw files and pick out the best. I don’t bother processing most of my shots. In Colorado, we covered a lot of area in one afternoon, and I was just along for the ride, so I snapped pictures when I could before moving on. For most of the day, the light wasn’t to my liking, but the mountains were strong enough to stand up in less than ideal conditions. As dinner time approached, the sun’s color began to warm, and the scattered clouds cast shadows on the peaks.

Poughkeepsie Peak - The late afternoon sun shines on the top of Tuttle Mountain, which overlooks Poughkeepsie Gulch.
Poughkeepsie Peak – The late afternoon sun shines on the top of Tuttle Mountain, which overlooks Poughkeepsie Gulch.

We were almost done for the day, and as we approached Hurricane Pass, I saw this scene on the road overlooking Como Lake. I consider it the best of the day. It’s the fish you pull from the creel after the guys have finished laughing at the other minnows from your basket. It’s called Poughkeepsie Gulch. In this image, the warm afternoon sun is shining through a hole in the clouds on Tuttle Mountain’s top, which is otherwise covered in cloud shadows. The 13,203’ peak overlooks Poughkeepsie Gulch and down there, you can see the road the rangers warned us was too advanced for amateurs like us.

You can see a larger version of Poughkeepsie Gulch on its Web Page by clicking here. I hope you enjoy viewing it. Be sure to come back next week when we feature the scenery from another Arizona back road.

Until next time — jw

Lake Como Picture of the Week

Lake Como as seen from the top of Calaifornia Pass.Lake Como – A little alpine lake from California Pass in Colorado’s San Juan Mountains.

Something is intoxicating about standing on a mountaintop. You get a sense of accomplishment—an incredible buzz—while taking in the view. As you spot familiar landmarks, the map you carry around in your mind gets updated. I can understand the addition mountain climbers have to the highest peaks. I’m just too lazy to be one of them, and you won’t catch me on the climbing wall at the local gym—or inside the gym in the first place. Spending a day with Fred driving his FJ up-high passes in the San Juan Mountains was good enough for me.

When we decided not to spend all day driving Colorado’s Alpine Loop but drove up two of its passes, we wanted another challenge. The first ascent was scary, while the second was not so much. I felt like a kid on a swing urging his parents to push harder. “Again,” I shouted. So, we stood on Engineer Pass with the map spread over the hood, looking for another route back to Silverton. After all, we didn’t want to go back down the way we came. That was along the Animas River and was flat and dull. We agreed on a route that would take us over two more passes before dropping back to Silverton via Cement Creek, and that meant that we’d have first to drive back down to Animas Forks.

From the ghost town, we headed west up California Gulch. Going in this direction, the road ran straight ahead for several miles and appeared to end midway up California Mountain. Several times, I’ve traveled roads without a clue what’s ahead. For example, Interstate 15 is heading north out of Mesquite, Nevada. As it leads for the Beaver Mountains, you can’t pick out where the freeway climbs over them. I always involuntarily back out of the gas in case the road suddenly ends—like against the mountainside. At the very last moment, the Virgin River Gorge opens and swallows the highway. I was getting that feeling now.

It wasn’t until the perceived end of the road that it turned on itself and climbed behind a side ridge that hid the route from below, and as we drove around the bend, the trail went vertical. I questioned our decision to go this way because this was undoubtedly the beginning of the roller coaster from hell. Fred managed to keep all four wheels on the ground while his truck grunted its way up the grade. When we reached the top, as with the other passes, there was a spot to park and look around. When I got out, I decided a box of Depends would be a handy accouterment on these trips.

But the view! The light was coming in, and there were great shots back at California Gulch, and in front was this pretty little alpine lake—Lake Como—on the other side. I have seen pictures of places like these in magazines, but I’ve never been to one. It was breathtaking—well, 13,000 feet is stunning enough, but you know what I mean. I snapped several variations of this photo, and we eventually drove down to the lake where Fred tried to park over an open mine shaft, but that’s another story. This week’s featured image is the version I liked best because of its composition and color details. I call it Lake Como. I hope you like it.

Don’t let your eyes miss out—feast them on an even grander version of Lake Como right here (Jim’s Page)! Buckle up because we’re diving back into Colorado’s enigmatic San Juan Mountains aboard Fred’s Toyota next week. Trust me, you won’t want to miss this!

Until next time — jw

Engineer Pass Picture of the Week

When my friend Fred planned our off-road excursions through the San Juan Mountains, his initial itinerary was to complete the Alpine Loop, which includes two passes, circling Red Cloud Peak, Sunshine Peak (which are two of Colorado’s 14,000 foot mountains, but aren’t even in the top 10), and a stop in Lake City. Now that I’ve had time to recover and look at my maps, I think that would be a fabulous trip, especially if we did it later this month when the aspens turn color. But, when we stopped at the Silverton information center, he was told that it’s a seven-hour trip, and it was already afternoon, so we decided to sample some of the passes around Animas Forks instead.

Last week’s image was from Cinnamon Pass, and this week’s picture is from Engineer Pass—our second stop. Both of these places are along the Alpine Loop. If you do Cinnamon first, the route will be counter-clockwise and the opposite direction if you first go over Engineering Pass. The two passes are only miles apart, and most of the Alpine Loop is east of them. Although they’re relatively close, as the crow flies, driving the road requires descending 3,000 feet to the ghost town then 3,000 feet back up the other way. If I thought going up the mountain was exciting, going down was harrowing. I almost got out and walked.

Mountain Man Fred
Mountain Man Fred – It’s not an illusion that Fred’s hanging on to that wire. The sign is well over the slope, and the footing is unsure because of the loose shale.

As we rounded a corner, we saw a knoll where several vehicles were parked, and a crowd snapping selfies and taking in the view. We assumed this was it. It wasn’t. It was Odom Point, and we joined the others for the view and document our visit. As we returned to the road, a sign that said that our pass was further down the road, so we drove another couple hundred yards.

Engineer Pass
Engineer Pass – Looking north from the saddle, you can see two mule trails blazed by prospectors. One leads down into the valley while the other zig-zags up the unnamed peak.

This week’s image that I call Engineer Pass was taken from the 12,800-foot high mountain saddle looking north, and it shows an unnamed peak that’s another hundred feet higher. Also visible are two mule trails, one that descends into the valley and the other that cuts across the talus slope past the red streaks before a switchback as it zig-zags to the summit. I declined to try either of the trails.

While we were taking in the view, I turned around and was stunned to spot over a dozen cyclists peddling up the grade from Palmetto Gulch. No way! We were driving a jeep, and I was out of breath, while these guys were racing mountain bikes on the same road. It’s no wonder that Stephan Pastis ridicules bicyclists in his syndicated cartoon Pearls Before Swine. They’re insane.

You can see a larger version Engineer Pass on its Web Page by clicking here. Be sure to come back next week when we’ll continue exploring Colorado’s San Juan Mountains in Fred’s Toyota.

Until next time — jw

Cinnamon Pass Picture of the Week

So, I cheated on September’s subject. By that I mean that Archie and I didn’t drive on these roads, they weren’t just casual side roads—you had to want to go on them, and they weren’t even in Arizona. Let me explain, and I’m sure you’ll forgive me.

August is the time for our annual retreat from the heat. By then we’re in the middle of the muggy monsoon, and we have to find respite in a cooler place—even if it’s Utah. This time we decided to spend a couple of weeks with our friends, the Poteets. Fred and Deb have been working as camp hosts in Colorado and Minnesota for several years, so we dragged The Ritz to cool off in the 6500’ mountain air of Durango.

When we got there, the first thing Fred wanted to do was “… hop in my FJ and drive over some of Colorado’s famous mountain passes.” I thought he meant driving some highway over the Continental divide, but nooo. He was talking about driving the prospector roads in the San Juan Mountains. He bought the Toyota earlier this year and hadn’t yet put it through its paces. He swears the FJ badge on it stands for Fred’s Jeep, and he wanted someone to go and test it on what barely passes for roads. Now I know what Deb meant when she pulled me aside on arrival and said, “Tag, you’re it.”

Our adventure centered on the ghost town of Animas Forks, which is a dozen miles northeast of Silverton and at over 11,000’. We spent an entire afternoon driving over mountain passes that would look down on Mount Humphries—the highest mountain peak in Arizona. The so-called roads were one-lane gravel mule trails cut into the mountainsides. They had impossible grades, and often, the windshield view was just clouded sky. Many times the gravel was replaced with bedrock and the truck would tip precariously—always to my side, and I’d be looking in horror over the edge, and I’d quote something that Queen Anne has said many times to me, “<imagine a woman’s voice screaming>.” Then there were the switchbacks. “We’ll have to turn around,” I’d suggest in a high squeaky voice. Fred would answer with, “Here, let me put it in low range,” then he’d push some lever, and the FJ would claw its way further up the hill.

In all, we spent four or five hours above 12,000 feet and crossing four passes. When you’re at that altitude, a 13,000-foot mountain isn’t so much, so we’d get out and climb on foot to its summit for a pee. I’m glad that Fred remembered to set the brake because, with my luck, we’d be standing on a mountain top watching his truck roll backward into the valley three thousand feet below.

After we got back into Silverton, we stopped so Fred could put air back into the tires. “20 pounds is the minimum to keep the tire from separating from the wheel, but the ride is better.” He then asked if I’d like to do more mountain four-wheelin’. After thinking for a moment, and being the manly man that I am, I told him, “Only if I can bring a box of Depends along so I can change my shorts.”

Cinnamon Pass
Cinnamon Pass crosses over the mountain of the same name at 12,640 ft. That’s well above the timberline in Colorado’s San Juan Mountains.

This week’s featured image was taken at the first of the four passes that we visited—Cinnamon Pass. When we got there, we got out, kicked at the dirt, and looked around with our hands in our pockets—it was cold up there. After shooting a couple of shots, I told Fred that I was going to climb up a roadside knoll to see if there was a better shot. On top, I found out there was because I saw the little alpine lake hidden from the road. As I hiked back down to the truck, I told Fred what I had found so he could see the pretty little lake.

You can see a larger version Cinnamon Pass on its Web Page by clicking here. Be sure to come back next week when we’ll show another photo from Fred and Jim’s exciting mountain outing.

Until next time — jw

Hualapai Road Picture of the Week

To reiterate what I said in my first post on exploring the Hualapai Mountains, there isn’t much open space there. The little village consists of a cluster of homes, a general store, and the county park for everyone else. There aren’t the amenities that you expect in Flagstaff or the White Mountain communities, but if you like camping and a challenging day hike, the park at the top of Sawmill Canyon Road is a different destination.

Hualapai Road
Hualapai Road-A dirt trail on top of the Hualapai Mountains that reminded me of the Loan Ranger’s opening scenes.

When I first arrived, I explored every road to see what’s there, but the only trail leading out of town soon became to rough and exceeded my road rules, so I turned around and headed back to the park. Before I did, I liked the rustic feeling of the country road, so I composed this week’s featured photo of the scene. I call this image Hualapai Road, although it’s little more than a trail.

The reason that I selected this photo over some others was how the trail curves over a hill between the rocks and trees. It makes me wonder where it leads, and what will I see when I get there. The countryside also reminds me of the opening scene of the old TV show The Lone Ranger that I used to watch as a kid on Saturday mornings. It’s easy for me to imagine the masked hero galloping on his white stallion over the hill—kind of like me and Archie.

You can see a larger version Hualapai Road on its Web Page by clicking here. Be sure to come back next week when we start another series of image from another location.

Until next time — jw

Potato Patch Picture of the Week

A couple of weeks ago, I talked about my struggle to climb a half-mile to an overlook on Hualapai Mountain Park’s Potato Patch Trail. Remember? Some hikers felt sorry for me and offered water while others were impressed that I was old, but still on my feet. Anyway, I’ll bet you’re wondering if there’s a picture from there. The answer is yes, and here it is.

Potato Patch
What appears to be the mountain top conceals the real summit – Hayden Peak which is another half mile away and three-hundred feet higher than these rocks.

This week’s shot is from the rocky perch looking up at a false peak. It’s one of those illusions that happen on a trail where you say, “I’m almost there.” So, you keep going, but when you get there, you find that Mother Nature has moved the finish line. The image shows rocky outcrops that are an unnamed high point on the mountain, but the real summit is Hayden Peak, which these rocks hide and the actual summit is another three hundred feet higher. Between this false summit and Hayden Peak is something called The Potato Patch, which will remain a mystery until I return or someone enlightens me, so that is the story behind this weeks image title and I’m sticking to it. I’ll bet you thought my imagination had run wild again, or that I suffered from altitude sickness.

The view facing east at the overlook was disappointing. From the ledge, you could look across Sawmill Canyon and see Dean Peak and all of its communication towers. The little village below was obscured by pine and scrub oak trees. There was also a small window between the trees where you could see Snow Peak twenty-eight miles away in the Aquarius Range on the other side of the Big Sandy Valley (U.S. 93). I didn’t even try to get that shot because it was too much of a reach for my camera lens.

You can see a larger version Potato Patch on its Web Page by clicking here. Be sure to come back next week when we’ll show one last photograph from the top of the Hualapai Mountains.

Until next time — jw