Tag: Ruins

Sinagua Pueblo Picture of the Week

Sinagua Pueblo - A two room stacked-stone ruin that the Sinagua people used for ceremonial purposes.
Sinagua Pueblo – A two-room stacked-stone ruin that the Sinagua people used for ceremonial purposes.

When Queen Anne and I married, we lived most of a decade in a second-floor condo. Besides living in cramped quarters, the thing we most disdained was lugging groceries from the parking lot and up those stairs. My right knee cracked with each step. We swore then that we’d never live in a two-story house.

The Sinagua people would’ve considered us Snowflakes. Imagine your family living in a small cave with a plastered rock façade built on the side of Walnut Canyon. They scaled the canyon walls (without stairs) to get to work. Once on top, the men tended small patches of fertile soil along the edge. They grew drought-resistant crops because their name means Without Water. At least, the Spanish called them that when they first visited the canyon. For protein, they hunted deer, elk, and big horn sheep. After butchering the game, they stuffed the meat into Safeway plastic bags and lowered it on ropes.

Given my extreme age, my most significant anxiety would be getting up in the middle of the night for a glass of Water. As it is, I struggle to find our kitchen in the dark, much less climb down to the creek and back. Of course, their local wise man was in his thirties, and he knew when to stand up and declare, “Today is a good day to die.” Then as he tossed his blanket over his shoulder, he’d tromp out of the camp to the nearest mountaintop, where he’d sit for weeks until dying of starvation. Once again, I’ve proved that exercise is unsuitable for you.

There are many disadvantages to living on a cliff-side cubby hole, but for me, it’s the TV reception. It’s lousy down there. You’d need to get cable or a satellite dish. Then you’d waste time waiting for the cable guy to show up.

There are two trails for you to explore when you visit Walnut Canyon National Monument. Both are under a mile long. The Island Trail is a loop that drops into the canyon, past several dwellings, and then climbs back to the rim. We’ll explore it next week. The Rim Trail stays on top of the mesa and is easier to hike. It goes past some old crop fields and a couple of ruins. I took this week’s picture on the Rim Trail.

The image that I call Sinagua Pueblo shows a two-room stone building of generous size. This structure was probably a communal building for ceremonies and grain storage, like your condo’s community center. Here is where the Sinagua unloaded their trucks after a Costco run. Surely you realize that I’m joking. Flagstaff doesn’t have a Costco. Recovered artifacts show that the Sinagua traded with the villages at Eldon Mountain, Wupatki, and Homolovi—after a short train ride to Winslow.

As you quietly stand and admire the pueblo’s stonework, you can hear Sinagua ghosts laughing, smoking peyote, and chanting with the rhythm of deerskin drums late into the night—until the neighbors come by and yell, “turn down those damn drums.” More cowbell.

I hope you enjoy seeing the pueblo at Walnut Canyon. You can view the Web version of Sinagua Pueblo on its page by clicking here. Next week, we’ll explore the Island Trail and show those photos—if I can only make it up this last flight of stairs.

Till next time
jw

Cozy Bed by the Fire Picture of the Week

Cozy Bed by the Fire - A discarded box spring left inside the abandoned Richardson House at Union Pass.
Cozy Bed by the Fire – A discarded box spring someone left inside the abandoned Richardson House at Union Pass.

Neither of my grandfathers was around when I grew up, but their wives were more than a kid could handle. I don’t know of two women that were such opposites. They were the prototype for the good-cop/bad-cop routine used by police worldwide. My parents invited each to live with us at one time or another. For us kids, it was like having four bosses—with different agendas.

My dad’s mom was a short stalky woman who spoke with a Polish accent, even though she was born in Pittsburg. That was the primary language in the neighborhood where she lived. When I was in kindergarten, my mom made my dad move to the suburbs after I came home swearing in Polish. Her name was Regina, but we always called her grandma—or Grandma Witt when they were both around. She earned money for cleaning downtown offices at night. It wasn’t a glamorous job, but she owned her home up on Leander Street—the Rodeo Drive of Polack Hill.

After she retired, she joined us in California, and my parents paid her to clean our house—which never needed cleaning. Except for Christmas cookies, she was a terrible cook. She used vinegar in everything, and her favorite vegetable was sauerkraut. On Wednesdays, she’d make pork chops. According to her, they weren’t cooked until they were dry and brittle as their serving plate. It took years to get over my disdain for pork. When we would test her boundaries, the extent of her discipline ended with the phrase, “I’m going to tell your father when he gets home.” She never did, so we got away with murder.

Mom’s mother, on the other hand, was a terrorist. I don’t know how her seven children made it out alive because she detested kids. We called her Grandma Moore even though she took back her maiden name after divorcing my granddad. She was thinner and a couple of inches taller than dad’s mom, and we kids called her Mean Grandma. Whenever my mom would announce that she was coming to stay with us, we tuned up and bawled. My mom told us she was a registered nurse, but her remedy for anything was mercurochrome or Bromo Quinine. If you ever saw a red-splotched child heaving at the curb, that was us.

One time my dad came home on a payday and surprised us with brand new toys. They were those wooden paddles with a red ball attached by a rubber string. The goal was to continuously bounce the ball off the paddle like a horizontal yoyo (Because I lacked coordination, the ball kept smacking me in the face). The day my parents returned to work, she tore the ball and band off and kept the paddles handy to swat us when we got out of line.

I remember her telling us that we were all heathens and should behave more like our cousins. After she died and we all gathered for her funeral, those cousins recounted how my sisters and I were her examples of well-behaved children. That’s when I realized that she acted the same with all her grandkids.

At one point in my photography career, I began shooting trash furniture. I took one picture of a chair, and then I began to see discarded furniture everywhere. It jumped out at me. I have an extensive collection of chairs I found dumped on the street, and you can see some of them in my Have A Seat gallery. When I was shooting at the Richardson Homestead last month and stuck my head inside the house, I came up with the ironic title before I snapped the photo. Even though it’s garbage, Queen Anne and I have stayed in motels that weren’t much better.

I stepped inside, but when I framed the shot, I was too close—even with my widest lens. I had to back up to get everything in the frame. When I stood outside the door, its structure got in the shot, so the perfect place to stand was in the doorway. But, since that was the scene’s primary light source, the stage was too dark. I was blocking the incoming light. That’s when I heard Grandma Moor’s voice in my head reciting one of her favorite phrases, “You make a better door than a window.” She would always say that whenever we stood in front of the TV. Forty years after her death, she haunts the darker corners of my brain.

I finally figured out how to get this week’s photo without the dreaded slow-shutter blur. I call this image Cozy Bed by the Fire, and you can see the larger version on its Web Page by clicking here. Come back next week to see the next shot from my morning at the Richardson Homestead.

Till Next Time
jw

White House Picture of the Week

White House - An abandoned dwelling of some sort in the ghost town of Dos Cabezas.
White House – An abandoned dwelling of some sort in the ghost town of Dos Cabezas.

Ghost towns are a big business in Arizona. That’s good because we have our fair share, and a few of them attract many tourists. They’re our Disneyland. As soon as your relatives hit the tarmac and demand to see the state, the first suggestion out of your mouth is, “Let’s go to Jerome (Bisbee-Oatman-Tombstone-etc.).” You’d think that, by definition, ghost towns are abandoned places—they had their heyday long ago, but the residents left when things went south. But, that’s not necessarily true. The population count in some of our mining towns rivals the numbers they had in their prime. Our hometown of Congress is an example. People move here to get away from Phoenix’s smog and traffic—or the Minnesota snow—and they’re all on the road and in my way.

I’ve concluded that somebody loves it and wants to live there no matter how remote one of these places is. Take the town I introduced last week—Dos Cabezas. Among the derelict buildings, there are two surviving businesses. One is an art studio/gallery (Dos Cabezas Art Gallery), and the other is a bed and breakfast (Dos Cabezas Retreat Bed and Breakfast). At least those are the two places that advertise their presence. There are several cattle ranches in the area, and there is an emerging wine presence, but not within the town limits.

I don’t know anything about the gallery, but enjoying a glass of local wine while staring at the stars on the B&B patio would be a treat. Since it’s closer to the Chiricahua National Monument, it’s an alternative to the chain hotels or downtown dives in Willcox. The two guest rooms are in an adobe walled casita, and as the name implies, the hosts include breakfast. A drawback for Queen Anne and I would be dinners. The nearest restaurants are 15 miles away in Willcox or Douglas, over an hour’s drive south. If you’re a person that needs bright lights and noise to sleep, the retreat wouldn’t be your cup of tea—the nights in the middle of Sulphur Springs Valley are exceptionally dark and silent.

As you can tell from this week’s picture, the little ghost town is at the foot of the Dos Cabezas Mountains. It’s near the range’s southern reach, so you can only see the south head (Cabeza). There’s a road and trails that will get you to the top, where I imagine the view of the valley and Willcox Playa is spectacular. You need permission to cross a locked gate, and the top is steep, so why bother?

In this image that I call White House, I assume it was a dwelling. It’s a palace compared to some of the miner’s shacks I’ve seen. Unlike the other buildings in Dos Cabezas, this one is a fixer-upper. You have affordable housing with a bit of paint, a few shingles, and a yard clean-up. But there’s probably a community historical committee that needs appeasement, so you can’t paint it purple.

Unlike last week’s photo, the white stucco pops against the brown mountain and clear blue sky, and I like that. There’s plenty of side yard where I visualize Queen Anne hanging laundry on a solar drier. Then, this would be a picture that Norman Rockwell or Andrew Wyeth would envy. Where’s the Saturday Evening Post when you need them?

You can see a larger version of White House on its Web Page by clicking here. Next week, we continue down County Highway 186 in search of an image worthy of another car stop. Please join us.

Till Next Time
jw

Stamp Mill Picture of the Week

Everyone has heard the axiom, “All roads lead to Rome.” Well, they don’t exist in Yavapai County. Over the past couple of years of traveling Arizona’s back roads, I’ve found that they lead to mines, and with good reason. We all have a vision of a dusty prospector sneaking off with a couple of burros to a secret gold mine in the mountains—this is before he became the Arizona Lottery huckster. A man like Jacob Waltz may discover a vein of gold, but it takes a corporation to extract it effectively.

You have to move a thousand tons of ore to make a ton of money. A few burlap sacks strapped to a burro’s back won’t do. You must move unrefined earth by wagon, truck, or railroad car. So, part of The Company’s infrastructure is getting things to and from the mine site. That is the Phelps-Dodge and the Senator Mine story—and this month’s back road adventure.

While bouncing along the Senator Highway in R-Chee (according to his license plate, that’s the correct spelling), Anne suddenly blurted, “There’s a large building down there.” Since my side wasn’t overlooking the cliff, I couldn’t see it, so I stopped the truck and walked back to see the steel skeleton of an old structure. “Cool,” I told her as I climbed back into the driver’s seat. “It’s too early, so we’ll stop on the way back when the light is better.”

Stamp Mill - The ruins of the Senator mine stamp mill are perched above the headwaters of the Hassayampa River.
Stamp Mill—The ruins of the Senator Mine stamp mill perch above the headwaters of the Hassayampa River. The mill is visible on Google Earth if you zoom in on the Senator Highway, which crosses the Hassayampa River.

After some research, I discovered that the building was a 10-unit stamp mill for the Senator Mines. As rock came from one of the three parallel shafts, the miners hauled it to the mill, where the hammers pounded big boulders into small ones. As far as ghost towns go, we struck gold (I couldn’t resist the pun, sorry). Concrete foundations are usually all we find in these places, but since this frame was steel and not timber, the skeleton survives and gives scale to its size. From the road, I could easily walk down the stairs and wander the four floors. Vandals decorated the remaining vertical walls for Christmas with colorful graffiti everywhere, so I guessed we weren’t the first to find this place.

Kennecott Mine - The Kennecott mining town is preserved in the Wrangell-St Elias National Park in Alaska. This should give you an idea of how a mill looked with the clapboard still intact.
Kennecott Mine—The National Park Service has preserved the Kennecott mining in Wrangell-St Elias National Park in Alaska. This photo should give you an idea of a mill’s appearance with intact clapboard.

I visited a similar mill in Alaska at the Kennecott Mine in the Wrangell Saint Elias National Park. At this location, the Park Service keeps that building in an arrested state of decay and still has the red clapboard siding. I wanted to show you how Senator Stamp Mill might have looked while running, so I’m including my Alaska photo.

For this week’s featured image—Stamp Mill—I wanted to show the building and its environment, which is hard to do while standing inside of it. So, I took this shot from the far side of the Hassayampa River Canyon as the sun hung low in the western sky. I was lucky in that the remaining silver paint glowed in the afternoon sun, making the frame pop from the background.

Click here to see a larger version of Stamp Mill on its website. I hope you like it. Be sure to return next week when we present the final image from our drive on the Senator Highway.

Until next time — jw

Kirkland Junction Picture of the Week

A couple of decades ago, there was a TV ad where a sleepy-eyed baker got out of bed and made his way to his Dunkin Donuts store, and as he made his way, he mumbled, “Time to Make the Doughnuts.” I felt sorry for the poor guy and wished he could crawl back in bed. But, if your business is selling coffee and deep-fried cake to a morning crowd, you gotta’ make some product. You’ve got to work your schedule.

In photography, the quality of light is vital for making memorable images. Pictures that stand apart from the millions posted daily on Instagram. This topic is one that I’ve covered in my writings several times. Any subject looks better when you capture it when the light is warmer, and the shadows are longer—known as the golden hours. Those happen after sunrise when healthy people are still in bed, and before sunset when smart people have sunset cocktails. When I go out on a photo shoot, I try to time my sessions using that light.

The light is even more complicated in Arizona. Because we live in a longitude closer to the equator, that golden hour dramatically shrinks in summers. To further complicate things,  the desert afternoons are too hot for scouting subjects. That’s why I chose the early morning when Fred and I went to Placerita. To get there at the right time, we left before sunrise. Unfortunately, by the time we arrived, the clouds moved in and took away the color, so I made a second trip last week. This time I was on my own because Fred was nursing an old war wound, and Queen Anne doesn’t get out of bed unless there’s a jewelry store involved.

So, in the darkness, I packed my gear into Archie and drove north on State Route 89 with a USB stick full of fresh tunes and a hot mug of coffee in the cupholder. In Yarnell, the sky was bright with a line of clouds leftover from the day before. I watched the color deepen as I passed through Peeples Valley. By the time I arrived at Kirkland Junction, I had to stop so that I could get a shot. After turning onto Wagoner Road—this month’s back road—there was enough light to show color on the ground. I lined up the scene so that some abandoned structures were under the pink clouds.

A set of abandoned buildings at Kirkland Junction underneath beautiful pink clouds.
This week’s photo is of a set of abandoned buildings at Kirkland Junction underneath beautiful pink clouds. The mountain in the background is Kirkland Peak.

That’s how I took the last photo in June’s series. I call this week’s featured image, Kirkland Junction. Interestingly, this month we showed the subject of this month’s journey from the end to the beginning. We began the month at our destination—Placerita-and worked to the road’s start. It’s like that movie Momento.  You knew the protagonist was guilty of the murder right up to the story’s beginning that was at the film’s end. I was so confused by the time the movie was over; I had to think about it for weeks. I hope that I haven’t done that for you.

You can see a larger version of Kirkland Junction on its Web Page by clicking here. I hope you enjoy it. Next week, we’ll begin a new journey on a different, less-traveled highway. I hope you’ll join our expedition.

Until next time — jw