photography – Page 6 – On the road with Jim

Mack’s Bar Picture of the Week

Mack's Bar - Something that its patrons may never see is the early morning sun shining on Mack's Bar in Willcox, Arizona. — Mack’s Bar – Something that its patrons may never see is the early morning sun shining on Mack’s Bar in Willcox, Arizona.

“Gee, had I only known …” I don’t know about you, but I’ve uttered that phrase a lot. I shouldn’t be surprised because my mom always told me that I “was a day late and a dollar short.” And, I always thought she called me sun because I was so bright.

This time I whispered the idiom to myself after getting back from our Cochise County trip. As I always do, I began looking for stories that complement my pictures. I found a great story about another Earp shooting. Not Wyatt. That would have been too good. This incident involved the shooting death of Warren Earp—Wyatt’s youngest brother—at 1:30 am July 6^th, 1900, in the Headquarters Saloon.

If you’re not familiar with the controversial Earp brothers (where have you been), they were supposedly the good guys at the OK Corral shootout in 1881—even though they wore the black hats and black dusters. I don’t want to dwell on the Tombstone incident, but the short version is that Wyatt, two of his brothers Virgil and Morgan, and their friend—Doc Holiday went to the corral to disarm four Clanton Gang cowboys. The confrontation erupted in a 30-second gunfight where the Earp’s killed Tom and Frank McLaury and Billy Clanton while Ike Clanton managed to run away. (In this video, Bob Boze Bell—former DJ, artist, and publisher of True West magazine—explains the shootout’s story better. It’s longish but interesting.)

Warren wasn’t in Tombstone at that time because he was too young and lived with his parents in California, but he later got entangled in the subsequent vendetta that lasted another year. By 1900, Warren had settled in Willcox, a mountain range east of Tombstone. He worked as a stage driver for the mail and a Sierra Bonita Ranch hand. It was at the ranch where he and Johnny Boyett became close.

On the fateful night, Warren and Johnny got into a shouting match in the saloon on the northeast corner of Maley Street and Railroad Avenue (diagonally across the street from last week’s train station). As their argument heated, they threatened to kill one another, although neither was armed. Short-tempered Warren and Boyett left the bar separately. Earp wanted to cool off, and Johnny went to get a gun. When Warren returned through the back door, Boyett shot at him four times. He seemingly missed on purpose. Earp taunted the ranch foreman and opened his duster to prove he didn’t have a gun. “Don’t come an inch closer,” Johnny shouted, but Warren continued. Johnny fired another round sending a bullet through Earp’s heart. Warren fell foreword, dead onto the floor. Then things got weird.

Between the 1:00 am shooting, and sunrise, Earp’s body was dragged to the cemetery and buried in an unmarked grave. Meanwhile, the Sheriff arrested Johnny. Then he got the local judge out of bed. They held a trial, where the witnesses testified. Finally, the judge determined the shooting was justified and freed Johnny Boyett. The incident was closed and sealed forever.

There is a tantalizing clue, however. In the 1930s, a reporter interviewed a woman living in Prescott’s Pioneer Home. Her name was Mary Cummings—she was also called Kate Elder, but she was best known as Big Nose Kate. She worked as a prostitute in Tombstone and was Doc Holiday’s common-law wife. During that interview, she recounted her memories of the Earp brothers and said Warren’s death “… was the result of an altercation between two individuals involved in an unnatural male relationship.”

How does this week’s picture fit into this story? It doesn’t. The Headquarter Saloon burned to the ground sometime after the shooting, but the builders used the foundations to rebuild an identical structure. It’s repurposed now—ironically as a wine-tasting room. While I was shooting in Willcox, I didn’t feel it worthy because it has a tacky sign painted on the white stucco. This week’s photo—Mack’s Bar—is also on Maley Street, a block west of where our story took place. So, it’s a bar, it’s on the same street, and that’s as close as I got.

You can see a larger version of Mack’s Bar on its Web Page by clicking here. Next week, I have another picture from Willcox, and maybe I can find a story that goes with it.

Until next time — jw

Dune Moon Picture of the Week

When Queen Anne and I make our quarterly medical run-to-the-border, the drive is usually three-hours each way. Most of the time, we leave at dawn, see our dentist, buy prescriptions, and then come home. For me, those are long days behind the wheel; for Anne, not so much. She’s usually asleep in the passenger seat until her snoring wakes her up.

Occasionally when we have lab work done, or the customs line is three-hours long because the snow-birds have arrived, we’ll get a room in the elegant east-side Motel 6 and dine at the swanky four-star Denney’s. Our December visit was one of those occasions. Since I needed a topic for January’s posts anyway, we spent an extra night and took a circuitous route home—we’d go up to Blyth to work the Algodones Sand Dunes for this month’s project.

The great swath of sand starts about three miles south of the border outside of Los Algodones, Baja. It continues 45 miles northwest into the Coachella Valley (California’s Imperial Valley). They’re the most extensive contiguous dune system in the U.S. The dunes are also called the Imperial Dunes, Glamis Dunes, and Gordon’s Well. The name varies with location and the leisure activity you’re doing. Still, the entire system is officially named Algodones Dunes (in Spanish, it means cotton plant—the predominant crop grown on both sides of the border along the Colorado River). This week, we’ll start west of Yuma at the Mexican border—at Gordon’s Well.

Imagine it’s 1850, and you’ve traveled by wagon hundreds of miles across the scorching Sonoran Desert, forded a raging Colorado River, and finally crossed into California. You’d think your hardships are behind, but then, you’re greeted with 6 miles of Sahara-like sand to cross. With each step, you sink up to your knees. Even in 1926, when the nation’s first Ocean to Ocean highway was built (U.S. Route 80), the shifting sand was an engineering nightmare. They couldn’t simply scrape the sand away because the prevailing wind constantly covered it up again. Even today, if you’re caught in a windstorm along this section of road, you’ll risk a chance that the sand will blast the paint off your car.

Plank Road - You can see what's left of the old plank road on display at Gordon's Well. — Plank Road – You can see what’s left of the old plank road on display at Gordon’s Well.

The road builder’s solution for getting across was to build a plank road—movable wood sections on railroad-lie ties that floated on the sand’s top. It turned out to be challenging to maintain, but it drastically cut the crossing time when it was clear. Eventually, the planks were replaced with new and expensive asphalt, and eventually, it became Interstate 8. There is a section of the original plank road at Gordon’s Well on display. When you grow tired of looking at the old wood road, you can walk over to the border wall and lean on it.

Dune Moon - A waning gibbons moon setting over the Algodones Dunes west of Winterhaven, California. — Dune Moon – A waning gibbons moon sets over the Algodones Dunes west of Winterhaven, California.

As Anne and I drove west on the freeway, we spotted a waning moon setting on the dunes, so we looked for a place to stop. We’ve got stuck in these sands once before, so we were careful not to drive off the blacktop. I didn’t want to pay for another hook to come to yank us out. As you can see, we found a good spot and took this week’s picture called Dune Moon. The name could have been funnier if I had shot it during a particular summer month. Se la vie.

You can see a larger version of Dune Moon on its Web Page by clicking here. Next week we drive north up the Imperial Valley to visit the northern dune crossing. Be sure to come back and see what we found.

Until next time — jw

Snow Canyon—The Book New book announcement

Do you remember from my first of this month’s post—Stacked Arches—where I said, “There’s enough to photograph within the park’s boundaries to fill a small picture book?” Well, there is—and I have—so I did. This short particular midweek post announces my latest book—Snow Canyon.

Snow Canyon - The Book - my latest book will be released next week, but you can get a sneak peak by clicking here. — Snow Canyon – The Book – my latest book will be released next week, but you can get a sneak peek by clicking here.

They haven’t released it yet; that will happen sometime next week on Amazon. It’s available in two versions. The first is a hardcover with a dust jacket. The paper I used was the best offered, so I expect the photos reproduction to be outstanding. The second variation has a soft cover and is printed on upgraded paper stock.

It’s a self-published book, like my others, so, unfortunately, its cost is prohibitive—unless you want to buy 100 copies or more. However, I wanted you—my subscribers—to enjoy it, so I’m providing a link to a free version in PDF format as a way of saying thanks for hanging out with me.

Once you download the PDF (2MB), you can read it, print it, tape it to your fridge, or line your parrot cage. It’s yours to do as you wish. Get your copy by clicking on the cover shot above or on this link: Snow Canyon—The Book.

I hope your New Years’ celebration is safe and sane. I’d like you to be around next year when we go to many exciting new places.

Now, we will return to our regularly scheduled programming.

Until next time — jw

Grand Canyon Hotel Picture of the Week

Almost two centuries ago, a peculiar group of men earned a living by hunting and trapping wild game in the mountain west. That’s right; they were the Mountain Men. Although they were legendary, there were only about a thousand of them, and their heyday only lasted 20 years. They preferred pack mules to people, so they traveled alone. One of these men was exceptional and was admired even among his peers. They called him Ol’ Bill Williams.

The Arizona historian—Marshall Tremble—describes Bill as a 6 foot, skinny redhead with a high-pitched voice and a peculiar walk—more of a stagger. His Osage wife must have had olfactory problems because even his cronies complained that he should take a bath once in a while. I didn’t find any references about Bill’s Arizona travels, but he must have impressed many Arizonans because our state has a trail, an annual gathering, a river, a mountain, and a town named in his honor. That town is the anchor for our October project—Williams, Arizona.

Williams is another railroad town along Arizona’s northern east/west corridor. First Nation people, trappers, railroads, and dust bowl migrants stopped here because there’s water. It’s located on the Colorado Plateau about an hour west of the Flagstaff volcanoes. A few miles west of Williams, you quickly descend into the transition zone and the grasslands around Ash Fork.

Sultana Bar - Williams has a couple of proper dive-bars right out of a Micky Spillane novel. — Sultana Bar – Williams has a couple of proper dive bars right out of a Micky Spillane novel.

The current attraction of Williams today is Route 66 memorabilia. Shops line the historic downtown area selling posters, t-shirts, car signs, and other useless trinkets of that ilk. But that’s not what we’ll be concentrating on this month. I’ve already covered that in our Seligman series. Besides, I’ve already said that Route 66 may have already jumped the shark. Car stuff was important for my generation, and maybe the one following us. Millennials don’t seem interested in cars or property. Owning a car was our independence. To them, it’s a ball and chain.

Williams began as a railroad town on one of the busiest routes in the country. It also has a couple of exciting spurs. One that goes past my house into Phoenix and another that runs to the Grand Canyon. Santa Fe built that line to lure eastern tourists into seeing the park. That ride is still famous today, and passengers get dumped at the El Tovar Hotel. If you had deep pockets, you could hop a train at Grand Central Station and stay in two of Arizona’s historic hotels—the Railroad Hotel in Williams and El Tovar at the canyon.

Grand Canyon Hotel - The historic Grand Canyon Hotel's neon sign lights up a couple of blocks in downtown Williams. — Grand Canyon Hotel – The historic Grand Canyon Hotel’s neon sign lights up a couple of blocks in downtown Williams.

As I said already, I’m not going to focus (get it?) on the Route 66 stuff this month, but I couldn’t help myself when I saw the historic and bright neon lights—ooh, shiny. I love them, especially when they’re not working completely. So that explains this week’s featured image that I call Grand Canyon Hotel (or should it be H tel). I’m not sure that I’d stay there. It would be like staying at Miss Kitty’s Long Branch Saloon—dancing girls, cards, drunks, and gunfights all night long. The sign is the brightest on the street, and it casts its red glow for blocks.

Also, in the lower-left corner of the photo, you can see the Red Raven’s awning. Trip Advisor rates it the top restaurant in Williams. Queen Anne and I had a wonderful meal there. It’s a bit pricy but better than the rest of the burger-and-fries joints in town. I’ll write a complete review if you’re interested—that means begging me in the comments.

You can see a larger version of Grand Canyon Hotel on its Web Page by clicking here. Next week, we’ll start our tour of the Williams area, and you can see what we found. Come back then.

Until next time — jw

North Weaver Shadows Picture of the Week

This is Augusts’ final post; the doves are skittery, there’s football on TV, and my astrological markers are lining up. Hmm—what do you think Mother Nature’s trying to say? For me, these are all precursors to summer’s end and the time when Arizonans will once again emerge from their dens. If we were smart, we’d form a committee to dress up a ground squirrel in a tux, call him Congress Cecil, and have him predict how many weeks of extreme heat warnings remain. The days will still be hot for another month, but soon the evening temperatures make being outdoors tolerable.

I should explain the skittery doves and astrological marker. September 1 is our state’s dove season, so doves begin to move to where the houses are because they have a better chance of not being shot. The day after hunting season closes, the doves return to the open desert and won’t be heard from until they get horny in the spring.

And yes, just like the ancient Anasazi, I have a special marker that precisely tells me when the spring and fall equinoxes happen. I didn’t carve a light-piercing spiral in sandstone as they did; instead, I use Bruce’s—my across-the-street neighbor—roof. Its ridgeline runs east-west, and on the mornings of the equinoxes, the sun comes up from its peak as I enjoy my coffee on my front porch. Y’all should come to join me on September 22. It would really freak out Bruce to see hundreds of people staring at his house at dawn.

North Weaver Shadows – With help from the setting sun, cumulus clouds cast shadows on the Weaver Mountains.

As I said, this is the last image in my August cloud project. The monsoon took a vacation this week, so the sun’s brought the heat back. It’s had a chance to dry out, and now the yard’s full of weeds. But, Arizona Highway 89 is lined with orange poppies, and I spotted a couple of Palo Verde trees with yellow blossoms. It’s like spring again, and I’m getting that familiar wanderlust feeling.

Our monsoon will be back with a vengeance in a couple of days. There’s a hurricane traveling up Mexico’s west coast, and there’s a good chance it will come up the Gulf of California. When storms do that, it brings more than isolated showers—instead, the whole state gets soaked.

This week’s cloud picture kind of shows the weather’s dry break. The sky is clearer with scattered cumulus clouds. It also shows that it’s not just the puffy white sky-meringue that is pretty, but their shadows make the mountains more interesting. In the photo that I call North Weaver Shadows, we see cumulus cloud shadows cast on the north edge of the Weaver Mountains with help from the setting sun. This is my favorite image in this series because my familiar mountain range is different—more interesting. For your viewing pleasure, I also hid a black cow grazing on the desert floor somewhere in the picture—if you can find it.

You can see a larger version of North Weaver Shadows on its Web Page by clicking here. Next week, I’ll start a new September project. With the coming weather change, I hope I can get some shots in by then. So, be sure to come back and see if Dudley Duwright rescues Lit’l Nell from the railroad tracks in time (if you think about it—if he’s not in time, it’s not much of a rescue—is it?).

Until next time — jw