Tag: Landscape Photography

The Geometry of Growth: Paso Robles’ Vineyard Rows Picture of the Week - Paso Robles, California

Neat rows of young grapevines ascending the gentle slopes under a cloudy sky in Paso Robles, showcasing the meticulous care in vineyard management.
The Geometry of Growth: Paso Robles’ Vineyard Rows – Witness the artistry of agriculture in Paso Robles, where the vineyard rows ascend like notes on a staff, composing a green symphony on the slopes.

Welcome back to our AA tour of Paso Robles vineyards. Last week, we started with a morning visit to L’Aventure, just a stone’s throw from downtown Paso Robles. After spending a good hour there, our next stop was Justin Vineyards. It’s quite a drive from the city center, but we had a plan: lunch at The Restaurant at Justin before our tasting. Little did we know, our venture to Justin Wines would be without the lunch we anticipated, making for an unexpected twist to our wine-tasting adventure.

We first learned of Justin Wines at the Cambria liquor store a half dozen years ago, and since then, we’ve seen the distinctive black labels in our familiar wine stores. We finally brought a bottle home to try and enjoy the harmonious blend of traditional Old World methods and the innovative spirit of Paso Robles. Justin Wines is a beacon in the Central Coast wine scene because they are committed to making world-class Bordeaux-style blends. Recommendations came not just from reviews or awards but from the enthusiastic tales of fellow wine lovers, stories of a winery that dared to dream big and deliver. It wasn’t just a name; it was a promise of an experience that merged the finesse of a finely aged Cabernet with the boldness of a region redefining itself.

The roots of Justin Wines are as deep and complex as the wines they produce. Founded in 1981 by Justin Baldwin, the winery’s mission was clear from the start: to produce world-class wines that belong in the company of the world’s great wines. With a focus on estate-grown Bordeaux-styled blends, Justin Wines has meticulously nurtured its vineyards to bring out the unique expression of its location in the Paso Robles region. Baldwin’s vision and dedication have created a legacy, making Justin Wines a standard-bearer for quality and innovation in the Californian wine landscape.

The inviting facade of Justin Winery's tasting room in Paso Robles, framed by mature oak branches and well-manicured greenery, photographed by Jim Witkowski.
Sipping in Style: Inside Justin Winery’s Tasting Estate – Beneath the shade of sycamores, the Justin Winery tasting room stands as a beacon of hospitality in the heart of Paso Robles, inviting enthusiasts and novices alike to savor the essence of their craft.

The varietals that grace the cellars of Justin Wines are a testament to their unwavering dedication to quality. From their iconic Isosceles, a blend that pays homage to the Bordeaux giants, to their Justification, a nod to the Right Bank with its Franc-centric profile, each bottle offers a glimpse into the heart of their craft. The Cabernet Sauvignon, with its structured elegance and the complex, layered character of their Syrah, speak to the diversity of their offerings. The winery’s dedication to reflecting the terroir is evident in every glass, as they continue to earn accolades and captivate palates with their expressive, balanced, and impeccably crafted wines.

We purchased four varietals in the Justin offering—three of which are only sold at the estate, while the last on our list can sometimes be found in Costco or Total Wine. That’s good for us because it saves on travel time and gas. Here’s the list of our choices from light to robust.

    • 2021 Rose Syrah—yeah, yeah! I said we didn’t care for Rose’s last week, but this is another exceptional wine. When you swirl the wine in a glass, you watch for lines running down the sides—they’re called legs and are an indicator of sugar content. The Rosé Syarah had great legs but was dry. It’s a magic act. $20.00
    • 2020 Right Angle—A blend of Cabernet Sauvignon, Malbec, Petite Sirah, and Petite Verdot grapes. This one had a rich combination of fruit taste with a mild tannin bite. It should age well. $40.
    • 2020 Reserve Malbec—Malbec is another Bordeaux grape that wasn’t widely grown in California until Argentina’s Malbec explosion. This example was 100% Malbec grapes and a deep purple color. This wine was robust and would pair well with anything from a good steak to lasagne. $50.00
    • 2020 Isosceles—Ooh. Dreams are made from this. This is one of Justin’s flagship wines. It’s a traditional Bordeaux blend of Cabernet Sauvignon, Cabernet Franc, and Merlot grapes. It’s a full-bodied wine with complex black fruit, vanilla, licorice, and spice tones. Justin is right proud of this wine, and that’s reflected in the price—but you might find a bottle of Isosceles in Costco or Total Wine for less, as we did. $85.00

With this week’s Thursday being Thanksgiving, I hope you all don’t run down to Total Wine and buy out their entire inventory of Isosceles. But since you’re going there anyway, would you mind picking up a bottle for me? Borrowing the words of a great philosopher, ‘I’ll gladly pay you Tuesday for a hamburger today.’ (There are 5 points for everyone who can name that philosopher in the comments below—but no peeking at others’ answers!).

Thanks for taking time out of your busy holiday schedule to visit us today. As usual, you can find a larger version of this week’s photo on my website (Jim’s Web) and its FAA page (FAA Link). Be sure to put us on your calendar next week when we finish our Paso Robles tour by visiting the King of the Hill.

Until then, keep your spirits high and your humor dry
jw

Techniques: Patterns as Subjects – The Art of Repetition

How many ways are there to shoot a vineyard? I lost count a long time ago, but sometimes, when your subject is too small or inconsequential, you must take a step back and look at the bigger picture. How can I uniquely shoot this scene?

Sometimes, the most captivating subject is not a single object but a tapestry of repeating elements that create a pattern. In the photo of the wine grove, the rows of vines form a mesmerizing way that serves as the subject itself. The repetition of lines and shapes across the frame isn’t just pleasing to the eye; it tells a story of careful cultivation and nature’s inherent symmetry. When faced with a vast scene, seek out these patterns. They can transform a landscape into a visual rhythm that engages the eye. Whether it’s the repetition of vine rows, the orderly spread of tree canopies, or the undulating waves of a coastal scene, patterns can elevate a photograph from a simple setting to a study of harmony and design. When the subject isn’t found, let the pattern become the star.

Green Symphonies: The Vines of L’Aventure Picture of the week - Paso Robles, California

Rows of grapevines basking in the Paso Robles sun at L'Aventure Winery, photographed by Jim Witkowski.
Green Symphonies: The Vines of L’Aventure – The serene rows of L’Aventure Winery, where nature’s quiet symphony plays amongst the vines.

Wine tasting is not what it used to be. I remember when all it took was a sunny afternoon and a car, and we could show up and taste. Now, it’s all about planning with reservations. The spontaneity’s gone, but the trade-off is a more intimate experience at each stop. So we were starting our day at L’Aventure Winery while the morning was still fresh, and the roosters were thinking about their wake-up calls. Not every day you get to taste fine wine with the dew still on the grapes, but it makes for a memorable morning when you do.

We had to make reservations for each stop—days in advance this year, and we had to coordinate those times because what we wanted sometimes wasn’t open. The vineyards wish you to spend at least an hour so you get the whole spiel. Then you have to allow for travel time. God forbid you’re late for an appointment because the next bus arrives, and you’re locked in the parking lot. There you have the short version of why we started tasting wine at L’Aventure at 10 a.m. before the chickens got up.

Signpost directions to L'Aventure Winery among others in Paso Robles, snapped by Jim Witkowski.
We were navigating Paso Robles’ Wine Country. Where to go next? The signposts of Paso Robles point the way to our next vineyard adventure.

L’Aventure Winery came onto our radar like a secret whispered among the vines—its name uttered with a vinous reverence in the circles of oenophiles we admire. Nestled within the undulating landscapes of Paso Robles, this winery has carved out more than a niche; it has etched a legacy in the very bedrock of the region. It’s not just the distinctive wines; it’s the philosophy permeating every bottle. Here, tradition isn’t merely upheld; it’s reimagined. Stephan Asseo’s creations have bucked the trends, danced gracefully between the rules, and presented the world with blends that defy expectations. In Paso Robles, a place flourishing with winemaking potential, L’Aventure has boldly claimed its stake, garnering approval from critics and connoisseurs alike. To sip L’Aventure’s wine is to participate in a legacy of innovation that whispers of exclusivity and guarantees your pallet something new.

Stephan Asseo’s vinicultural journey is a narrative steeped in passion and the relentless pursuit of perfection. It’s a tale that begins in the esteemed vineyards of France, where the terroir—the unique combination of soil, climate, and landscape that imparts distinctive character to the wine—is as much a part of the culture as the vines themselves. Yet, after 17 vintages, the rich but restrictive traditions of French winemaking left Asseo yearning for a canvas broad enough to hold the scope of his ambitions. His odyssey for the perfect terroir brought him to the variegated landscapes of Paso Robles—a place where the soil spoke to his soul. Here, freed from the stringent Appellation d’Origine Contrôlée (AOC) regulations dictating French winemaking minutiae, Asseo’s maverick spirit thrived. In this New World sanctuary, blending is an art form, and Asseo, the ever-daring artist, dismisses the notion that wines must conform to preordained profiles. His wines are a triumph, not just of terroir, but of bold innovation—melding the best of both worlds to create something truly extraordinary. This is the spirit of L’Aventure: a symphony of earth and effort, a testament to the magic that happens when you refuse to accept that the status quo is the pinnacle of what can be achieved.

Nestled in the rolling hills of Paso Robles, L’Aventure has become synonymous with bold, innovative winemaking, and this is nowhere more evident than in their celebrated varietals. The winery has garnered acclaim for its exceptional Rhône blends, robust with the complexity and depth that the region’s soil imparts. But it is the pioneering estate blends that truly set L’Aventure apart—chief among them, the Optimus and Estate Cuvée, which seamlessly marry Rhône varieties with the noble Bordeaux, creating symphonies of flavor that resonate with the essence of both Old World sophistication and New World audacity. Their Cabernet Sauvignon, Syrah, and Petit Verdot are testaments to the winery’s dedication to quality and the full expression of each grape’s character. Each bottle from L’Aventure is not just a beverage but a story of land and labor, a narrative told through each sip of their meticulously crafted wines.

Two of the samples in our flight (different specimens picked by the vintner) impressed us enough to purchase. We used to love finding wines priced around $10 at tasting rooms, but those days are long gone. These days, anything over $50 is out of our league unless it’s exceptional. Then I have to get down on my antique knees and beg Anne to sell one of the many jewels from her crown to cover the cost.

    • The Estate Rosé. We’re not fans of rosés because they’re often fruity and sweet—a holdover from the Mateus days. Not so in this case. L’Aventure’s rosé was dry and drank more like a chardonnay. We paid less than $30 for our bottle.
    • The Cote A Cote Red Blend. We were impressed with the complex hints of dark cherries and chocolate and how the terroir came out in this wine. I thought the tannin aftertaste was harsh but would mellow with age. This bottle sells on the north side of $50.

After our early morning tasting at L’Aventure, we left with a couple of bottles that caught our fancy and some good memories. The rosé was a pleasant surprise — not too sweet, how we like it. And the red blend? It was rich and bold, even if I think it’ll taste even better with time. With our wine adventure off to a great start, we were ready to grab a bite and gear up for the next round of tastings. Next week, I’ll tell you about our visit to Justin’s, a place you might know from your local store. But until then, don’t forget to check out my website < Jim’s Web Page> or my Fine Art America page <FAA Page> to see this week’s photo in full size.

Till next time, keep your spirits high and your humor dry
jw

Techniques: Mastering Natural Framing in Landscape Photography

This week’s photo at L’Aventure showcases a classic compositional technique: natural framing. Like curtains on a stage that focus the audience’s attention on the performance, the rows of vines guide the eye toward the central barn. Flanking the barn, the sloping hill on the left and the dark green oak trees on the right mirror each other, encasing the scene in a verdant embrace. This draws the viewer’s gaze to the heart of the image and adds a layer of depth, making the barn appear as the show’s star. Natural framing is a powerful tool, subtly suggesting where to look without overt direction. In vineyard photography, where every element tells a part of the story, such frames are the unsung heroes, providing structure and focus to the landscape’s natural beauty.

And About That Speck in the Sky

You might notice a speck against the clouds if you squint at this week’s photo. Let’s set the record straight — that’s not a smudge on your screen or a rebellious dust spot I missed in post-production. That, my friends, is a turkey vulture soaring high above the vineyard. These discerning birds of prey are known to patrol the skies over Paso Robles, perhaps keeping a watchful eye on the ripening grapes or just searching for their next meal. It’s nature’s quality control, though I’m happy to report they’ve yet to dip down for a taste test of the vintage. They may have a keen sense for the exquisite, but thankfully, they leave the wine tasting to us mere mortals.

The Gilded Road Home: Double Rainbows Over Congress Picture of the Week - Congress, Arizona

Double rainbows arching over State Route 71 with dark golden clouds and the Weaver Mountains in the background, Congress, Arizona.
Double Rainbows Over Congress: An Arizona Road Home – Explore a stunning double rainbow on Arizona’s SR 71. This golden hour capture sets the Weaver Mountains and road to Congress as the perfect backdrop

Welcome back to the final leg of our US 93 in the Golden Hour trip—it’s like a happy hour but with fewer hangovers and more lens flares. Last week, if you recall, we played hopscotch with raindrops beside the road, capturing the Date Creek Range in its full golden glory. After which, I hopped back in the truck, already chalking up the day as a wrap, convinced the photo gods had closed shop for the day.

As I barreled down the highway, I noticed two glorious arcs of color in my windshield. It was like the sky had painted its version of Starry Night but with rainbows. These weren’t your garden-variety, quick-glimpse-or-you’ll-miss-’em types. They were vivid, full-arc, double rainbows. You bet I thought about stopping there—if only the road weren’t hogging the frame. Nature’s light show so entranced me that I almost shot past my exit. Veering onto the ramp like a last-minute shopper on Black Friday, I parked at the bottom, hoping to snag that elusive west leg of the rainbow. No dice.

But then, the universe threw me a bone. As I swung left under the overpass, the eastern leg of the double rainbow was practically touching down on SR 71—my road to El Dorado. I couldn’t resist; the cosmos said, “Welcome home, Jim. Your pot of gold—aka Queen Anne dressed in pearls and pinafore is waiting with a nice pot roast.”

I wanted this shot to scream, “You’re almost home!” as loudly as an Irish setter wagging its tail at the front door. Standing in the middle of the asphalt, eyeballing the lens and framing that quintessential road view, felt right. The receding road signs served as breadcrumbs leading us to the mountain’s base—the ultimate exit sign to our slice of paradise. And hey, that mileage sign? Seven miles to home, folks. The rainbow, of course, gets top billing, occupying most of the frame because, let’s face it, it’s the Beyoncé of this visual concert.

Did you know you can never drive through a rainbow? Yep, don’t even bother revving that engine. That’s because rainbows aren’t physical entities; they’re celestial eye candy, illusions caused by sunlight’s refraction, dispersion, and reflection in raindrops. If you hadn’t fallen asleep in your high school physics class, you’d know these things. When sunlight enters a raindrop, it slows down and bends as it goes from air to water. Inside the raindrop, the light disperses into its various color components. It may reflect off other raindrops as it exits the raindrop, creating this stunning arc. The magic number here is a 42-degree angle of refraction. No, it’s not the secret of life, the universe, and everything—though it’s close—but rather the angle at which light is refracted to form that vibrant arc in the sky.”

And just when you thought one rainbow was enough to make you pull over and risk getting your shoes muddy, nature decides to double down. That’s right—a double rainbow, all the way! But wait, there’s a twist. If you look closely, you’ll notice the colors in the second, fainter rainbow are flipped. While the primary arc screams ‘ROYGBIV,’ its more introverted twin whispers’ VIBGYOR.’ What’s the deal with that, you ask? The second rainbow undergoes a second reflection inside the water droplets, effectively flipping the color scheme. It’s like nature’s version of a plot twist in a thriller movie. You never saw it coming, but it makes the story better.

You might be scratching your head, wondering why you don’t always get a two-for-one deal with rainbows. The answer, my friends, lies in the perfect concoction of light intensity, droplet size, and good ol’ atmospheric conditions. The second rainbow is like the shy sibling at a family gathering—too bashful to crash the party without an engraved invitation from the universe. It needs more specific conditions to come out and play, like bigger raindrops and darker skies to contrast its fainter colors. So, the next time you spot a lone rainbow, know its elusive twin wasn’t feeling the party vibe.

Hey there, rainbow chasers and golden hour aficionados! I hope you’ve enjoyed this magical journey down Arizona’s highways as much as I have. If this picture has left you starry-eyed and longing for more, don’t forget that you can see bigger versions of this photo in my New Work collection (Jim’s Web) or its page at Fine Art America (FAA Page).

While we’re wrapping up this month’s project, rest assured that another adventure is on the horizon. So make sure you swing back around next week for a new slice of life, served up Jim Witkowski style. Now it’s your turn. Have you ever encountered a vibrant double rainbow that made you forget about your exit? Or maybe you have a rainbow story that can top mine? Either way, spill the tea—or, in this case, the rainbow—in the comments below!

Till next time
jw

Techniques: The Wide-Angle Wonder—Capturing Expansive Landscapes

Do you know how the perfect landscape shot often feels like trying to fit a square peg into a round hole? There’s just too much beauty to squeeze into that tiny frame. Enter wide-angle lenses—the landscape photographer’s magic wand for making square pegs fit just right.

Let’s start by cracking the code on focal lengths. A wide-angle lens typically has a focal length of 35mm or less. And this little number can pack in a lot of sky, earth, and anything in between. That’s why it was my go-to for capturing this double rainbow phenomenon. It allowed me to give the rainbow—and its quieter, introverted sibling—the room they needed to shine.

Wide-angle lenses aren’t just for fitting more stuff into your shot; they’re great for storytelling, too. In our Double Rainbows Over Congress, the wide-angle lens allowed me to include the expansive sky, the road signs gradually shrinking into the distance, and the mountains’ embrace, all without cramping the style of the rainbows that are undoubtedly the stars of the show.

But it’s not all rainbows and unicorns. Wide-angle lenses can distort straight lines, making them curve towards the edges of the frame. Sometimes, you can turn this into a creative advantage, like making the road seem even more stretched, like reaching for the mountains. Other times, you might want to tweak things back to normal in post-processing, using lens correction features.

A word to the wise: wide angles can make close objects appear more prominent, and distant objects look farther away. But don’t be fooled—this lens isn’t an all-you-can-eat buffet for your frame. The trick isn’t to turn your photo into a yard sale of visual elements; it’s about emphasizing what matters. Do it right, and your image becomes a gourmet burger with just the right toppings. Do it wrong, and you’ve got yourself a Dagwood sandwich—so stuffed you don’t know where to take the first bite. That’s where your artistic judgment comes into play. How much space do you want to give each element so they all get their moment in the sun, in this case, between the rain showers?

And there you have it—a quick but jam-packed dive into the wonders of wide-angle lenses for landscape photography. I hope you find it as liberating as I do when you’re chasing your next perfect shot.

Storm-Lit Skies Over Date Creek Range Picture of the Week - Congress, Arizona

Golden-light silhouette of Joshua Trees with a dark, stormy sky over Date Creek Range in Arizona.
Storm-Lit Skies Over Date Creek Range – Caught in the golden embrace of the setting sun, the Date Creek Range and its Joshua Tree sentinel defy an impending storm. Can you spot the elusive rainbow?

In last week’s US 93 escapade, I put the pedal to the metal, racing the encroaching dark clouds to bask in the vanishing golden hour. I even detoured to Burro Creek campgrounds, where the only thing I found was…more clouds. Alas, as soon as I wrapped up my Burro Creek pit stop, those looming clouds won the race, swallowing the sun whole.

Disappointed, I set aside my camera’s relentless search for that perfect shot and started a leisurely drive home. No rush, right? Queen Anne was busy wallowing in precious metals at the jewelry store with her gal-pals, and I had miles of asphalt ahead of me. Soon enough, the highway carried me through the Joshua Tree Parkway, and then it began—Arizona’s version of ‘will it or won’t it’—raining from the sky.

Yes, this arid state has two kinds of summer rain. First, there’s the gully washer, the frog strangler, the cob-floater, a torrential rain that I can’t even see the house across the street. This type of downpour is the VIP guest that shows up uninvited, fills up the washes, and turns rattlesnakes into accidental Olympians. You should see them. Snorkels on their snouts, doing the backstroke like they’re auditioning for ‘Snakes on a Swim Team.’

Then there’s the other kind, today’s specialty: a rain so indecisive it could give Hamlet a run for his money. It’s like the weather gods couldn’t agree, and we get this annoying drizzle that teeters on the edge of being useful. You find yourself in this wiper-limbo, perpetually toggling between ‘kinda need it’ and ‘oh, the horror of that screeching noise.’ The local washes don’t even bother to fill up; rattlesnakes smirk and break out their snorkels for practice laps, just waiting for the next aquatic extravaganza.

Just when I was about to award myself the title of ‘Arizona’s Rain Philosopher,’ the universe decided to show off. The sun, ever the dramatic artist, slipped beneath the heavy cloak of the western clouds, making a brief but stunning encore. It was as if it said, ‘You thought I was done for the day? Hold my solar flare.’ And just like that, the golden hour was back on stage for its final act.

Dodging highway traffic and raindrops, I perched myself by a barbed-wire fence to capture what I’ve aptly named Storm-Lit Skies Over Date Creek Range. The Joshua Trees pop like jack-in-the-boxes from a golden sea of creosote, crowned by the glowing Castle Rock. For the eagle-eyed among you, squint a little harder. A subtle rainbow makes a cameo on the right of the taller Joshua Tree.

If you’re squinting at this on your smartphone, do yourself a favor—upgrade to a bigger screen. Trust me, this photo deserves it. You can see the bigger versions by browsing my website [Jim’s Page] or checking out my Fine Art America gallery [FAA Page]. Do make sure to swing by next week. The best is yet to come.

Till next time
jw

Techniques: Capturing Storms: The Drama Before, During, and After

Grab your umbrellas and wellies because today, we’re talking storms. And I don’t mean the kind you have with your spouse over who left the toilet seat up. We’re diving into the cinematic, the dramatic, the eye-candy kind of storms that would have made even Ansel Adams pause and say, “Well, would you look at that!”

Ah, the golden hour. That ethereal moment before the sky erupts into a Van Gogh painting or descends into gloom. But have you ever tried capturing a storm during this time? The universe throws you a curveball, saying, “Hey, here’s beauty and chaos, all wrapped in a corn tortilla of opportunity.” Remember Ansel Adams’ Clearing Winter Storm? The dude knew when to click that shutter.

You might think, “Jim, storms are just wet messes! How am I supposed to capture that?” Ah, my dry-weather fans, this is where things get electrifying. Capturing lightning requires some specialized equipment or mad reflexes. But the results? They’re shockingly good.

The storm has passed, but don’t pack up that camera yet. The sky now looks like hungover clouds meandering aimlessly, bumping into mountains, and trying to remember where they parked their cumulus cars. The aftermath can offer as many Kodak moments as the storm itself.

So, the next time you see those dark clouds looming, don’t just think about whether you’ve left the laundry out. Think about the once-in-a-lifetime shots that could be waiting for you. Embrace the wild mood swings of Mother Nature. After all, when the weather can’t decide, it might just be helping you make up yours about that next epic shot.

Do you have any of your own storm-chasing or weather-defying photography tales? We’d love to hear them! Please share your stories in the comments below, and let’s swap some epic weather adventures.

Awakening of the Granite Giants Picture of the Week

Golden morning light illuminating the rugged landscape of Granite Dells, with Glassford Summit in the background.
Awakening of the Granite Giants – A mesmerizing view of the Granite Dells under the soft glow of the morning sun, casting a beautiful light on the weather-worn rocks with Glassford Summit standing majestically in the distance.

My calendar page flipped to August this week, and that means that summer’s half over. In standard years, we would have been inundated with monsoon rains and antsy for the wet season to end. But, in this most unusual year, we’re waiting for the rains to start. We often see afternoon clouds here in Congress, Arizona, but they’ve only been a tease. The new month also means a new photo project, and I decided to stay in the high country—if you consider Prescott the highlands. We will wander the trails in the Granite Dells to capture its natural beauty and fill in my Website portfolio. The exposed cracked and worn boulders are common throughout Arizona, but this patch is the only city park.

The Granite Dells of Prescott, Arizona, is a geological wonder with around 1.4 billion years of history. Their formation began deep beneath the Earth’s surface, where molten magma slowly cooled and crystallized into hard, dense granite. Over hundreds of millions of years, erosion wore away the rock layers above, revealing the granite bedrock. Once exposed to the atmosphere, the granite underwent spheroidal weathering, a process that smoothed its corners and edges into the distinctive, boulder-like shapes we see today. This weathering, coupled with millions of years of further erosion, has sculpted the Granite Dells into their current, stunning form, with the boulders providing unique habitats for diverse flora and fauna.

Close-up study of Common Mullein stalks, brightly lit against a darker, out-of-focus background.
Majesty in the Ordinary – An intimate view of Common Mullein stalks bathed in the golden morning light, their unexpected elegance highlighted against the darker foliage of the Granite Dells.

We will start this month’s photo tour of the Dells with a long shot I took at dawn while hiking the Constellation Trail. At that hour of the morning, I thought I’d have the place to myself, but the parking lot was half full when I arrived, and true to form, I was in everybody’s way as I trudged along with my camera. I was in the middle of the loop when the sun emerged above the cloud layer along the horizon, casting a golden light on the rock formation before me. I can’t begin to tell you how delighted I was to see how it showed off the rounded shape and texture of the granite boulders. The Dells have a sense of anchor in their surroundings with the radio-tower-topped Glassford Summit. I call this week’s image Awakening of the Granite Giants.

We’re so glad that you joined us on the trail this morning. Throughout the rest of the month, we’ll share more images taken on tracks running through Prescott’s most significant city park. And you can count on us to dig up more interesting trivia about the Granite Dells. If you’d like to examine larger versions of Awakening of the Granite Giants, you can visit its page on my Website by following this link (Jim’s Website). You can also pixel peep on my Fine Art America posting by following this link (FAA Post). Be sure to return next week when we present another image of the intriguing Granite Dells.

Till next time
jw

Techniques: Restoring Dark Areas In Back Lit Images

In last week’s session, I showed how I manage shots to prevent blowing out the highlights when shooting in lighting conditions too broad for the camera’s sensor to capture—like the dawn, dusk, or back-lit situations. We concluded that discussion by predicting that the darker areas would be too dark to be pleasing. In this post, I will explain how I balance the exposure in Photoshop so the image looks natural.

Quick Selection Tool - I use this tool in the Tool Palate to select the areas that I want to work. It's the fastest and most accurate selection tool in Photoshop.
Quick Selection Tool – I use this tool in the Tool Palette to select the areas I want to work on. It’s the fastest and most accurate selection tool in Photoshop.

Artificial Intelligence (AI) has recently been in the news, with stories ranging from how it helps doctors find cancer in patients earlier to how it will eventually eat our brains—like Zombies. Well, Adobe has an AI-driven tool in Photoshop that enables you to select complex areas of your images. It’s called the Quick Select Tool. It seems to be mainly used to cut models—and their fly-away hair—from one background so they can be pasted into another. I use it to select the dark areas in my landscapes that need lightening. My process involves three steps: Selecting, Refining, and Correcting.

Refine Selection Workspace - With this tool, you can nudge and perfect which areas you want to be active within your adjustment layer.
Masking Workspace – With this tool, you can nudge and perfect which areas you want to be active within your adjustment layer.

After doing my color corrections and setting my Black and White points in my workflow, I try to balance my image’s exposure. Using the Quick Select (QS) Tool, I roughly select the area I want to work with, and that’s usually everything below the horizon. At this point, I’m not trying to be precise. After I drag the QS brush over the area I want to modify, I click on the Select and Mask button at the top of the workspace, which opens a Masking Workspace showing the selected areas of the image. I use a red mask set to 40% opacity to see which areas of the image will be affected by the following steps. Within the right panel, there’s a bunch of number settings that I’ve fiddled with over the years before settling on these: Radius=0, Smooth=2, Feather=2.5px, Contrast=25%, and Shift Edge=-2% (be sure to check the tiny little box tabled ‘Remember Settings‘ otherwise you’ll constantly have to reset these values). Using these values, I choose the Brush Edge Tool—the second from the top in the brush palate—and run it along the edge of the selected areas. What the AI does for me is pick out all of the little trees and other objects (like the leaves in the second photo this week) and separate them from the sky—an otherwise impossible task. Once I’m happy with the selection, I click ‘OK,’ the screen returns to the original workspace with the selected area now outlined with ‘dancing ants’—a term used to describe the animated dotted line showing the selection.

The next step is to correct for the darkness, and to do that, I choose a new Exposure layer from the list, which opens with the new mask in place. In the new layer, I use the slider to adjust the area to the lightness that looks good to me—usually between ¼ to a complete stop (.25-1.0), but with the sensor on my Sony camera, I’ve been able to lighten the dark areas by 2½ stops without causing a loss of detail in shadows or other unwanted digital artifacts (such as pixelation or banding).

Remember, by working with layers, you can go back and change your adjustments later. Also, remember to save your work frequently, especially after making significant adjustments.