I began writing a post for this week’s picture and wondered how cow skulls (horns) and car hoods became a thing. It seemed to originate in Texas. My earliest recollection of the meme was a red ’59 Caddy convertible with a Longhorn hood ornament—or maybe that was JR’s car in Dallas. As a car guy, I never understood why you’d tacky up a perfect vehicle with bovine parts. I guess it symbolized decadent wealth—that you had so much money you could thumb your nose at decorum—a new money thing.
Then, the genre moved to New Mexico, and the horns became a whole skull. Often, the cow’s head is hand-painted or jewel-encrusted. The cars changed too. They were no longer shiny new Cadillacs but heaps from the fifties with rust and dull patina. The whole car-cow thing transitioned from tackiness to art.
While photographing Seligman, I saw this Chevy truck with a cow skull on the hood; I didn’t bat an eye and thought, “This seems perfectly normal.” Now that I look at this week’s image, I don’t think the skull is even mounted—it’s just sitting there as decoration. Interestingly, each object in the photograph would tell its own story, but combined, they conjure up an entirely different tale. I imagine a narrative of round-ups, chuck wagons, miles of open range, and nights under the stars. I guess it’s a story about a rancher growing beef during the Second World War and how hard his life was.
Sometimes, when I walk away from shooting an image like this, I have a hunch that it’s a good shot, and I can’t wait to see it on paper. This one, however, didn’t stand out in my memory. It wasn’t until I saw it on my computer screen that I considered it a keeper. It’s not about the skull but how the sunrise falls on the truck’s grill. The head balances the dark area in the composition. I named this image Chevy Skull.
Click here to see a larger version of Chevy Skull on its Web Page. I hope you enjoy viewing this week’s post and return next week when we show another featured image from Seligman and Route 66.
Until next time — jw
