Tom Reed Mine and Elephant’s Tooth Picture of the Week

After publishing last week’s post, I lingered in my office for a while with a nagging question. It was more of a puzzle than a burning issue, but it would persist until I solved it. My enigma was this: If Lt. Whipple completed his survey in 1854, and the railroads were already following his trail, why in 1926 did the Highway Department run Route 66 through a rugged mountain pass when they established the National Highway system? Wouldn’t it be faster and cheaper to follow the railroad tracks down to the Colorado River? I used up over half of my monthly Google query allotment trying to understand their logic. After distilling some facts that I uncovered, and with some fantasy time travel, I concluded that the department wanted travelers to go through the shining city on the hill—Oatman. When the mines were still open, Oatman was a bustling city, with a good hotel, restaurants, bars, groceries, and gas stations.

Oatman Main Street 2020 - The crowds of tourists are gone, the stores are shuttered, and even the burros are social distancing.
Oatman Main Street 2020 – The crowds of tourists are gone, the stores are shuttered, and even the donkeys are social distancing.

Arizona has two types of ghost towns, and to paraphrase a line from Frank Zappa’s song Camarillo Brillo, there are real ghost towns, and there are Walmart ghost towns. Real ones are scattered throughout Arizona’s mountains and plains. Places like Cochran, Cherry, and Ruby. If you drive there in your Jeep, you’d be lucky to find a standing building, but—most of the time—only their crumbling foundations remain. As for the latter towns, they’re thriving communities. Arizona’s big four include Jerome, Tombstone, Bisbee, and Oatman. People still live there, and more importantly, tourists visit by the busload. They come to drink in the saloons, eat lunch in the bordellos, watch the fake gunfights, ride oar carts into the mine shafts, and feed the wild donkeys. I wouldn’t be surprised to learn that these towns generate more annual revenue today than the mines ever did.

Before my first Oatman visit, I already knew the image that I wanted to take. Ansel Adams—the photographer that most inspired me—had already made it. Mr. Adams must have blackmailed God because he had Him move heaven and earth into compositions that no other mortal photographer ever saw. The photo that I’m referring to is in one of his books and is called Tom Reed Mine, near Oatman, Arizona. It shows a cluster of buildings on enormous washtubs with a pinnacle in the background. When I was younger, I tried to visit the places he captured so I could see what motivated him. That was my way of learning from a master. But in all my visits, I never found those impressive mine structures.

When Queen Anne and I made our Route 66 journey last month, snapping pictures in Oatman was the last thing I wanted. We were avoiding people, so stopping in a crowded tourist trap was out of the question. But when we arrived, the streets were empty of people wearing funny hats, loud shirts, sandals with black socks, and speaking in foreign tongues. The merchants had shuttered the windows, and even the wild burros—the stars of the Oatman experience—were social distancing. I had to stop and document this weird moment—Oatman had turned into a real ghost town.

Tom Reed Mine and Elephants Tooth - The concrete foundations are all that remain of the magnificent structures that Ansel Adams photographed.
Tom Reed Mine and Elephants Tooth – The concrete foundations are all that remain of the magnificent structures that Ansel Adams photographed.

As we drove out of town through the south side, the sun was low in the sky and casting lots of color on the hills—including the pinnacle that Adams captured. I stopped on the road where some concrete foundations lined up below the white outcrop—that I now know is called Elephant’s Tooth—and took this week’s featured image. I call it Tom Reed Mine and Elephant’s Tooth. We spent less than 15 minutes at that location before driving on.

Since we’ve been home, I was curious about the Adams photo, so I got it down from the bookcase and searched for his rendition. I wanted to see the buildings that he shot again. I’ve never been able to find them no matter how much I scoured the town. Upon examining his image, I realized that he took that photo in 1952, and people have since torn down the structures. The only trace of their existence is the concrete terraces in my picture. When I took my photo, I stood within ten feet of where Ansel Adams worked his magic, and we were both inspired by the same subject. I was so close to being in the presence of greatness—I only missed him by 68 years. My life can go on now.

You can see a larger version of Tom Reed Mine and Elephant’s Tooth on its Web Page by clicking here. I hope you enjoy it. Next week, we’ll pass by the Warm Springs Wilderness on our way to the Colorado River. I hope you’ll join us then.

Until next time — jw

White Bluff Picture of the Week

For most of the 1200 miles between Oklahoma City and Barstow, Route 66 and Interstate 40 are stuck together like a zipper. As you drive along the freeway—started in 1957 and completed in 1984—you can see a ghost of the old mother road on the roadside. Sometimes it’s a frontage road with little traffic, in different spots the pavement is gone, and it’s not a road at all.

Arizona has two exceptions to these overlying trails. The first is where Interstate 40 cuts off Peach Springs between Kingman and Seligman, and the second is between Kingman and Needles. In the first case, the freeway cuts miles off the trip by heading straight across country, while the latter deviation is further (albeit quicker) as it skirts the Black Mountain Range.

The section of the historic road that Queen Anne and I explored this month cuts through a mountain pass that Captain Lorenzo Sitgreaves mapped in 1851. Although the trail has beautiful scenery for me to photograph, it is very twisty and slow going, and that’s not ideal for interstate commerce.

Cool Springs Station - A historic gas station converted to a gift shop that now sells hot dogs from a cart.
Cool Springs Station – A historic gas station converted to a gift shop that now sells hot dogs from a cart.

After we finished photographing Thimble Mountain seen in last week’s post, we continued along the road for less than a mile, where we stopped at an old gas station called Cold Springs. The owners have converted it into a gift shop that sells nostalgic Route 66 kitsch, but there were no customers. As I snapped a few pictures, a woman’s voice came from the shadows, “Hello there. How ya doin’?” When I took off my sunglasses, I saw a young woman sitting in the shade next to a hot dog cart. We made small talk, and I asked about her business. “April is normally our best month, but this year it’s a bust.” After promising not to include her in my photos, I took another shot or two before we drove away. Looking back, we should have bought our dinner there. She could have used the money, and her food was probably better than the drive-through meal we got at the Kingman Carl’s Jr.

As we drove further, we had to stop almost immediately again, where the canyon narrowed. On the road’s north side was a pair of sandstone bluffs rising from the dry creek bed. Their cliffs glowed in the late afternoon sun, so of course, I had to capture the moment on film … er, I mean electrons. I’ve since found out that at this location, the road passes between two wilderness areas. To the north is the Mt. Nutt Wilderness, while on the road’s south side is the Warm Springs Wilderness area.

White Bluff - The vertical sandstone cliff of a bluff provide a great home to nesting swallows.
White Bluff – The vertical sandstone cliff of a bluff provides a great home to nesting swallows.

In this week’s featured image—called White Bluff—you can see Mt. Nutt in the distance. At over 5100 feet it is the tallest peak in the Black Mountain Range. To get any closer, you’ll have to hike or grab one of the local wild burros—of which there are many—and ride.

You can see a larger version of White Bluff Butte on its Web Page by clicking here. I hope you enjoy it. Next week, we’ll travel over the pass and make a stop in Oatman. I hope you’ll join us then.

Until next time — jw

Thimble Mountain Picture of the Week

Don’t tell anyone, but we snuck out of the house again. We had to. It’s the only way I could bring you fresh pictures for May. I think we did okay, though, because—as we always do—we never intended to interact with people. Since I never shoot anything with a face, I don’t run into many humans on the road.

For May, I wanted a road nearby so that we could get out and be home in the afternoon. I chose the section of Old Route 66 that starts in Kingman, travels through Oatman, and winds up at the Colorado River near Topock Marsh. I’ve written about my experiences traveling The Mother Road before but never completed this section. That’s because when my parents got to Kingman, they made a complicated right detour to Las Vegas. Queen Anne and I have visited Oatman several times, so we didn’t need to stop and feed the resident burros. I was more interested in shooting the Black Mountains in Sitgreaves Pass.

There’s a Black Mountain in every Arizona county (sometimes more than one), but the Black Mountain Range that borders the Colorado River from Lake Mead to Topock is the most interesting. It’s 75 miles of jagged volcanic peaks and rhyolite formations along the west border of Mohave County. They’re so rugged that only a handful of roads cross through them—even Interstate 40 loops 60 miles south to avoid the range. Our trip skips that loop as we got off the freeway near the Mohave County Prison, headed west across Sacramento Valley, and through Sitgreaves Pass.

As you drive across the wide valley, creosote dominates the landscape. There are yucca and an occasional cactus along the roadside, but none of the big succulents we have at home. Everything is sparser, which is a typical Mohave Desert. This desert is dryer than our Sonoran home because it rains mostly during winter. The southerly winds that bring the summer monsoons bypass the Mohave.

As the old road approaches the mountains, it travels up a canyon with high peaks on either flank. On the north side is a tall monument that marks the eastern boundary of the pass. Its name is Thimble Mountain, and the granite jewel rises 1400 feet above the valley floor. It would be at home in Monument Valley if it were red sandstone.

Thimble Mountain - The landmark on the eastern side of Sitgreaves Pass
Thimble Mountain – The landmark on the eastern side of Sitgreaves Pass

It’s the subject of this week’s featured image, and I naturally named the photo Thimble Mountain. I’m pleased with the pyramid composition and how the afternoon light shows each plant growing on the slopes. I also like the way the drainage curls around the top. I only wish that the wispy cloud that echoes the peak’s left side was more defined, but I’m no Ansel Adams, so I’ll take what I can.

You can see a larger version of Thimble Mountain on its Web Page by clicking here. I hope you enjoy it. Next week, we’ll make another stop in Sitgreaves Pass and show you what we found. I hope you’ll join us.

Until next time — jw

Cholla and Brittlebush Picture of the Week

Cholla and Brittlebush

It’s the end of April, and last week we went from, “let’s open up the windows and let some warmth in,” to “Oh my Gawd—turn on the air conditioner.” I don’t recall a year when the temperature gained thirty degrees in a week. I’m not ready for summer; I haven’t even put my sweaters away.

Spring began with an excellent opening act here in southern Yavapai County. In case you didn’t get out, a colorful ribbon of wildflowers lined the roads for weeks. They’re now drying in the heat and will soon turn to the thick golden straw that catches fire if you look at it cross-eyed. As happens every year, the public service announcements are already predicting 2020 to be the worst fire season ever.

Even with the temperatures over 100, spring isn’t over. The second act is about to begin. That’s when the palo verde trees take center stage and sprout bright yellow blossoms. Beneath their canopy, creosote bushes put out dark green leaves punctuated with tiny dots of yellow flowers. While they’re full, they look like a proper shrubbery that any gardener would be proud to have in their garden. But don’t go planting one in your back yard. I’m sarcastic; they’re a weed.

I’m glad that we snuck out for an afternoon and got some desert colors for you—like this week’s featured photo. On the hike that I described in last week’s post, I dawdled along the way back to the truck and shot some flowers near the path. The best of the bunch was this one that I call Cholla and Brittlebush. I find that both of these subjects are hard to capture. Mature cholla is pretty when the light is behind the needles, but as they grow, the stalks are bare and unattractive. Brittlebush flowers grow like a dome covering the plant, but the yellow washes out in bright sunlight.

Cholla and Brittlebush - A young cholla and brittlebush growing under a palo verde tree near Wickenburg, Arizona.
Cholla and Brittlebush – A young cholla and brittlebush growing under a palo verde tree near Wickenburg, Arizona.

None of that happens in this week’s image. I found them growing under a palo verde tree. The cholla is a young plant, so it hasn’t had time to drop its lower branches. The backlight shows off the sharp needles, and the cactus shades the flowers. The flowers at the bottom are more rooted in color, while the sunlight washes out those at the top. There’s even a gap where the olive-colored brittlebush leaves show. The photo may not be a still life worthy of Irving Penn, but I think it explains why April is the best time to experience the Sonoran Desert.

You can see a larger version of Cholla and Brittlebush on its Web Page by clicking here. I hope you enjoy it. Next week, I’ll begin a new chapter on our back road travel adventures. I’m keeping our destination a secret so the authorities won’t stop us when we sneak out under cover of darkness. Come back next week to see what we found—if we successfully evade the quarantine police.

Until next time — jw

Hidden Springs Ranch Picture of the Week

The cottonwood trees I showcased in this month have told a story of winter in the uplands of Arizona—a part of our state we Zonies keep secret from outsiders. The photos show as much about the chilly morning, crystal clear air, and open spaces as the trees do. After all, there’s nothing special about cottonwood trees—they’re everywhere. Their Latin name is Populas, which means “People’s Tree.” (Wow, did you catch the irony? I have a series of People’s Tree photographs that I shot in Peeples Valley. Yeah, I meant to do that all along).

Although you can find cottonwoods throughout the United States—in one form or another—they’re not widely used in landscaping. In Arizona at least, some homeowners associations explicitly forbid them in their association rules. Although they are fast-growing and provide shade, they’re messy, attack water lines, and are prone to disease, so as they age—just like me—parts fall off. One of their significant irritants is in their name. The mature trees spread seeds to the wind on white cotton-like tufts. When seeds are in the air, it can look like its snowing, and quite a few folks are allergic to them.

If you’re a rancher and you want a fast-growing tree to say, line your driveway, there is an alternative—the Arizona Ash. These trees grow tall quickly, but are less messy, live longer, respond to pruning, and they are more pest resistant. They also have more fall-color than cottonwood, but only slightly. The ash doesn’t get that gnarly old look that interests me.

Hidden Springs Ranch - Well manicured Arizona Ass trees line the drive of the Hidden Springs Ranch in Peeples Valley.
Hidden Springs Ranch – Well manicured Arizona Ash trees line the drive of the Hidden Springs Ranch in Peeples Valley.

When I was shooting my Peeples Valley trees, I first thought that the Hidden Springs Rancher lined his driveway with our friend, the mighty cottonwood. That’s why I photographed the entrance. On second glance, I did a face-slap and thought, “Of course!” Unless you wanted to drive over broken branches all of the time, you would pick a different kind of tree. But, it was winter, and from afar, a bare tree is a bare tree.

I included this week’s photo—called Hidden Springs Ranch—in this series because … well, I needed five pictures instead of the usual four, and my first impressions were wrong. My intentions were good. In case you’re wondering, Hidden Springs is the other ranch in Peeples Valley—they raise horses instead of cattle.

You can see a larger version of Hidden Springs Ranch on its Web Page by clicking here. I hope you like it. Come back next week when we begin a new series from another Arizona back road.

Until next time — jw