Travel – Page 27 – On the road with Jim

Swilling Cabin Window Picture of the Week

This week’s story has all the ingredients of a great Hollywood Western movie: plantations, young love, war, drugs and alcohol, heartbreak, gold, bright futures, despair, stage robbery, friendship, false accusations, and tragic death. I don’t know how to tell it all in 500 words and still explain my weekly photograph in the third paragraph. I’ve found several books and articles about Jack Swilling, but there haven’t been any films. That’s a shame because I can visualize it like the Steve McQueen movie Tom Horn.

Every school kid in Phoenix knows how Jack Swilling—or one of his friends and crew, Phillip Duppa—tossed out the mythical bird’s name for the small town they were developing. Swilling filed a land claim around present-day 32nd Street and Van Buren Road for the rest of you. He wanted to grow hay to sell to the cavalry at Fort McDowell, so he copied the Hohokam method of using Salt River water for the fields by digging new canals to his property. The visionary Swilling (I suggest casting a 20-year-old Jeff Bridges) played an essential role in the layout and alignment of the new town. A couple of years later, he lost interest when the council—or whoever decided those things—moved downtown three miles west to its present site. Jack threw his hand up in disgust, and he and his wife, Trinidad (my casting idea would be a 17-year-old Natalie Wood), moved to Gillett—a mining ghost town three miles south of Black Canyon City.

In Gillett, they built a cabin along the stage route and provided travelers and horses food, water, and rest. It helped to supplement his paltry mining income. His health was failing from his old head and bullet wounds he got as a younger man. He took morphine and drank whiskey to counter the constant pain, but now the drinking got worse. When he got word that Colonel Jacob Snively—his old Indian war buddy—was killed near Wickenburg by Apaches, Trinidad encouraged him to retrieve the body and give Jacob a proper burial. Jack enlisted the help of a couple of neighbors and rode out to recover his friend. During that same three-day period, a stagecoach was robbed—also in Wickenburg—and the robbers murdered everyone on board. After Jack returned and buried his friend, he was at the bar when he heard about the stagecoach massacre. Jack cracked a joke about how robbing the stage is the only way to make big money these days, and the vague description of the robbers could include his retrieval party. They were arrested on the spot and shipped off to Prescott for trial. Since the Feds had charged him, too, the territorial government dropped their complaints to save money. The marshalls transferred Swilling to the Yuma prison, where his health took a turn for the worst, and he died before his trial. Shortly after his death, the law identified and caught the real robbers. Jack was already buried in the Yuma Prison cemetery before they notified Trinidad of his death.

When I decided that October’s subject would be Black Canyon City, I did my research, and there, I discovered the cabin ruins were in town. I wanted to photograph them, but they’re not on a map. That’s because they’re on private property and not open to the public. I stopped and talked to the tourist info people, who gave me directions to the house. When I drove to the residence, the owner came out and chatted with me. When her parents built her home, they bought adjoining lots to keep the stacked stone cabin intact. Black Canyon City doesn’t protect historic sites like other cities, so they took that task upon themselves. She permitted me to roam the property and to photograph the cabin with two caveats: don’t lean on the walls—they’re fragile and will quickly crumble, and don’t take any of the artifacts she has on display. A very reasonable request, I’d say.

Of the shots I took, I liked this variation best because of the window and the light filtering through the mesquite trees. Jack’s one-room cabin may not seem like the palace that the Father of Phoenix (and Mother) should have lived in, but examining the rock work made my sciatica nerve go off. It’s on a quiet cul-de-sac surrounded by modern homes near the Agua Fria River. I stood for a while and listened to the breeze blowing through the tree canopy, and I could see how it might have been to live there a century and a half ago.

You can see a larger version of Swilling Cabin Window on its Web Page by clicking here. I hope you enjoy viewing this week’s post and return next week when we show another featured image from Black Canyon City. “Oh!” you say. “But Grandpa, what about the rest of the story—where are the parts about the plantation, the Mexican-American War, the Confederate Lieutenant, Peeples Valley, Rich Hill, et al.” Well, you’ll have to wait for the movie or pick up a book.

Until next time — jw

Perry Mesa Needle Picture of the Week

Phoenix only has two interstates that will get you the hell out of Dodge; Interstate 10 which either takes you west to California or east to everywhere else, and Interstate 17 going north. Driving I-10 in either direction always seems like a dreary, endless drive through the desert, while I associate I-17 with good times, like playing in the snow or—during summer—just escaping the heat. I think it’s because of all the different climate zones it goes through, like the desert, grasslands, riparian, and alpine forests.

The first change that you come to when heading north is the grade at Black Canyon City. It’s an abrupt transition from the Sonoran Desert to riparian grassland—saguaros are at the bottom, and they’re not at the top. It freezes more often at higher elevations, and the giant cacti can’t tolerate it. Black Canyon City is distinguished by being the northern edge of the Sonoran Desert; I know that because it says so on their welcome sign.

Most Phoenicians consider Black Canyon City a suburb populated with free-spirited residents. It’s the bottleneck on the highway where heavily ladened trucks insist on passing one another up the steep grade, or traffic is backed up to Prescott because a crash closed the freeway and there’s no other way around. During heavy rain, the community makes the news because the Agua Fria River floods and people get trapped in their homes or cars. If you do stop in town, it’s to get a slice of pie at its famous restaurant. I wouldn’t be surprised if most Phoenicians didn’t know Black Canyon was in a different county—Yavapai. I know that I didn’t, and that’s why I chose Black Canyon City as my place to look for October’s art.

I saw the subject of this week’s photo as I was driving around town. I-17 divides Black Canyon City in two. The business district is on the freeway’s west side while on the east is mostly residential and a few light industries. The needle can be seen on the east side but not from the interstate. That’s why I didn’t know it was there. It’s like a smaller version of Weaver’s Needle in the Superstitions, but as much as I searched, I couldn’t find its name. There was nothing on my topographic maps, highway maps, the Gazetteer or the city’s website. I saw this neat YouTube drone video, but it doesn’t list a name either. It’s on the southwest corner of Perry Mesa (sounds like an excellent name for a lawyer, doesn’t it?) where Squaw Creek runs into the Agua Fria River, so I used that moniker for the photo’s name—Perry Mesa Needle.

In this image, I like the way the low clouds and their shadow frame the subject. The grove of saguaro midway up adds scale to the outcrop. Finally, the recent rains cleared the air and gave me a deep blue sky making the puffy white clouds seem to pop in 3D. As was the case with the Jerome Hollyhocks a couple of months ago, if you know this needle’s name, please email me.

You can see a larger version of Perry Mesa Needle on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll feature more from Black Canyon City.

Until next time — jw

Climbers Picture of the Week

This week’s featured image was shot in Boynton Canyon on Sedona’s west side, north of State Route 89A. It’s the site of The Enchantment Resort—a very high-end destination requiring deep pockets to stay there. There are several trails in the canyon that meander among the cliffs and buttes, and that’s exactly what I was searching for. In the parking lot, the map said that I had a choice of three routes: one that went to a dead-end up the canyon, a second longer trail over Dead Man’s Pass, and finally a short hike to a canyon overlook. I’m all for short and I’m adverse to dead men, so I set off for the overlook.

The trail is fishhook-shaped as it skirts the south side of an outcrop then turns 180° and ascends into a saddle, wedged between the outcrop and a larger butte. It’s only a quarter-mile long, but the rise got tricky in a couple of sections. It’s good that it was well-marked with white paint splotches. The climb doesn’t seem much until you reach the saddle and turn around and see the valley floor a couple hundred feet below. To the west is a great view of the resort nestled among the red-rock cliffs.

As I clambered up the hill, I stopped a couple of times to rest and clear the heart beating in my ears. When I could hear again, there were voices, but I couldn’t see anyone on the trail above or behind me. It wasn’t until I reached the saddle that I saw a pair of climbers—a woman and a man tethered together with a rope—as they were nearing the butte’s summit. I assumed that she was leading as she was higher and coaching his assent. “Cool,” I thought.

Once I reached the saddle, I set up my tripod and camera and began shooting all the compass points, and savored the water I remembered to bring. After I completed my long-shots, I started a series of close-ups with the camera hand-held. I could tell from their voices that my climbers had reached the top and were taking in the view.

Climbers-A pair of rock-climbers celebrates success atop a Sedona Butte.

I thought about photographing them while they were enjoying their success, so I yelled up to them, “Hey! Can I get a shot?”

They were so polite. They hunkered down out of sight. “No,” I shouted again, “I want to shoot you on top.” When they stood up, I pantomimed celebration by raising my hands in the air. They followed my instructions and even began whooping. I fired off a couple of frames and shouted “Thanks” to them and then began to make my way back down to the truck.

I like the way the shot Climbers turned out even though they don’t take up a lot of frame space. As an Alaska guide once instructed us, “Humans are easy to spot. They’re the only thing standing erect.” In the image, I wanted to show their difficult conquest so I didn’t bother with a long lens. I also like the way the red sandstone contrasts against the dark blue sky and streaky cloud so I included more of it in the composition.

You can see a larger version of Climbers on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll show another featured image from Sedona.

Until next time — jw

Capitol Butte Picture of the Week

Sedona is the most romantic town in Arizona. Don’t believe me? Just watch the Social Sound Off question on the evening news. Each evening, they ask a trivia question about Arizona. The news people get lists from internet sites or magazines about the most popular places for something or another. If the question is about tourism or travel, the answer is either the Grand Canyon or Sedona. The romance question was a recent topic and—you guessed it—Sedona was the answer. For more evidence linking the Red Rock Country to lovers, try booking a hotel room in Sedona for Valentine’s Day. The closest room you’re likely to find is in Eloy.

It’s been over a decade since I last visited Sedona and all of the changes shocked me. Gone is the quiet dusty little creek-side town nestled in Oak Creek Canyon. Back then, there were the usual galleries, jewelry, and souvenir stores in the village, but now it looks like Scottsdale or Newport Beach. The single traffic light has been replaced with dozens of traffic circles. With its limited space and water supply, Sedona has always been the place we loved to death and surely it’s now ready for hospice care.

As a photographer, I’ve been frustrated when shooting there. When you’re trying to get a shot that tells the town’s story, you’re thinking about red rocks, Oak Creek, and the old sycamore trees. You can get that shot at Red Rock Crossing State Park and virtually every photographer has it in his or her portfolio. On this visit, I wanted something different to photograph, so I did a bit of exploring. I hiked a short trail in Boynton Canyon and I ended my day on top of Airport Mesa.

I hung around after sunset until the crowd left—there’s a dedicated parking lot for this viewpoint and people pay three-bucks a car, who knew? I wanted the town dark but have Capitol Butte lit with the soft residual light in the western sky, so I waited until the town lights began to come on.

I believe that I got a different interpretation of this familiar view. I called this image Capitol Butte after the red-rock feature towering over the village. It shows how packed the dwellings are between the rock formations that draw so many people from around the world. I like the contrast of the orderly north-south-east-west streets within a so-called nature setting. When I look at this image, I see a tribe of millionaire-Bedouins camped for the night around the waterhole.

You can see a larger version of Capitol Butte on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll show more from Sedona.

Until next time — jw

Teasdale Cock’s Comb Picture of the Week

The geological roller coaster ride that is Utah State Route 12 ends on its east side in Torrey, Utah, and as the road descends Boulder Mountain’s north slope into town, there is a jagged uplift called the Cock’s Comb (Google Earth spelling) that you can get to via the side road to Teasdale. From Highway 12, it looks like a miter—a bishop’s hat, but when viewed from the south it’s a quarter-mile long section of crust ripped from the earth’s surface and stood on end. When I did some research for this post, I found that there’s something interesting about the Cock’s Comb besides being a big old hunk of rock. There are a road and trail—Fish Creek Cove—that lead to a very large panel of Fremont Era Rock Art. I wish I knew about that while we were shooting, but now I have a reason to go back.

Of all the shots I took at the site, I selected this one to be this week’s featured image because of the layers. The thunderstorm was moving north from Boulder Mountain rapidly and the main part of the rift is in shade, but the smaller ridge is still in the sun. I also thought the clump of juniper trees in the foreground added to the sense of depth. I call this image Teasdale Cock’s Comb.

You can see a larger version of Teasdale Cock’s Comb on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we show more of the dramatic landscapes along Utah’s State Route 12.

Until next time — jw

Embarrassment Pie 2018 Utah Photo Shoot

On the road, you’re forced to try new restaurants. Some of them are good, a few are poor, but most of them are blah. Most restaurant owners don’t have an interest in food and they have little imagination. They are just trying to make a buck and so the profit and loss statement dictates the menu. I mean, my mom used to put more lunch meat on our peanut butter and jelly sandwiches when she packed our school lunches than they serve at roadside dives. That’s why, when I find a place that has great food, I like to tell you about it.

Happy Couple – On the grounds of the Burr Trail Grill are a pair of gas pumps as yard-art. They’re of little use for anything else now because the largest price is 99 cents.

There are eight little communities along Utah’s State Route 12. Most of them barely have a post office much less a coffee shop. Boulder is one of those small towns. It’s wedged between the—terrifying to drive over—petrified sand dunes and Boulder Mountain. If you’re not going to see the ruins at the Anasazi State Park or to drive the Burr Trail, there’s no good reason to visit Boulder … other than they—inexplicably—have two outstanding restaurants, the Hell’s Backbone Grill and—our favorite—the Burr Trail Grill. Truthfully, we don’t know about Hell’s Backbone because we stopped at Burr Trail first and keep returning each time we pass this way.

Burr Trail Grill – Located at the intersection of SR 12 and Burr Trail the grill is only open during the season but the food is good.

The grill is on SR 12, right at the Burr Trail—an interesting side trip that we’ll talk about another time. It’s a small wooden shack-like building that has more seating outside than in, which is good because the parking lot is usually full at lunch. It is only open during the summer—May to October—after which, the staff return to their day jobs at the ski resorts near Salt Lake City. The menu features burgers and sandwiches which doesn’t sound exotic, but I’ve had the Thai Burger and their Ruben. Each of my choices favorably impressed me. The food at the Burr Grill is good, but we dream of their pies.

Mixed-Berry-Ginger Pie – Warm from the oven with a scoop of home-made ice cream and fresh whipped cream is guaranteed to make you forget about decorum.

This pie will embarrass you. It has the kind of crust that explodes all over the table when you put a fork to it, just like Aunt Clara made. After your first taste, you scoop up the table-crumbs and eat them. Pies are baked fresh each day and served with home-made vanilla ice cream and fresh whipped cream. There’s a changing variety each day. Anne loved the chocolate-bourbon and she had to settle for peach on our second visit. When you order a slice, it takes a minute because they warm it in the oven. I ordered a slice of cherry-cayenne, which sounds weird, but was tangy and not hot—like a sour cherry. On our second visit, I went for the mixed-berry-ginger and that made my taste buds explode. It was the taste of berry tartness at the beginning followed by a bright splash of ginger. As you dig in, the warm pie melts the ice cream resulting in a pool of fruit-cream on the saucer. As I devoured mine, I looked across the table and saw Anne’s eyes peering over her plate while she licked it. “What!” was all she had to say for herself—queen indeed. I told you it was embarrassing pie.

When you come to explore SR 12, be sure to plan a stop in Boulder for at least a slice of pie. You may come away embarrassed, but you’ll be better off for it—recommended.

Until next time — jw

Bryce Canyon 2018 Utah Photo Shoot

Thor's Hammer And Sunset Point — Thor’s Hammer And Sunset Point – As the Navajo Trail descends, it passes by Thor’s Hammer, Bryce Canyon’s most iconic hoodoo.

Of all the sights to see along Utah’s State Route 12, Bryce Canyon is the crown jewel. All of the other stops along the way are sideshows. The park draws people worldwide and they have to use SR 12 to get to it. I, however, am a weirdo that stops at Bryce because it’s part of the highway. Interestingly, Route 12 cuts through Bryce’s north-east corner, so you get a taste of the Bryce Canyon without leaving your car.

We’ve been to Bryce a handful of times and it’s one of our favorite national parks. With elevations exceeding 9,000 ft, it’s always cooler than home. It has alpine meadows and forests of spruce, fir, and aspen, which are a definite change from cacti. There are great views from the overlooks dotting its 38-mile road and you get an understanding of the Escalante Grand Staircase when you look down from the top. Finally, there’s wildlife—if you don’t see at least one deer while in the park, well … you’re just asleep at the wheel.

Leaning Tree – At the canyon’s bottom are amazingly tall fir trees growing between formations like they were stretching to reach the light.

Like most visitors, Anne and I stopped at the overlooks on our previous visits, but I wanted to do something different this time. While we were in the visitor’s center, I asked the ranger about the trails and she recommended the Navajo Trail to get the photographs that I was looking for. It’s a loop trail that’s less than a mile and a half long. On their chart, it was a moderate hike because of its 500 ft elevation change. I thought to myself, “Piece of cake, sign me up.”

Before tackling the Navajo, Anne and I drove to the road’s end—Rainbow Point. That’s the park’s highest elevation, and in addition to the great view, there’s a flat trail—for Bryce Canyon—that loops through a grove of bristlecone pines. After completing the loop, we concluded that the bristlecone grove at Cedar Breaks was healthier, larger, and a better experience if you like walking among these ancient trees.

Wall Street – The Navajo Trail passes through a section called Wall Street where you’re dwarfed by the cliffs like a ‘Lord of the Rings’ setting.

As we drove back to Sunset Point where the Navajo Trail is, Anne called our insurance agent and demanded that he increase my life insurance policy—she of so little faith. When we arrived, we couldn’t find a parking space and I questioned if anyone was still at home in Europe. All of the spaces were full and a queue of three cars waited for each potential empty spot. We decided that I should go and Anne would circle the parking lot—like you do at the airport—until she found an open parking spot. With a kiss for good luck, I grabbed my camera and backpack—with water—which burst open and emptied before I made it to the rim—and set off on my great adventure.

Let me describe the Navajo Trail. On the map, it’s a 1.3-mile loop with a 500 ft elevation change. I hiked down 500 ft on switchbacks for three-quarters of a mile. At the bottom was a log-bench that felt good to sit on. Then I walked around a column and began the trek up another set of switchbacks climbing 2,000 ft in under three miles. If I went in the other direction, the numbers would have been the same. It was one of the most exhilarating things I have done in my life. I didn’t understand Bryce Canyon until it swallowed me.

Navajo Emerging – As the trail begins to emerge, it feels like breaking the water surface after a dive.

I made my journey in 1½ hours, but I was taking photos as I plodded along the trail. I resented the kids and a young man who ran up the hill wearing flip-flops. George Bernard Shaw was right when he observed, “Youth is wasted on the young.” I’m glad that I made the effort because I got a different perspective of Bryce Canyon in a mental sense and in my work, which I hope you enjoy viewing.

Until next time — jw