Phoenix only has two interstates that will get you the hell out of Dodge; Interstate 10 which either takes you west to California or east to everywhere else, and Interstate 17 going north. Driving I-10 in either direction always seems like a dreary, endless drive through the desert, while I associate I-17 with good times, like playing in the snow or—during summer—just escaping the heat. I think it’s because of all the different climate zones it goes through, like the desert, grasslands, riparian, and alpine forests.
The first change that you come to when heading north is the grade at Black Canyon City. It’s an abrupt transition from the Sonoran Desert to riparian grassland—saguaros are at the bottom, and they’re not at the top. It freezes more often at higher elevations, and the giant cacti can’t tolerate it. Black Canyon City is distinguished by being the northern edge of the Sonoran Desert; I know that because it says so on their welcome sign.
Most Phoenicians consider Black Canyon City a suburb populated with free-spirited residents. It’s the bottleneck on the highway where heavily ladened trucks insist on passing one another up the steep grade, or traffic is backed up to Prescott because a crash closed the freeway and there’s no other way around. During heavy rain, the community makes the news because the Agua Fria River floods and people get trapped in their homes or cars. If you do stop in town, it’s to get a slice of pie at its famous restaurant. I wouldn’t be surprised if most Phoenicians didn’t know Black Canyon was in a different county—Yavapai. I know that I didn’t, and that’s why I chose Black Canyon City as my place to look for October’s art.
I saw the subject of this week’s photo as I was driving around town. I-17 divides Black Canyon City in two. The business district is on the freeway’s west side while on the east is mostly residential and a few light industries. The needle can be seen on the east side but not from the interstate. That’s why I didn’t know it was there. It’s like a smaller version of Weaver’s Needle in the Superstitions, but as much as I searched, I couldn’t find its name. There was nothing on my topographic maps, highway maps, the Gazetteer or the city’s website. I saw this neat YouTube drone video, but it doesn’t list a name either. It’s on the southwest corner of Perry Mesa (sounds like an excellent name for a lawyer, doesn’t it?) where Squaw Creek runs into the Agua Fria River, so I used that moniker for the photo’s name—Perry Mesa Needle.
In this image, I like the way the low clouds and their shadow frame the subject. The grove of saguaro midway up adds scale to the outcrop. Finally, the recent rains cleared the air and gave me a deep blue sky making the puffy white clouds seem to pop in 3D. As was the case with the Jerome Hollyhocks a couple of months ago, if you know this needle’s name, please email me.
You can see a larger version of Perry Mesa Needle on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll feature more from Black Canyon City.
Until next time — jw