Trails – On the road with Jim

Holbrook Chronicles: A Quirky Journey Through Time and Asphalt Picture of the Month - Holbrook, Arizona

White tee pee-shaped motel rooms with classic car parked outside on Route 66 in Holbrook, Arizona — Nostalgic Nights: The Historic Tee Pee Motel of Route 66 – Step back in time with a glimpse of the historic TeePee Motel on Route 66 in Holbrook, Arizona—where classic cars and unique accommodations summon the spirit of America’s golden age of road travel.

Earlier this year, in a fit of cartographic embarrassment, I noticed my Arizona map was as barren in the northeast corner as my understanding of quantum physics. We use the map to bookmark locations we’ve visited and shared with you. “We must address this travesty,” I declared, or perhaps just thought loudly. Thus, Queen Anne and I embarked on an expedition to Holbrook, a place as famed for its petrified wood as my living room is for lost remote controls.

Upon our grand arrival in Holbrook, it became immediately clear how the town’s history was as layered as my attempt at a seven-layer dip, which never made it past layer three. From the ancient trading routes that seemed slightly busier than my last garage sale to the modern buzz of I-40, which promised the thrill of gas stations and fast food, Holbrook whispered tales of change. And by whispered, I mean it mumbled incoherently, much like Uncle Ray after his third Thanksgiving cocktail.

Wide-angle photo of playful dinosaur sculptures in a rock shop yard in Holbrook, Arizona, with petrified wood for sale — Petrified Pals: The Dinosaur Ambassadors of Holbrook’s Rock Shop – Encounter the past in a playful panorama with Holbrook’s roadside dinosaurs, a nod to the rich paleontological history unearthed at the nearby Petrified Forest National Park.

Diving into the town’s lore, we uncovered tales of early Pueblo peoples, whose idea of commuting was traipsing along the Little Colorado River. They traded goods with the enthusiasm I reserved for exchanging unwanted Christmas gifts. Picture them, settling down by the river’s edge, not to snap sunset selfies, but to swap stories of Coyote, the original trickster who probably invented the concept of “fake news,” and Spider-Woman, the ancient weaver who, unlike me, never blamed her tools for a botched job.

Then came the white men, striding into the horizon with all the subtlety of a brass band in a library. With their grand plans to connect coasts, Lieutenant Whipple and Edward Beale undoubtedly paused to ponder, “Will there be sufficient parking?” Their surveying tales were likely less about the awe of uncharted lands and more about the days when their socks stayed dry.

Early Settlement

In 1876, Mormons fleeing the excitement of Utah found solace in what would become Holbrook, a place that made their former home seem positively Las Vegas-esque in comparison. By then, the town had started to take shape, much like my attempt at sourdough during lockdown—full of hope but ultimately flat.

Our foray into this historical mosaic first led us to the part of town that had seen better days. “I’m not getting out of the car,” declared Queen Anne, with the determination of someone guarding the last slice of pizza. And who could blame her? The charm of the Arizona Rancho and the Bucket of Blood Saloon was as evident as the potential in my high school yearbook photo—present, but requiring a generous imagination.

Pedro Montaño built the Arizona Rancho home here between 1881 and 1883. It started as a single-story plastered adobe building with a high-pitched roof and dormer windows. After it was sold to the Higgins family, it became the Higgins House—a boarding house with a two-story addition. Next, it became the Brunswick Hotel. In the 30s, the west wing was used for Holbrook’s hospital, and during World War II, the Navy leased it to house pilots training at the airfield north of town. Now, it’s listed on the National Historic Registry and appears to be undergoing renovation.

Crossing the street from the train depot is another historic building in decay. It was initially called Terrell’s Cottage Saloon, and it was popular with cowboys and ruffians. After a violent gunfight in 1866 that ended up with two men dead, the street was described as if someone had poured a bucket of blood on it. The name stuck, and the saloon and street name bear the moniker. When we visited, a prominent sign urged people to contribute to saving The Bucket of Blood Saloon.

Imagine Holbrook as the Wild West’s version of a reality TV show, complete with outlaw gangs and cattle thieves vying for the title of Most Wanted, starring the Hashknife Gang and the Blevins Brothers, with special guest appearances by the Clantons, who thought the Earps’ version of justice was a tad too personal. Enter Sheriff Commodore Perry Owens, Holbrook’s answer to a sheriff who didn’t just wear a badge but practically invented the law enforcement genre with flair. His Wikipedia page? It’s the binge-worthy history lesson you never knew you needed.

Traffic Increases On Route 66

Faded green signage on an abandoned gas station under dramatic sky in Holbrook, Arizona — Deserted Drive-Up: The Withered Gas Station under Holbrook’s Sky – Behind a chain-link time capsule, the remains of what could be a Sinclair station stand sentinel under the vast skies of Holbrook, a mute testimony to the bustling days of Route 66.

Holbrook thrived on a cattle economy akin to a bovine social club for decades until 1926 rolled around with Route 66, flipping the script. Suddenly, Americans, intoxicated by the freedom of their Model Ts, were gallivanting across the country, pioneering the original road trip minus the luxury of air conditioning or reliable GPS. The Dust Bowl era added a gritty reality show twist, turning Route 66 into the “Mother Road” of all escape routes. By 1938, the road’s complete paving made cross-country jaunts less of a teeth-rattling affair, shifting Holbrook’s social scene north of the tracks. The town’s once-thriving pit stops turned into a ghostly strip of nostalgia, save for the Tee Pee Motel, now a restored relic where vintage cars outnumber guests—missing the chance to sleep in a concrete teepee? Now, that’s a modern regret.

Post Interstate 40

As Holbrook entered the fast lane of the Interstate 40 era, it seems the town, like a bewildered tortoise at a Formula 1 race, was sidelined by the rush towards efficiency. Where once adventurers might pause to marvel at the local color, they now zoom towards the neon glow of franchise signs, seduced by the siren call of combo meals and loyalty points. It’s as if America’s highways have become conveyor belts, whisking travelers from Point A to B with little regard for the stories and spectacles they blur past.

Amidst this homogenized landscape, Holbrook is a defiant reminder that sometimes the best part of the journey is the quirky diner you didn’t expect to love, not the time shaved off your ETA. In rediscovering Holbrook, we find not just a town but a treasure trove of tales begging us to slow down, look around, and maybe, just maybe, find a piece of ourselves among the echoes of Main Street. So, let’s take that exit ramp less traveled; who knows what stories await among the faded signs and whispers of yesteryear?

Tracks to the Past: Warehouse Days at Holbrook’s Old Depot—Standing with silent stories, the repurposed Holbrook train station along the SP tracks endures as a storied warehouse among the town’s architectural relics.

I hope you enjoyed our Holbrook tale and viewing the new photos. If Queen Anne and I have piqued your interest, you can see larger versions of this month’s adventure in my New Work collection <Link> and Fine Art America page <FAA Link>. They’ll be there for the next three months before they make way for a new adventure. Be sure to return next month when we stop at the Painted Desert and Petrified Forest.

Until our next detour, may your travels be full of discovery and stories as rich as Holbrook’s past.
jw

Cool Springs Route 66: Relics and Flags Picture of the Week - Oatman, Arizona

Vintage cars parked under a waving American flag at Cool Springs Station on Route 66, Oatman, Arizona. — Cool Springs Route 66: Relics and Flags – Echoes of the Past: Vintage cars sit silently under the vibrant hues of the American flag at Cool Springs Station, capturing the enduring spirit of Route 66.

The things you do for love. We don’t often get company, but when we do, Queen Anne transforms into a machine as she attempts to disinfect the house from top to bottom. My best chance of staying out of the trash bin or sucked into one of her vacuums is to lock myself in my office. That’s what happened the first week of December. Anne’s sisters came out for a long weekend visit, meaning that she spent the entire month of November scrubbing the walls. She only put down her Comet can for our traditional Thanksgiving dinner at Denny’s.

Before leaving to pick them up from the airport, imagine my surprise when she handed me a crisp $20.00 bill and told me, “Find someplace to spend the night.” It was predictable because we haven’t had enough beds for multiple guests since we sold our Casita (don’t remind me). I decided to drive over to the river and lose my newfound wealth on the Craps table. Since I was going in that direction, I thought I could get some Route 66 shots. And there, my friend is the story of how Oatman became January’s photo project.

In Arizona, there are two long stretches of the original Mother Road. The first and longest is the Seligman – Peach Springs – Kingman section. The other runs from Kingman, through Sitgraves Pass, to Oatman, and then the old bridge crossing the Colorado River. Since I have very few photos of Oatman, I took this route on my way home from Laughlin. I’m glad I did.

The only other time I drove this section of Old Route 66 was during the pandemic. At the time, we were avoiding people, so we didn’t stop to shoot any roadside attractions. However, the Cool Springs Station burned a hole in my lens, so it was a required stop on this trip.

Cool Springs Station and vintage gas pumps along Route 66 with Thimble Mountain in the background in Oatman, Arizona. — Cool Springs: Route 66’s Desert Jewel – Stepping back in time at Cool Springs Station, an iconic stop along Arizona’s stretch of Route 66, nestled against the majestic backdrop of Thimble Mountain.

You’ve likely seen pictures of this place in books or videos about Route 66. With its classic shiny red Mobil gas pumps (there’s a rusty one, too), it’s a perfect backdrop for motorheads to snap a portrait of their car. It hasn’t always been this gleaming jewel on the Mohave Desert floor. It has a history.

Nestled against the rugged backdrop of the Black Mountains, Cool Springs Station has stood as a silent witness to the ebb and flow of Route 66’s storied past. Established in the mid-1920s, Cool Springs was built to serve the burgeoning car culture of America, providing fuel, refreshments, and a welcome respite to weary travelers making their way through the Sitgreaves Pass. Its distinctive stone façade and gleaming gas pumps quickly became a symbol of the optimism and adventure spirit embodied by the Mother Road.

However, the passage of time and the shifting sands of progress were not always kind to Cool Springs. In the late 1960s, as the new interstate system redirected traffic away from Route 66, the station saw a decline, eventually falling into disrepair and was nearly forgotten. It wasn’t until 2001 that Ned Leuchtner, a Route 66 enthusiast, recognized the cultural and historical importance of Cool Springs. He undertook the painstaking task of reconstructing the station, using vintage photos as his guide to ensure authenticity. Today, the station has been restored to its former glory, complete with those classic red Mobil gas pumps and the original stone masonry, standing as a tribute to the enduring legacy of Route 66.

My picture of the month isn’t of the station but the yard art off to the side. The image is a trio of old car shells clustered under an American flag, with the Black Mountains as a background. Although these vehicles are historic, if they had any value, some collectors would have snatched them long ago.

The thing that made me choose this week’s photo is the flapping flag. I shot this midday with lighting that blends the cars and mountains into a bland porridge. The flag becomes the image’s star. It’s almost like the flags that fly over our national cemeteries. The picture says, “These are the fallen heroes of the long Route 66 history.”

We’re tickled that you started this year by spending time with us. If you want to see a larger version of this month’s photo, they are online on my website < Jim’s Page> and Fine Art America <FAA Link>. If you want to buy the Chevy Truck, you can contact Uncle Jim’s Cherry, One Owner, Used Car Emporium by leaving a comment below.

We look forward to your comments, so don’t be bashful. We’ll return with more Oatman and Route 66 photos next week, so don’t touch that dial.

Till then, keep your spirits high and your humor dry.
jw

Techniques: Waiting for the decisive moment.

You might think snapping a flag is a breeze, but let me tell you, it’s more like herding cats on a windy day. I aimed for a balance—not too limp and not overly taut—to convey a sense of movement and life. This required patience and timing, like capturing the peak moment in sports photography. With the wind’s whims as my conductor, I played a game of red and green light, waiting for Mother Nature’s perfect cue—talk about being at the mercy of the elements. In retrospect, a tripod would have saved me from the armache of holding steady through the breezes.

For the technically curious, this was a dance of light and speed. I shot in Aperture Priority mode with an f-stop of 6.1, relying on the bright midday sun to provide a fast enough shutter speed. My main concern was keeping the truck headlights and the flag’s stars and stripes in sharp focus. Choosing the correct f-stop or waiting for the wind is like deciding on the right spice for a stew or the right socks for sandals—not always obvious, but oh-so-important!

WPA Legacy: The Historic Cattle Dam of Gold Butte Picture of the Week - Mesquite, Nevada

WPA-built stone dam between rock formations in Gold Butte National Monument, captured by Jim Witkowski. — WPA Legacy: The Historic Cattle Dam of Gold Butte – Stepping Through Time: This WPA-constructed dam at Gold Butte stands as a rugged monument to past endeavors, harmonizing with the arid beauty that surrounds it. A silent witness to history, its stones speak of a bygone era of hope and hard work.

Victorious in my quest to capture the ancient whispers etched into stone, I returned to our trusty steed, the Turd. There, amidst the dust and echoes of bygone civilizations, sat Queen Anne; her latest book–escape, concluded. Her gaze met mine, an unspoken dialogue of adventure’s end, punctuated by a brief, ‘Can we go now?’ Her tone carried the weight of a royal decree, yet I knew the kingdom’s treasury of wonders still had one gem left to unveil.

At the end of the infamous paved road, you can turn south towards the abandoned town of Gold Butte or go straight towards the Arizona border and the Grand Canyon—Parashant National Monument. Both roads are equally evil to drive on, but I wanted to find another relic of history—a WPA-era dam, so I started east. We didn’t travel far because I spotted a cistern on the left as soon as we drove through the first dry wash. I pulled the truck over and grabbed my camera.

The cistern looked like a dry concrete bathtub, and a rusty pipe beckoned from the cistern to a narrow canyon on the right. A couple of creosote bushes blocked the view (and the path), so I brushed them back with my arm and saw the dam. It looked like a scale model of the Hoover Dam 50 miles downstream. Although it was built in the 30s and no longer maintained, it looked like it would still hold water if you closed the gate and valves. It is another testament to those folks’ work during the Great Depression.

After getting some shots, I wanted to see how deep the backside was, which meant climbing the stairs. In my younger days, I would have said, “Nothing to it,” and jogged up the stairs. But there’s no handrail, and my balance isn’t the same, so I did it the hard way—backing up one step at a time while sitting on my butt. I got my dose of vertigo and started back down the stairs when three outdoorsmen walked through the slot. My face turned red, and I apologized, “Sorry guys, this is how we geezers climb stairs these days.” One of them quipped, “We understand—Mister Girly-Boy.”

An erosion-formed window in a sandstone canyon wall, illuminated by sunlight at Gold Butte, photographed by Jim Witkowski. — Nature’s Art Frame: The Erosion Window of Gold Butte -Carved by the patient hands of time and elements, this erosion window in Gold Butte’s canyon wall frames a story millions of years in the making—each layer a verse in earth’s grand narrative.

This week’s other photo is of a natural erosion window along the canyon’s narrow. Unless you’re the stature of our friend and frequent commenter, Deb Poteet, you can frame your face with it by standing on your toes. As usual, Anne wouldn’t get out of the car, so I had to settle for shooting the opening without her pretty face. Still, it’s pretty cool.

In the mirror

Queen Anne and I covered a lot of ground this year. We visited two California Wine regions without being tossed out on our ears. We followed some of our favorite trails and got reacquainted with the charming cities of Bisbee, Tombstone, and Douglas. We explored the Beeline Highway and the Mazatzal Mountains, shot wildflowers in the spring, got caught in a monsoon storm at sunset, and discovered some fantasy shapes in Prescott’s Granite Dells City Park. With pandemic restrictions lifted, we did a decent job of broadening our range and bringing you more diversity with this year’s photos and stories.

This has been a year of growing for us. I’ve tried to improve my writing skills. I completed a couple of online creative writing courses. You’d think it would make my work more manageable, but it didn’t. What I used to knock out on a Sunday morning now takes me three days of writing, editing, and revising before I’m ready to publish. I also invested in a grammar checker that—hopefully—gets most of the commas in the right places.

I’ve been tinkering with my photo processes by watching online photographers. I picked up some new tips and tricks, which I’ve tried to pass along to you in the Techniques section. I think you found them helpful because I’ve received positive feedback from you. Finally, to attract new subscribers, we started producing monthly YouTube videos. In each of the last few months, I converted one of my static portfolios into a five-ish-minute video with music and voice-overs. With these new videos, we’re blending the old-world charm of static images with the zippy excitement of moving pictures—without the smell of darkroom chemicals. It seems to be working because my web traffic is on the rise.

Through the windshield

I have an Arizona wall map on our laundry room wall with colored dots indicating the places we’ve visited in the last couple of years. Instead of being evenly distributed, two empty spots glare at me from the map. The first is along the southern border between Nogales and Yuma. Since that’s restricted chiefly to military ranges, there’s not a lot I can photograph without starring in my impromptu sequel to North by Northwest. The other section is the northeast corner of Arizona—the Navajo and Hopi reservations. I intend to paste a dot or two in that corner next year. Maybe you could suggest some locations.

There’s more to discover at Gold Butte National Monument. I plan to return this spring if the Turd’s crummy tires ever wear out. Getting stuck out there without communication is a genuine concern for us. Some sights we missed this year include Devil’s Throat, the remains of Gold Butte’s ghost town, and Little Finland.

Finally, next year’s wine region adventure will be in Northern California. Will it be Napa, Sonoma, or the Russian River? Let us know where your favorite California wine comes from. We haven’t picked a winner yet, but the trip will be in August. As Samuel Clements once said, “The coldest winter I ever spent was a summer in San Francisco.” Some dispute that the quote is genuine, but for us desert dwellers, it’s a challenge.

Queen Anne and I wish you a very happy and prosperous New Year. We hope you’ll continue joining us on our escapades and maybe invite some friends. We’re always delighted to see you in the back seat. Feel free to share your New Year’s adventure plans in the comments below. They give us ideas for which roads we take.

Till next time, keep your spirits high and your humor dry.
jw

BTW:

Last week, I released my latest YouTube video based on my portfolio of pictures of California. It’s five minutes of eye candy, and I invite you to see it by using this link: [https://youtu.be/cgXAHPyzQ5Y]

Sculpted by Time: Whitney Pocket’s Sandstone Wonders Picture of the Week - Mesquite, Nevada

White sandstone rock formation at Whitney Pocket, similar to Zion National Park, in the Gold Butte area of Nevada. — Sculpted by Time: Whitney Pocket’s Sandstone Wonders – Amidst the rugged beauty of Whitney Pocket, this layered sandstone formation stands as a silent witness to the artful touch of natural forces, its contours and colors a desert echo of the famed cliffs of Zion.

Before we even packed the Turd for our Nevada trip, I studied all of the Whitney Pocket YouTube videos I could find like they were a final exam. Packing the Turd for the trip felt a bit like preparing a stubborn mule for a mountain trek—full of hope but expecting surprises. When the morning of our exciting adventure finally came, I had my checklist ready. After a hardy breakfast at Peggy Sue’s Diner, we topped off the gas tank and checked the tires. Part of these exercises was taking precautions and waiting for the visitor’s center to open so that we could buy maps and get free first-hand advice.

The people who answered our questions and the Friends of Gold Butte group volunteers were constructive. With a lack of park rangers, they’ve stepped in to fill that role. After reassurance that my SUV would be capable of the drive, the guide offered one last bit of advice. “Be sure to tell someone where you’re going and when you expect to be back. No cell phone coverage exists, and you could be alone out there.” Anne and I glanced at each other, wondering who we could call—we were alone in Mesquite and didn’t know anyone in town. We decided to call her sister—Jane— in North Carolina and panic her, “If you don’t hear from us by 6:00 pm, call the police.”

After the long drive on the awful road I complained about last week, we made it to the end of the pavement—Whitney Pocket. When I first got out of the truck, I felt disappointed. With our backs to Virgin Peak, we scanned the southern horizon, which went on forever in the clear, dry Mohave Desert air. Except for a few lumps of sandstone close by, there was just a sea of yucca and creosote running endlessly downhill to a thin line of blue, which we identified as Lake Mead. Where were all the majestic sandstone formations in the videos I watched?

We were here, and I would make the best of it. Our map showed a petroglyph site three miles down a side road that we passed, so I drove a quarter mile back and started down what I jokingly call a road. The road was passable, but only if I kept the speed under ten mph. The Turd’s front sub-chassis sounded like it was about to fall off as we dodged the football-sized pavement rocks. In comparison, the entrance road was a freshly paved Interstate.

As promised, there was a parking area with a kiosk and pictures at the three-mile mark. Go to the right and see the Falling Man petroglyph, but there would be a large panel of petroglyphs if I went in the other direction. The guide told us that the Falling Man was a longer hike and tricky to find, so I set off toward the easy shot while Anne and her Kindel kept each other company.

After a half hour of scouring the rocks for rock art, I realized I had missed the trail, was lost, and needed to find my way back to the truck. The trail had been pronounced, so I don’t know how I messed up. I started the hike back using my old tried and true method: ” This looks familiar.” I noticed the rock colors and layers as I searched for the trail. They’re more subtle and muted than you find in Bryce or Zion—almost a pastel quality. Then, I crossed over the surface stone patch and found my trail. I stopped, looked around, and discovered that the trail zigged right while I went left. Ah, the old let’s lose the geezer on the hardscrabble trick.

Water or ice erosion exposing red sandstone layers beneath the surface in Whitney Pocket, Gold Butte area. — The Art of Erosion: Exposing Whitney Pocket’s Hidden Hues – Nature’s artistry on display: The intricate dance of erosion carves through time, uncovering the fiery red heart of sandstone beneath the desert’s sunlit canvas.

Now that I was un-lost, I started taking pictures of the stones and capturing the muted colors washed out with the early afternoon sun. My trip back to Anne and the truck was more deliberate as I spent more time shooting and exploring along the way. As we drove away on the rock road, I turned to Anne and said, “I don’t think we should risk running the Turd down these roads until we get new shoes for him.” Anne’s ‘Oh, thank God’ was laced with so much relief that I suspected she might start a Thanksgiving parade there.

While the grand formations played hide and seek with our expectations, the true majesty of Whitney Pocket revealed itself in a serendipitous encounter. This week’s photo—Sculpted by Time—captures a lone formation made from the same limestone that capped Virgin Peak (last week’s shot), one that almost seemed to beckon for attention amidst the vast desert. Its white, streaked face looks unremarkable at first, but if you look closely at the lower-right corner of the image, you’ll see a joint (not that kind, you stoners). This is where a layer of the Navajo Sandstone is popping its head from the ground. These are the same petrified dunes seen in Zion National Park, and we showed you in Utah’s Snow Canyon State Park last year. This shot was a dance of light and texture, a moment where time stood still, and the story of the earth was told in a single frame of layered rock.

Here is evidence of rising ancient seas and covering the dunes up. Over eons, the skeletons of shellfish collected on the seabed and covered the dunes with a layer of their own. I think that’s cool, not to mention that I like the natural window in the upper center, too.

Next week, we’ll return to Whitney Pocket, but our focus will shift to the ‘Dance of Light and Shadow’ this time. We’ll explore how the changing sunlight angles transform the sandstone from mere rocks into a canvas of nature’s art. Expect tales of how the sun brings out different personalities in the stones. If you’d like to examine the rock layering closer, you can stop by my Web Page < Jim’s Page> or my post on Fine Art America <FAA Link>.

Till then, keep your spirits high and your humor dry.
jw

The Escalator Effect: Rock Formations in the Granite Dells Picture of the Week - Prescott, Ariozna

A golden stairway of rock formations ascending to a blue sky in the Granite Dells during sunset. — The Escalator Effect: Rock Formations in the Granite Dells – A natural escalator of golden rock formations, leading the eye toward the serene blue sky. A captivating example of the Dells’ rugged beauty captured at day’s end.

Thanks for tuning in to the third installment of my tromp through Prescott’s Granite Dells. We’ve moved to the park’s west side this week, north of Wilson Lake, where the trails are more challenging (physically and mentally) for an old coot like me. Despite the park departments placing white dots along the route as breadcrumbs, this Hansel managed to get lost three times. When I wasn’t lost, I scrambled over rocks and through thickets. To add to my misery, I started my hike in the afternoon, when the temperature was hot—even for Prescott.

Ah, the granite of Arizona, often found lounging in the sun, unbothered and with a certain rough charm. Unlike its posh cousin in Yosemite, it’s not entirely dressed to impress. While the Yosemite granite is a refined mix of quartz, feldspar, and biotite, giving it a smooth, elite look, Arizona’s granite is laid-back.

Arizona’s granite likes to hang out with some low-life friends, like mica and other composite minerals. It’s a mixed bag of characters not found in the high-end stuff. It’s a bit like the rebellious teenager of the geological world, not entirely fitting into the pristine and orderly world of Yosemite’s elite granite or New Hampshire’s distinguished, old-world charm.

Where other granites may be used for grand monuments or chic interior design, Arizona’s granite prefers the simpler life—gracing landscapes, lounging in gardens, or even being crushed into gravel for driveways. The added presence of mica gives it a bit of sparkle, but it’s more of a casual glint rather than a dazzling shimmer. It may not have the star power of its Yosemite counterpart, but it’s got character, grit, and a unique Southwestern flair that makes it stand out in its own right. And who doesn’t love a good underdog story? Especially one with a bit of sparkle!

When hunting down picture subjects, I look for unusual things that interest me. It may be a pattern, shape, texture, or something ordinary, but with exceptional lighting, photography loosely translates to ‘painting with light.’ But when I try to explain to others what I see in an image, my audience frequently gives strange looks, and they often raise their hands in defense before taking a step back for safety. For example, I was drawn to the inclining row of vertical rocks behind some horizontal slabs in this week’s image, titled The Escalator Effect: Rock Formations in the Granite Dells. My brain shouted, “Oooh! Oooh! Rock go up and down—rock go side to side.” That was enough encouragement for me to snap the shutter.

The composition still pleased me enough to process it this week, but as I worked on it, I began seeing things that could get me locked up. As I looked at the incline of vertical rocks, I wanted to push the right one over and watch the pile topple in a chain reaction—like a row of dominoes in a time-wasting but addictive video. Then, the rocks morphed into a flight of stairs or an escalator I wanted to climb. Then, to my horror, I saw the shape of a man covered in a leafy shadow blanket lying face-down at the foot of the stairs. Has he fallen? Is he injured? The city should put up handrails for us to hold onto. It’s a lawsuit waiting to happen.

A singular rock, bathed in golden light, resembling a deflated beach ball or Yosemite's Half Dome, in the Granite Dells. — One Among Many: A Golden Hour in the Granite Dells – A unique rock formation stands out against a backdrop of green pines and blue sky, its golden hues reminiscent of a beach ball or Yosemite’s Half Dome, frozen in time.

This week’s second image—One Among Many: A Golden Hour in the Granite Dells—isn’t nearly as complex. It’s only a round rock that climbed on top of a larger one to catch the last rays of the evening sun. That’s all there is. There’s nothing more or nothing less—except perhaps it’s a flattened bowling ball, deflated beach ball, or it could be an off-scale model of Yosemite’s Half Dome. I’m not sure—maybe the hot sun is getting to me.

Thanks for stopping by this week. I hope this week’s image and exploration of the photographic eye have piqued your interest. The world is full of wonders waiting to be captured by your lens, even in the most unexpected places like Arizona’s rebellious granite. If you’re brave enough to examine the dead body in “The Escalator Effect” (if you can find it), you’ll find larger versions on my website (Jim’s Website) and my page on Fine Art America (FAA Page). Join me next week for my final Granite Dells photo story. I’ll be back if I don’t get caught up in a butterfly net before then!

Till next time
jw

Techniques: Developing Your Photographic Eye

Back in the stone age, when attending night classes at Pasadena’s ArtCenter College of Design, I befriended a fellow student who was an exceptional photographer. We’d brainstorm ideas about our weekly assignments, spend time in the darkroom together, and learn techniques from one another. Vince’s work made everyone’s jaw drop when we sat for our professor’s weekly critiques. The instructor would allot ample time to hold up the photos Vince turned in as a shining beacon to which the rest of the class should aspire. Then he’d critique my work with, “That’s nice too,” before moving on to the students who need more help. Vince had the eye.

Since then, I’ve been part of many discussions centered on talent—either you got it, or you don’t was the consensus. Talent is innate and can’t be learned—to which I say rubbish. Talent isn’t a binary thing like a light switch—on or off. Like most traits in life, it’s a continuum, a line that everyone fits on. It’s easy for a select few, but we must work harder to grow.

There are helpful rules in photography that you have to learn, like beginners practicing scales on a piano. We’ve previously touched on some of those rules in this forum: framing and composition, the rule of thirds, manipulating the light, and so on. Understanding and following these rules doesn’t make our work great. Early in our careers, we work hard to master the rules so they become intrinsic, and we stop thinking about them while we’re shooting—like the musician who doesn’t need to look at the piano keys to play a tune. It’s then that your mind begins to see beyond the obvious. Instead of asking, “What should this tune sound like?” you can ask, “What should this tune feel like?” When you don’t think about the rules and trust your imagination, your work speaks with your voice. So, when I hear someone say they don’t have talent, I don’t believe them. Everyone has some talent; they have to decide if they’re willing to do the extra work—is the trade-off worth it?

It all begins with observing the world and finding what speaks to you. Whether it’s the rebellious charm of Arizona’s granite, the unexpected formations that emerge in the sunlight, or the whimsical ideas that come to mind when a rock resembles a flattened bowling ball, your unique vision will set your work apart. So take your camera, wander the trails, get lost if you must, and let your imagination guide you. Embrace the unexpected, and you might discover the extraordinary in the ordinary. Keep pushing, keep experimenting, and never doubt your ability to see the world in a way that’s uniquely yours.

Valencia Peak Vista: Capturing the Essence of Montaña de Oro Picture of the Week - Morro Bay, California

Landscape view of Bluff trail winding through grassy field with majestic mountains in the background at Montaña de Oro State Park in California — Valencia Peak Vista: Capturing the Essence of Montaña de Oro – Immerse yourself in the breathtaking beauty of Montaña de Oro State Park as you follow the beautiful Bluff trail, surrounded by rolling grassy fields and towering mountains. Discover this hidden gem’s serenity and natural wonders on California’s central coast.

Welcome back to our San Luis Obispo County project. As I tried to explain last week, it’s one of our favorite spots on the planet. Usually, the purpose of our trips involves wine tasting, so we spend most of our time traveling the roads that run past the vineyards and traverse the coastal mountains—the Santa Lucia Range. With an extra day set aside for photography, Queen Anne and I made a pact to explore places in San Luis Obispo County that were new to us.

On the morning of our shoot—after I dragged her majesty out of bed while we ate breakfast—I showed her a road I found on our California Gazetteer. It began in Morro Bay and made its way along the coast on the Montaña de Oro headlands to Pismo Beach. I told her my plans to drive down to the resort town and then return via the 101 Freeway. She thought that was a great idea as long as there was a candlelight dinner and a glass of Chardonnay at the road’s end. However, halfway through the drive, we found a locked gate preventing us from going further. It turned out that someone built the Diablo Canyon Nuclear Generating Station in our way and closed the road—how inconsiderate.

Our day wasn’t a total loss because, between Morro Bay and the gate, we drove through three nature preserves: Morro Bay Estuary, El Morro Elfin Forest, and Montana de Oro State Park. Since we had to double back, I’d have to settle with subjects along our route—oh, pity the poor photographer because each place is worthy of an afternoon—if not longer.

Morro Bay Estuary: A coastal wetland teeming with diverse wildlife and stunning vistas. A network of trails to explore that wind through the estuary offers opportunities to spot various bird species, including majestic herons and graceful egrets. If you remember to bring your mukluks, you may even try digging for clams or annoying the critters you’ll find in the tidal pools.

El Morro Elfin Forest: Unique and magical woodland. Marvel at the twisted, dwarfed trees that named the forest, creating an ethereal atmosphere. Stroll along the well-maintained trails, enjoying the tranquil ambiance and the delicate balance between the forest and the surrounding coastal dunes. Keep your eyes peeled for rare plant species and enjoy the peaceful serenity of this hidden gem.

Montana de Oro State Park: A coastal paradise of rugged cliffs, golden beaches, and sweeping vistas. Hike along the stunning bluffs overlooking the Pacific Ocean, witnessing the power of crashing waves and the dramatic coastal scenery. Explore the tide pools, where you can encounter a fascinating array of marine life, and venture further into the park to discover hidden coves and secret beaches.

I took this week’s image at the Bluff trailhead in the State Park. From the parking area, we had a choice of taking the trail down to the ocean or venturing across the street to embark on the course that led us into the majestic mountains. As we made our way along the path, the peaks rising to Valencia Peak stood before us, their commanding presence adding a sense of grandeur to the surrounding landscape. Amidst this natural beauty, my attention was drawn to the display of a bright orange Indian paintbrush. I knew that capturing this scene would encapsulate the essence of Montaña de Oro’s breathtaking vistas.

We invite you to visit the web version of this image, where you can view a larger version of Valencia Peak Vista: Capturing the Essence of Montaña de Oro. Immerse yourself in the stunning scenery, the rich colors, and the sense of serenity captured in this image. It’s a visual testament to the beauty in San Luis Obispo County.

Mark your calendars, and come back next week for another captivating tale and image. Until then, keep exploring, keep capturing moments, and remember that every step you take can lead to new and remarkable discoveries.

Till next time
jw

Techniques: Utilizing Leading Lines in Your Photographs

Leading lines such as the trail, the line of peaks, and the swale in this week’s image are powerful compositional elements that add depth and guide the viewer’s eye through the image. They create a visual pathway, drawing attention and creating a sense of movement. Whether straight, diagonal, or curved lines enhance the overall composition and introduce a three-dimensional quality.

These lines don’t have to be literal; the arrangement of objects or elements can imply them. By utilizing leading lines effectively, you can elevate your images’ impact and storytelling potential, inviting viewers to explore and discover hidden depths within the frame.

You can transform a simple scene into a captivating visual story by incorporating leading lines into your photography. Experiment with different types of lines and their placement to create a dynamic narrative within your image. Consider how leading lines interact with other elements and the mood they evoke.

Box Canyon Picture of the Week

A pair of Pueblo ruins adorn the cliff tops on either side of Box Canyon in Wupatki National Monument.

It’s November already. Time passes so fast that the remaining hair on my head flutters behind me like a streamer in the wind. To make things worse, the landlord turned off the heat. Here in the foothills, we had a couple of mornings in the high 30s, and Queen Anne insisted on sleeping with the bedroom window open. When I got up, I was invisible, standing in front of the blue accent wall—nothing but a pair of whitey tighties and chattering teeth floating through space. This cold front is supposed to move out later this week, so I’ve resisted turning on the heater. Instead, we throw back the curtains, put on heavier sweaters, and shiver till noon.

With the new month, we started a new project and didn’t have to travel far to get to it. It’s the housing development across the street. The street is Highway U.S. 89, and the development is Wupatki National Monument. Wupatki shares the access road and visitor’s center with Sunset Crater National Monument—they’re conjoined twins. During this year’s fire season, the fires closed the 35-mile park road at the crater, but Wupatki remained open because it’s north and out of danger.

Wupatki is at the base of one of the Navajo’s four sacred mountains: Flagstaff’s San Francisco Peaks, Mount Taylor in New Mexico, Hesperus Mountain near Durango, and Blanca Peak outside of Alamosa. The Dine’ considers the area with these mountains their home. But, long before the tribe moved from central Canada, Pueblo Indians lived here. They left behind stone homes along the Colorado Plateau: from Wupatki to Chaco Canyon and Mesa Verde south to Walnut Canyon.

Most Americans consider Mesa Verde National Park the most extensive collection of pueblo ruins, but Wupatki is its match. In some areas, our National Monument exceeds the Colorado Park in the number of dwellings per square mile. When you visit the monument, the maps direct you to displays unearthed and restored by archeologists that you can walk through and hear thousand-year-old ghosts. As you drive to these exhibits, keep your eyes peeled because you’ll see piles of rocks in the fields and on hilltops. These are not natural clumps of stones but more ruins that the scientists haven’t yet examined. These areas are set aside for future paleontologists to examine using more advanced tools.

There are so many ruins in Wupatki to enjoy I can’t cover them all in one month. For November, we’re only covering a half-mile hike called Box Canyon. In that short distance, you pass three ruins along the way to the main exhibit—Lomaki. This week’s picture is of a pair of stone buildings standing on the cliffs of Box Canyon. As I walked along the paved trail on a warm summer afternoon, I stopped at each ruin, photographing what I saw. The path led up a gentle slope from the parking area, past the first ruin. From there, I could see the second dwelling on the other side of the canyon, so I continued along the trail. I could have spent the rest of my time shooting these two, but when I reached this spot, I could see Lomaki, which is more prominent with even more rooms. I quickly framed this scene and moved on to the big show.

I chose this image to start this month’s project because it shows the proximity of the two ruins along the canyon walls and how they rise above the grasslands. I assume different families occupied them. There’s enough space for privacy, but they’re close enough to provide mutual protection and borrow the neighbor’s lawn mower.

You can see a larger version of Box Canyon on its Webpage by clicking here. Next week, we’ll walk up to Lomaki and spend some time there. Come back then for another episode of This Old House. I’ll leave the light on for you.

Till next time
Jw

BTW:

Don’t forget to get your calendar order in before the cut-off on the 15^th.