Los Algodones, Baja California

The Queen and I took time out of our busy schedule to make our quarterly dentist visit this week. Usually, you’d think that would take maybe an hour or two. For us, it’s more of a commitment than that. As seniors, our dental insurance is nil to none, so upon the recommendation of a couple of friends, we found a good dentist in Algodones, Mexico—which means an overnight journey to Yuma. We got an add-a-tooth-to-me, so the first appointment was for a root canal and an impression to send to the lab overnight. The next day, the crown was fitted.

It’s been an abnormally wet year for us here in the desert, so when we left Monday at daybreak under a cloudless blue sky, we felt like we were wasting a good work day. The rains kept us cooped up all weekend while we had outside projects we’d put off for dry weather. Instead, we were on the road for three hours for an 11:00 am appointment.

As the sun rose, we saw fog patches, something we rarely get. The evening breeze pushed the ground fog to the base of the low ranges like door-stops. The dark hills popped out of the strands of white. South of Quartzsite, I couldn’t take it anymore and pulled off the road to snap a shot as we passed through the KOFA (King of Arizona) Wildlife Refuge. Even so, we made it with time for breakfast before our appointments.

Ground Fog and KOFA Range
Ground fog is a rare sight in the desert, but after a cold rain, it collects at the feet of the low ranges. Here, ocotillo is the foreground of the fog at the KOFA Range.

Los Algodones is a retirees’ equivalent of Disneyland. The downtown commerce area is an eight-block square along the east bank of the Colorado River. It’s a tiny border town compared to Juarez, Nogales, Tijuana, or even Mexicali; it’s sixty miles to the west, yet it’s still a Class A border crossing. That’s because of the large amount of foot traffic. There is some vehicular traffic crossing there, but most people pay six dollars to the Quechan tribe to park in their vast parking lot and walk across.

The dominant feature is a multi-story steel beam structure like an unfinished building. It’s been unfinished since we first visited some twenty-five years ago and will likely not be different in the next twenty-five years. Then there are the hustlers. Unlike Tijuana, they’re not trying to get you into one of the girly clubs (of which there are none); they’re working for dentists, eye doctors, pharmacies, or liquor stores. That’s right; the doctors got pimps. After you wander the town a bit, you realize the city is a medical amusement park. Within a block, you can get glasses, a tooth implant, new hearing aids, and a sombrero, and you can have a margarita for lunch while you’re waiting for the lab.

As a younger man, I never would have gone to a doctor in Mexico. I had heard the horror stories of shoddy work and surgery disasters, so why the change of heart now? It’s a combination of economics, referral, and desperation. We need dental work but couldn’t pay what the local dentists were charging . . . even with insurance. So, if I had a problem with a tooth, out it came. After retiring and hanging out with other like-minded geezers, we heard some good stories and got some strong referrals.

On our summer trip, I broke two crowns, so when we got back, we scheduled an appointment to investigate. Sitting in the tiny waiting room, people our age surrounded us, claiming our dentist was the best. The first exam was simple, consisting of digital X-rays, little cameras, and some poking and prodding. Within fifteen minutes, they printed out a chart of my mouth showing the work I needed, including the cost by tooth. Then, they went over the X-rays and photos so I could see what they were talking about. After that, they cleaned my teeth, and then I was done . . . $25.00. When we left the office, we both had our charts, and it was our decision about which teeth to work on and when. All of the prices were less than what our co-pay would be in the States.

As always, the devil must have his due. What you save in money, you pay with time. I have already pointed out that the waiting room is crowded with loyal patients. It is to a fault. Your 11:00 am appointment only means you’ll be seen sometime after that. If you need to see a specialist, they call an escort to take you there, where you can sit in another waiting room that always has one less chair than people. If you’re lucky, the TV has a Discovery Channel in Spanish. Otherwise, it will be CNN. If your visit requires replacement parts, the lab will always have them ready tomorrow. Give it up if you count on returning to the road at a decent hour. You will only have enough time to grab a Big Mac at the Yuma Mickey D’s before the three-hour drive home in the dark.

Western Arizona is one of the weirdest places on earth. It’s all low-lying Sonoran Desert dominated by creosote bushes, Palo Verde trees, and an odd saguaro here and there. It also gently slopes downhill towards Yuma, the lowest place in the state. It’s also the warmest and driest part of the state, both winter and summer. No one lives there.

Yuma Crossing
All the historical travel routes crossed the Colorado River within 300 yards of this spot. That includes the ferry, railroad, the first Ocean to Ocean Highway (US 80), and the current freeway (Interstate 8).

While driving to Yuma in September, we counted twenty-five empty RV parks along the road. Quartzsite, the halfway point of the trip, was a ghost town with most stores closed. On Monday’s trip, they were packed with people from Montana, Alberta, Idaho, Saskatchewan, Washington, and British Columbia. They all come down to the warm desert and camp under the stars. Except for an occasional Costco run, they never go into Phoenix, and the Phoenicians aren’t aware that these people are out there. After all, who goes to Quartzsite? The campers also go to Algodones for doctors, prescriptions, and booze.

On the Immigration Service Website, it says that the Algodones Customs Station averages over two thousand pedestrians a day. I’ve been there on days when you could walk right into the customs house and be on your way two minutes later. Over four thousand people were waiting in line this week to cross the border. The line curled back from the custom house and several blocks down the street. For over an hour, we marched a step or two at a time while chatting with our neighbors and carrying one bag of prescriptions and another containing one bottle of Kahlua or tequila.

Towards day’s end, the street vendors grab an armload of goods, abandon their stalls, and make their way to the line waiting at customs. They form a gauntlet imploring you to buy a poncho, sombrero, or a giant carved wooden turtle. On your other side, older women dressed in black hold a swaddled infant and offer Chiclets for spare change. They move on if you smile and softly say, “No. Thank you.” If you dare feel the lace or try on a hat, you’re dead meat until you agree on a price. Being a Baby Boomer, I can tell you that they’d make a fortune selling street tacos and Margaritas to-go along that exit line.

Till then . . .

jw

New Winter Showings

As we approach mid January, I’ve already made progress on one of my New Year’s resolutions which was to get my photo work on display in a gallery or show at least four times this year. Last Tuesday, Anne and I took a framed print down to the Wickenburg Art Center (WAC) for  display and sale in their gallery. I posted an article last month about having my work juried so that I could take part in local events. A side benefit of the jury process is that I can hang some work in their gallery.

The framed print that we have on display is the 4:5 version of Kluane Lake and Ruby Range that I shot this summer while in the Yukon Territories. It was one of the prints that I submitted for jurying, and since it was ready to go, it was an easy choice.

Kluane Lake a Ruby Range
Kluane Lake and Ruby Range – A framed 20×16 print now on display at the Wickenburg Art Center.

The Wickenburg Art Center gallery is at 188 S. Tegner Street. That’s two blocks south of US60. Tegner is the Wickenburg old main street and the light immediately west of the railroad underpass. If you’re in the area, stop in and enjoy the work local artisans have on display.

My next project is to get two prints ready for the Gold Rush Days Fine Arts Show in February. Those will be on display in the Wickenburg Library from February 10th through the 12th. I haven’t decided what to submit yet and perhaps you can help. I need to have the photos printed and framed by the beginning of the month and I think they should have a common theme. Should I submit two images from our trip? Maybe a couple of the local landscapes would be better; or how about a pair of old buildings as a submission? Which two of my images would you like to see hung on the wall? Let’s hear your comments.

Till then.

jw

New Subscription Button

After this week’s Newsletter/Post, there was still a lot of confusion about how to sign-up for automatic email notifications. It seems that the process was too convoluted and difficult to follow. I’m sure my directions didn’t help, mostly because what I see on my screen (as an admin) is different from yours.

New subscription button on the right —————————>

So with a little Web research, I was able to find a subscription  widget and put it in the top of the right column. Now you won’t have to root around looking for boxes anymore. Simply type your email and click on the button. When you do, you will receive an (Oh my!) Email confirming your subscription.

Thanks for your patience while we all go through this learning experience.

Till then

jw

New Image 12/07/16

This morning I added another image to the New Work section of my Website. It’s called Rental Canoes at Lake Louise and I took this photograph in June this year while on our Alaska journey. I originally published the picture in the blog entry; Lake Louise – Alberta. This is the official edition as processed on my office set-up.

Rental Canoes at Lake Louise
Red rental canoes tied up at Lake Louise’s dock. Since the day is rainy, there weren’t many takers.

This image is a cluster of red rental canoes tied up at the Lake Louise dock. It rained off and on during the day and only a few hearty souls ventured out onto the lake. In the background is the swanky Fairmont Chateau at Lake Louise. If you travel to Alberta Canada, Lake Louise is a must stop, and if you have the where-with-all to spring for a room and/or meal at the hotel, you won’t be disappointed; highly recommended.

Till then – jw

Frame Making Part II

Murphy’s Law strikes again (you really didn’t see that coming?), and as a result, my three frames turned into two. I’m generally pleased with how they came out, but as you would expect, there’s room for improvement. It’s that strive for perfection that keeps us going.

In the last post, I had concerns about getting the size right, because I already bought mats and glass cut to 28×20 inches. I could shave a little off of the mats, but not the glass. I wanted them to drop in the ¼ inch rabbet, but not be too sloppy. Figuring out the cut length of each side was straight forward. If you managed to stay awake in high school geometry, you’ll remember that the sides of a rectangle add up to 360°, so the four corners are 90°. The cut angle on the frame ends is half that, or 45°. The geometry teacher also went off on something called The Pythagorean Theorem, you know, the square of the long side of a right triangle is equal to the sum of the squares of the other two sides.

By now I’ve made Queen Anne’s eyes roll into the back of their sockets. Don’t worry, you don’t need to know any of that, nor do you need your calculator with a square root key. Just remember that 45° is the magic number where both short sides of the triangle are equal. Since the width of my frames from the rabbet to the outside edge is exactly ½ inch, I need to add ½ inch to the length . . . at both ends. In my design, the frames outside dimensions are 29×21 inches. Since I wanted them to fit loose, I added another 1/32 inch.

Now that I had all the calculations out-of-the-way it was time to cut some wood. The first thing it did was to set my saw’s miter gauge to . . . 55°, and made two 29 inch cuts. Then I laid them out on the table, and like a dork, I tried for fifteen minutes to figure out why they weren’t square.

After I discovered my mistake, I thought that I could salvage the two cuts by cutting them again for the short side. About my Incra miter gauge; . . . it’s very precise with stops that can be set to 1/10°. I’ve added a Incra fence to it that helps me make repetitive cuts, but it’s kind of thick and its measuring tape pivots in front of the miter gauge, so it needs resetting each time the angle changes. It’s simple enough to do; I just set the stop to 10 inches, cut a piece of scrap wood, measure the actual cut length, and then adjust the tape to match.

Cutting The Frame Sides
With the Incra miter gauge and fence, it’s easy to make accurate repetitive cuts. The trick is getting the set up right in the first place.

Now, I’m already recovering from one mistake and I’m mentally beating myself up, so I’m not thinking about if I change one thing, how it affects another, and I’m rushing. I set the miter gauge to 45° and double checked it and made sure all the fine adjustments were set to zero. I set the stop to 10 inches, grabbed a piece of scrap off the rack and began my test cut. As the blade goes through the wood, I notice that my brand new Tenryu carbide blade is also cutting off the corner of my Incra aluminum fence. At 55° the fence cleared the blade, it didn’t at 45°. Fortunately, the blade went cleanly through the aluminum without exploding, but I’m sure it took a beating in the process.

Missing Fence Corner
Notice the 45 degree angle cut on the gold fence. It wasn’t there a minute ago. Fortunately, the carbide tipped blade took the cut in stride.

I had to take a moment and step back for a breath and a few well placed words normally spelled with symbol keys. When gathered, I adjusted the fence to clear the saw blade, and cut another piece of scrap. After correcting the tape, I was ready to shorten my first two pieces. I ran the piece through the saw and realized that I held it against the fence backwards. Now it was too short.

Believe it or not, I actually did wind up cutting the rest of the pieces correctly. Once I had everything set it was easy. I just had to focus. And with the fence stop, I could take a cut off a longer piece, by cutting the first miter, flip it over and cut the other side. They came out perfect. As I said, I wound up with enough for two frames and some pieces I can eventually use for smaller frames.

Glueing Up The Frame
The jigs that I have let me glue up two corners of the frame at a time while the other corners are held in place with right angle aluminum corners. A better solution would be a clamp that added lateral pressure while holding the miter in place.

The next step was to glue the four sides together. I have some aluminum jigs to hold the corners together at right angles. They work really well except they don’t exert any lateral pressure to the joints. The glue has to set up without pressure. End grain joints are not very strong, so I planned on making a spline joint after they dried. That would be strong enough to hold the glass.

Cutting A Slot For A Spline
This jig was the first that I made a couple of years ago. I didn’t expect that it would take this long to use. It holds the frame upside down so a slot is cut into each corner.

After getting a table saw a couple of years ago, the first jig I made was one for cutting spline slots in frames. It’s simply two pieces of plywood attached to a couple of mesquite runners. It holds a frame (or box) at an angle so you can run it through a saw. Then you cut wood in 1/8th inch slices and glue them into the open slot. After they dry, you trim off the excess, sand and finish. Since this was the first time I used it, I set the depth of the saw blade too deep. It needs to be less than the thickness of the wood piece you’re slicing. I was using standard one by (4×4), so I shouldn’t go any deeper than 5/8 inch into the frame.

Inserting Spline Into The Corner Slot
A piece of wood, cut to the thickness of the slot, is glued in the corner to reinforce the joint. After it dries, the excess then trimmed and sanded flush.

Finally there’s the finishing fiasco. I wanted to have my frames ready for the Museum Show last week, so I used materials on hand. I wanted a black stain with a clear top coat. The local hardware only had oil based stains on hand and I use normally use a water based finish coat, so mixing the two isn’t possible. I decided I could spray some shellac and lacquer for the last finish and bought a couple of cans of both. When I put a coat of shellac over the black stain as a sanding sealer, it looked good . . . until I started sanding it. The sandpaper took off the shellac and most of the black stain. It looked retched.

I didn’t have water-borne black stain, but I did have a very dark brown. I mixed it with the acrylic sanding sealer in a one to one mix and brushed it on the frames. After it dried, I tried sanding it, and even that quickly got down to the base wood. The stain hadn’t penetrated the poplar enough to keep the color during sanding. As a last resort, I applied two coats of the colored sanding sealer letting the frames dry after each coat.

On close inspection, they look awful, but are good enough at a distance. Fortunately they weren’t lit up with a hot spotlight at the show, so they looked good in the dark. After the show, we hung the framed prints in the bedroom where they look just fine.

Finished Product
Well, . . . they’re finished until I get the process under control and make better ones. I wouldn’t sell this pair, but as prototypes, they do what I wanted . . . raise the print away from the wall and simply set off the image.

I’m going to try another type of wood on my next frames. I’m thinking about birch or alder. They’re in the price range of poplar and neither of the former has the green streaks of the latter. I’m leaning towards the birch, because I understand it’s easier to work with than the maple I’ve worked with in the past.

I’ll keep you posted as I learn more.

Till then – jw