Geologic Puzzle: Unearthing Whitney Pocket’s Sandstone Secrets – Nature’s Tilt: Witnessing the Story of Uplift and Erosion in Whitney Pocket’s Sandstone Layers.
Arriving at a new location like Gold Butte ignites a whirlwind of excitement in me, and my initial instinct is to capture everything in sight. This flurry of photography is more about immersion than precision, leading to a digital pile-up that I inevitably sift through, discarding the excess like chaff. Unlike the costly days of film, where each shot was a precious commodity, the digital age allows me to indulge in this initial creative outburst, knowing it’s part of reaching the true gems.
Once the initial rush subsides, I transition from capturing to contemplating, delving into the ‘why’ and ‘how’ of the landscape before me. It’s here that Shawn Willsey’s geology videos come into play. As a professor at the College of Southern Idaho, Shawn has a gift for demystifying the complexities of earth science, guiding even the uninitiated through geological wonders. His explanations, particularly his Random Roadcuts segments, clarify unusual layering and erosion and bring a new depth to my photographs, transforming them from mere images to stories set in stone.
From a distance, the formation in the picture above looked like the blades of a turbine engine embedded in the Navajo Sandstone. For all I know, there is a 747 out there with the guts missing from one of its engine cowlings. The brown color, multi-layers, with rounded edges, stood out like the red marks on one of my term papers. How can I tell you about it when I haven’t a clue? So, I emailed Professor Willsey and asked if he’d look at my photo—and he accepted. He answered, “The feature in question is not a vein but appears to be an upturned section of Aztec (Navajo) sandstone. The near vertical layering is the cross beds deposited on the dune field’s backside (downwind) side. Some faults and other structures in this region of NV are likely the culprits that have tilted the rock layers. Very cool.” Then, he returned to hosting his live coverage of this week’s Iceland eruptions. Now, don’t you feel smarter?
Neapolitan Earth: Unraveling Whitney Pocket’s Colorful Geology – Stratified Delight: The Neapolitan Butte of Whitney Pocket, where Geology Meets Gastronomy.
There’s a question in this week’s other picture as well. It’s an image of a sandstone formation that looks like a bowl of Neapolitan ice cream after Queen Anne was done with it. I say that because Queen Anne always eats the chocolate and turns her nose up at the rest. The issue is that the red section appears on the white layer. From all I’ve read, the Entrada era—with its rust-colored sandstones—came before the white dunes. My best guess is that the forces that lifted the Virgin Mountain Range over a mile in the air also jumbled the natural order in this basin. What are your thoughts?
I have posted larger versions of Geologic Puzzle on my website < Jim’s Web> and my Fine Art America page <FAA Link> should you want to examine the layers closer. Next week, we wrap our foray into Gold Butte National Monument with one of the rare evidentiary remnants that anyone preceded us. It’s like unearthing the Spinx. Join us then, won’t you?
Until next time, keep your spirits high and your humor dry.
jw
BTW:
As we gather to celebrate the holiday season, Queen Anne and I would like to extend a hearty Seasons Greetings to all of you. Whether you’re out there chasing the perfect light or cozening up at home with loved ones, may your days be merry, bright, and filled with the joy of discovery. Here’s to capturing more beauty, sharing more stories, and creating unforgettable memories in the year ahead.
Sculpted by Time: Whitney Pocket’s Sandstone Wonders – Amidst the rugged beauty of Whitney Pocket, this layered sandstone formation stands as a silent witness to the artful touch of natural forces, its contours and colors a desert echo of the famed cliffs of Zion.
Before we even packed the Turd for our Nevada trip, I studied all of the Whitney Pocket YouTube videos I could find like they were a final exam. Packing the Turd for the trip felt a bit like preparing a stubborn mule for a mountain trek—full of hope but expecting surprises. When the morning of our exciting adventure finally came, I had my checklist ready. After a hardy breakfast at Peggy Sue’s Diner, we topped off the gas tank and checked the tires. Part of these exercises was taking precautions and waiting for the visitor’s center to open so that we could buy maps and get free first-hand advice.
The people who answered our questions and the Friends of Gold Butte group volunteers were constructive. With a lack of park rangers, they’ve stepped in to fill that role. After reassurance that my SUV would be capable of the drive, the guide offered one last bit of advice. “Be sure to tell someone where you’re going and when you expect to be back. No cell phone coverage exists, and you could be alone out there.” Anne and I glanced at each other, wondering who we could call—we were alone in Mesquite and didn’t know anyone in town. We decided to call her sister—Jane— in North Carolina and panic her, “If you don’t hear from us by 6:00 pm, call the police.”
After the long drive on the awful road I complained about last week, we made it to the end of the pavement—Whitney Pocket. When I first got out of the truck, I felt disappointed. With our backs to Virgin Peak, we scanned the southern horizon, which went on forever in the clear, dry Mohave Desert air. Except for a few lumps of sandstone close by, there was just a sea of yucca and creosote running endlessly downhill to a thin line of blue, which we identified as Lake Mead. Where were all the majestic sandstone formations in the videos I watched?
We were here, and I would make the best of it. Our map showed a petroglyph site three miles down a side road that we passed, so I drove a quarter mile back and started down what I jokingly call a road. The road was passable, but only if I kept the speed under ten mph. The Turd’s front sub-chassis sounded like it was about to fall off as we dodged the football-sized pavement rocks. In comparison, the entrance road was a freshly paved Interstate.
As promised, there was a parking area with a kiosk and pictures at the three-mile mark. Go to the right and see the Falling Man petroglyph, but there would be a large panel of petroglyphs if I went in the other direction. The guide told us that the Falling Man was a longer hike and tricky to find, so I set off toward the easy shot while Anne and her Kindel kept each other company.
After a half hour of scouring the rocks for rock art, I realized I had missed the trail, was lost, and needed to find my way back to the truck. The trail had been pronounced, so I don’t know how I messed up. I started the hike back using my old tried and true method: ” This looks familiar.” I noticed the rock colors and layers as I searched for the trail. They’re more subtle and muted than you find in Bryce or Zion—almost a pastel quality. Then, I crossed over the surface stone patch and found my trail. I stopped, looked around, and discovered that the trail zigged right while I went left. Ah, the old let’s lose the geezer on the hardscrabble trick.
The Art of Erosion: Exposing Whitney Pocket’s Hidden Hues – Nature’s artistry on display: The intricate dance of erosion carves through time, uncovering the fiery red heart of sandstone beneath the desert’s sunlit canvas.
Now that I was un-lost, I started taking pictures of the stones and capturing the muted colors washed out with the early afternoon sun. My trip back to Anne and the truck was more deliberate as I spent more time shooting and exploring along the way. As we drove away on the rock road, I turned to Anne and said, “I don’t think we should risk running the Turd down these roads until we get new shoes for him.” Anne’s ‘Oh, thank God’ was laced with so much relief that I suspected she might start a Thanksgiving parade there.
While the grand formations played hide and seek with our expectations, the true majesty of Whitney Pocket revealed itself in a serendipitous encounter. This week’s photo—Sculpted by Time—captures a lone formation made from the same limestone that capped Virgin Peak (last week’s shot), one that almost seemed to beckon for attention amidst the vast desert. Its white, streaked face looks unremarkable at first, but if you look closely at the lower-right corner of the image, you’ll see a joint (not that kind, you stoners). This is where a layer of the Navajo Sandstone is popping its head from the ground. These are the same petrified dunes seen in Zion National Park, and we showed you in Utah’s Snow Canyon State Park last year. This shot was a dance of light and texture, a moment where time stood still, and the story of the earth was told in a single frame of layered rock.
Here is evidence of rising ancient seas and covering the dunes up. Over eons, the skeletons of shellfish collected on the seabed and covered the dunes with a layer of their own. I think that’s cool, not to mention that I like the natural window in the upper center, too.
Next week, we’ll return to Whitney Pocket, but our focus will shift to the ‘Dance of Light and Shadow’ this time. We’ll explore how the changing sunlight angles transform the sandstone from mere rocks into a canvas of nature’s art. Expect tales of how the sun brings out different personalities in the stones. If you’d like to examine the rock layering closer, you can stop by my Web Page < Jim’s Page> or my post on Fine Art America <FAA Link>.
Till then, keep your spirits high and your humor dry.
jw
Sipping with a View: The Panorama at DAOU Vineyards – Gaze over the lush expanses of DAOU Vineyards, where every turn offers a view more stunning than the last, inviting you to a tasting experience graced with natural splendor.
I bought our first bottle of DAOU wine by accident. While choosing from the Safeway shelf selection, I looked a row above the cheap stuff and spotted a bottle of their chardonnay. I immediately noticed that it came from Paso Robles—our favorite wine region. It was more pricey than our house brand but not by much, and since it had been a rough week, I thought, “What the heck?” I grabbed it by the neck and placed it in the cart.
That was a couple of years ago, and since—when we wanted something a little nicer—we splurge on a bottle of DAOU. That’s why we were so tickled that a stop at DAOU was on our wine-tasting recommendation list this spring. Indeed, I thought we wouldn’t come home without buying the place out.
Driving up to the tasting room reminded me of the Clifton Hillclimbs of days past. A castle-like building sits at the summit of the family-owned mountain. Instead of orange pylon cones, the narrow, twisting road is lined with lavender, making the mountain look like it’s wearing a purple crown. The finish line is under an ornate wrought-iron arch at the top—just after a sharp right turn. After I parked the truck, I let the engine idle for a few minutes to let it cool, which gave Queen Anne time to stop screaming and hyperventilating. Our breaths were removed again when we stepped out of the truck—this time from the view.
Stepping out onto the hilltop patio of DAOU Vineyards, one can’t help but feel as if they’ve entered an exclusive retreat, a day spa designed not just for relaxation but for the epicurean at heart. With panoramic views that command the senses and an ambiance that whispers of indulgence, it’s a place where time seems to stand still, encouraging you to savor every moment. With their attentive grace, the staff are like sommeliers of comfort, offering tastings and a complete escape from the ordinary.
Begin Your Journey: The Tasting Room at DAOU – The sign at DAOU Vineyards & Winery is not just a marker but an invitation to a world of exquisite tastes and shared stories.
For Queen Anne and me, this wasn’t just another stop on our wine trail; it was a moment of serendipity that had us seriously contemplating a permanent residence. The fusion of luxury and viticulture was intoxicating in its own right. And as the hot and cold running hostesses pampered us, each sip of DAOU’s exquisite wine seemed to erase any thought of a world beyond the vineyard’s embrace. It was here, amidst the laughter and clinking glasses, that we made our selections—wines that would forever remind us of the sun-drenched patio, the gentle breeze, and the feeling of absolute contentment.
A visit to DAOU Vineyards is essential to any wine lover’s journey through Paso Robles. It’s an experience that transcends the act of tasting into an art form, set against a canvas of sweeping hills and skies that stretch into infinity. DAOU is renowned not just for its wines but for its ability to transport you to a state of awe with its mountaintop location, offering a view that could rival any famed landscape painting. Here, each glass is complemented by the vast vistas of the valley below, the verdant rows of vines narrating the terroir’s tale. The tasting room, an epitome of elegance, invites guests to savor each note of their carefully crafted wines wrapped in Paso Robles’ natural grandeur. This harmonious blend of sensory pleasures positions DAOU as a destination of choice for those seeking to indulge in the grand symphony of winemaking.
At the heart of DAOU Vineyards stand the founders, brothers Georges and Daniel DAOU, whose journey in winemaking is as rich and compelling as the wines they create. Their foray into grape cultivation was born from a shared vision to produce Bordeaux-style wines that would rival the world’s best. With roots stretching back to the mountains of Lebanon, the DAOU brothers bring a unique fusion of old-world charm and new-world innovation to their craft. They are known for their exacting standards, from fastidious vineyard management to the precision of their cellar practices, constantly pushing the boundaries of what’s possible in Paso Robles. At DAOU, it’s not just about maintaining quality but elevating it, ensuring that every bottle tells a story of excellence and ambition, a narrative that honors their heritage and the land they’ve come to cherish.
DAOU Vineyards has etched its name in the annals of fine winemaking with a portfolio of wines that speaks to the discerning connoisseur’s heart and intellect. Their flagship offering, “Soul of a Lion,” is a testament to the DAOU brothers’ father and embodies the winery’s pursuit of uncompromised excellence—a Cabernet Sauvignon that commands attention with depth and complexity. The “Reserve Chardonnay” marries the richness of Paso Robles fruit with the finesse of French oak, creating a harmonious profile beloved by those who favor a fuller-bodied white. Not to be overlooked, their “Estate Cabernet Sauvignon” stands as a pillar of their red wine collection, showcasing the perfect balance of power and grace that the region’s unique climate and soils can instill. These wines, among others, have propelled DAOU to the forefront of Paso Robles wineries, each vintage crafted not only to impress but to leave a lasting impression of the terroir’s potential.
I would love to tell you what bottles we bought during our DAOU visit, but as you can see from the prices below, we were well out of our league. But throughout our discussion of whether we could get adopted by the DAOU family, we enjoyed each of the five samples our hostess selected for us. Unlike our introduction to wine tasting—when the Carlo Rossi Burgundy came from the very jug you bought—these days, the samples served at the vineyards are the creme de la creme—If the wine you buy in a retail store were an AC Bristol, they tempt you with a Shelby Cobra here at the ranch. Had we the budget, here are the bottles we would have brought home.
2021 Estate Chardonnay–$100.00. We liked this chardonnay. It had the same characteristics as our Safeway version but more of everything. Unfortunately, it was clearly out of our price range, so we passed and bought four bottles of the normal chard from Total Wine instead.
2020 Reserve Eye of the Falcon–$75.00. This Cabernet Sauvignon is made from a blend of Cabernet Sauvignon and Verdot grapes grown on the valley floor. It had excellent color and a great taste of black fruits and aromatics.
2021 Cuvee Lizzy—$89.00. This was another Bordeaux-style wine using the estate-grown grapes. It’s a blend that starts with Malbec grapes and is then blended with Petite Verdot, Cabernet Franc, and Cabernet Sauvignon stock. This was our favorite of the flight. If possible, we’d buy a bottle, but we haven’t found one in our local stores. If we want to enjoy a bottle, we must win the lottery and return to Paso Robles.
Beyond enjoying DAOU’s wines, the experience at the vineyards was breathtaking. Sitting in those red patio chairs with attendants passing frequently with another offering was the definition of indulgence. We would have stayed the night if we’d brought our sleeping bags. At the end of our visit, our wine guide noticed that I was using my USAA credit card to pay the tab. She asked, “Oh, you’re a vet?” When I confirmed that I was, she waived the tasting fees. If I had known that was possible, we might have sprung for one of their Eye of the Falcons.
We hope you enjoyed our month of wine offerings as much as we did. If you’d like to pixel-peep this week’s Image, you can visit the larger version on my website < Jim’s Web> or its FAA page <FAA Link>. Be sure to put us on your holiday calendar next month because we’re going to a place where no man has gone before—well, not many have been there. Join us next week when we take you off the beaten path—it’ll be an adventure, I promise.
Till next time, keep your spirits high and your humor dry
jw
Techniques: Leveling the Horizon on Sweeping Vistas
A common pitfall I’ve noticed in many online landscape photos is a slightly tilted horizon, which can unintentionally give the impression that the scene is off-balance. Remember, even the Pilgrims relied on the horizon to align their buildings at Plymouth Rock. Getting this right in-camera is critical, as it preserves the natural balance of your shot.
For those looking to ensure a perfectly level horizon, modern technology offers a helping hand. My camera, for instance, comes equipped with an in-built level in the viewfinder. As you adjust the angle, the level’s indicators align, turning green at the perfect balance point. It’s a small step in the setup but makes a difference, especially for scenes like the one in this week’s photo where the horizon plays a starring role.
If you capture a slightly askew horizon, don’t fret—software like Photoshop can come to the rescue. Use the ruler tool to draw a line along the horizon, then select Image> Image Rotation > Arbitrary. Photoshop cleverly calculates the necessary adjustment, automatically realigning your Image. A quick crop to tidy up any resulting white edges, and your photo is ready to impress with a horizon that’s true to reality.
BTW:
I released the fourth video in my On the road with Jim on YouTube on Friday. This one covers the images in my Sonoran Desert portfolio. As a subscriber to this newsletter, you get a sneak preview before I add any links. If you want to view my latest effort, you can use this link to get to the video: https://youtu.be/QDc9fXnccy8
The Geometry of Growth: Paso Robles’ Vineyard Rows – Witness the artistry of agriculture in Paso Robles, where the vineyard rows ascend like notes on a staff, composing a green symphony on the slopes.
Welcome back to our AA tour of Paso Robles vineyards. Last week, we started with a morning visit to L’Aventure, just a stone’s throw from downtown Paso Robles. After spending a good hour there, our next stop was Justin Vineyards. It’s quite a drive from the city center, but we had a plan: lunch at The Restaurant at Justin before our tasting. Little did we know, our venture to Justin Wines would be without the lunch we anticipated, making for an unexpected twist to our wine-tasting adventure.
We first learned of Justin Wines at the Cambria liquor store a half dozen years ago, and since then, we’ve seen the distinctive black labels in our familiar wine stores. We finally brought a bottle home to try and enjoy the harmonious blend of traditional Old World methods and the innovative spirit of Paso Robles. Justin Wines is a beacon in the Central Coast wine scene because they are committed to making world-class Bordeaux-style blends. Recommendations came not just from reviews or awards but from the enthusiastic tales of fellow wine lovers, stories of a winery that dared to dream big and deliver. It wasn’t just a name; it was a promise of an experience that merged the finesse of a finely aged Cabernet with the boldness of a region redefining itself.
The roots of Justin Wines are as deep and complex as the wines they produce. Founded in 1981 by Justin Baldwin, the winery’s mission was clear from the start: to produce world-class wines that belong in the company of the world’s great wines. With a focus on estate-grown Bordeaux-styled blends, Justin Wines has meticulously nurtured its vineyards to bring out the unique expression of its location in the Paso Robles region. Baldwin’s vision and dedication have created a legacy, making Justin Wines a standard-bearer for quality and innovation in the Californian wine landscape.
Sipping in Style: Inside Justin Winery’s Tasting Estate – Beneath the shade of sycamores, the Justin Winery tasting room stands as a beacon of hospitality in the heart of Paso Robles, inviting enthusiasts and novices alike to savor the essence of their craft.
The varietals that grace the cellars of Justin Wines are a testament to their unwavering dedication to quality. From their iconic Isosceles, a blend that pays homage to the Bordeaux giants, to their Justification, a nod to the Right Bank with its Franc-centric profile, each bottle offers a glimpse into the heart of their craft. The Cabernet Sauvignon, with its structured elegance and the complex, layered character of their Syrah, speak to the diversity of their offerings. The winery’s dedication to reflecting the terroir is evident in every glass, as they continue to earn accolades and captivate palates with their expressive, balanced, and impeccably crafted wines.
We purchased four varietals in the Justin offering—three of which are only sold at the estate, while the last on our list can sometimes be found in Costco or Total Wine. That’s good for us because it saves on travel time and gas. Here’s the list of our choices from light to robust.
2021 Rose Syrah—yeah, yeah! I said we didn’t care for Rose’s last week, but this is another exceptional wine. When you swirl the wine in a glass, you watch for lines running down the sides—they’re called legs and are an indicator of sugar content. The Rosé Syarah had great legs but was dry. It’s a magic act. $20.00
2020 Right Angle—A blend of Cabernet Sauvignon, Malbec, Petite Sirah, and Petite Verdot grapes. This one had a rich combination of fruit taste with a mild tannin bite. It should age well. $40.
2020 Reserve Malbec—Malbec is another Bordeaux grape that wasn’t widely grown in California until Argentina’s Malbec explosion. This example was 100% Malbec grapes and a deep purple color. This wine was robust and would pair well with anything from a good steak to lasagne. $50.00
2020 Isosceles—Ooh. Dreams are made from this. This is one of Justin’s flagship wines. It’s a traditional Bordeaux blend of Cabernet Sauvignon, Cabernet Franc, and Merlot grapes. It’s a full-bodied wine with complex black fruit, vanilla, licorice, and spice tones. Justin is right proud of this wine, and that’s reflected in the price—but you might find a bottle of Isosceles in Costco or Total Wine for less, as we did. $85.00
With this week’s Thursday being Thanksgiving, I hope you all don’t run down to Total Wine and buy out their entire inventory of Isosceles. But since you’re going there anyway, would you mind picking up a bottle for me? Borrowing the words of a great philosopher, ‘I’ll gladly pay you Tuesday for a hamburger today.’ (There are 5 points for everyone who can name that philosopher in the comments below—but no peeking at others’ answers!).
Thanks for taking time out of your busy holiday schedule to visit us today. As usual, you can find a larger version of this week’s photo on my website (Jim’s Web) and its FAA page (FAA Link). Be sure to put us on your calendar next week when we finish our Paso Robles tour by visiting the King of the Hill.
Until then, keep your spirits high and your humor dry
jw
Techniques: Patterns as Subjects – The Art of Repetition
How many ways are there to shoot a vineyard? I lost count a long time ago, but sometimes, when your subject is too small or inconsequential, you must take a step back and look at the bigger picture. How can I uniquely shoot this scene?
Sometimes, the most captivating subject is not a single object but a tapestry of repeating elements that create a pattern. In the photo of the wine grove, the rows of vines form a mesmerizing way that serves as the subject itself. The repetition of lines and shapes across the frame isn’t just pleasing to the eye; it tells a story of careful cultivation and nature’s inherent symmetry. When faced with a vast scene, seek out these patterns. They can transform a landscape into a visual rhythm that engages the eye. Whether it’s the repetition of vine rows, the orderly spread of tree canopies, or the undulating waves of a coastal scene, patterns can elevate a photograph from a simple setting to a study of harmony and design. When the subject isn’t found, let the pattern become the star.
Green Symphonies: The Vines of L’Aventure – The serene rows of L’Aventure Winery, where nature’s quiet symphony plays amongst the vines.
Wine tasting is not what it used to be. I remember when all it took was a sunny afternoon and a car, and we could show up and taste. Now, it’s all about planning with reservations. The spontaneity’s gone, but the trade-off is a more intimate experience at each stop. So we were starting our day at L’Aventure Winery while the morning was still fresh, and the roosters were thinking about their wake-up calls. Not every day you get to taste fine wine with the dew still on the grapes, but it makes for a memorable morning when you do.
We had to make reservations for each stop—days in advance this year, and we had to coordinate those times because what we wanted sometimes wasn’t open. The vineyards wish you to spend at least an hour so you get the whole spiel. Then you have to allow for travel time. God forbid you’re late for an appointment because the next bus arrives, and you’re locked in the parking lot. There you have the short version of why we started tasting wine at L’Aventure at 10 a.m. before the chickens got up.
We were navigating Paso Robles’ Wine Country. Where to go next? The signposts of Paso Robles point the way to our next vineyard adventure.
L’Aventure Winery came onto our radar like a secret whispered among the vines—its name uttered with a vinous reverence in the circles of oenophiles we admire. Nestled within the undulating landscapes of Paso Robles, this winery has carved out more than a niche; it has etched a legacy in the very bedrock of the region. It’s not just the distinctive wines; it’s the philosophy permeating every bottle. Here, tradition isn’t merely upheld; it’s reimagined. Stephan Asseo’s creations have bucked the trends, danced gracefully between the rules, and presented the world with blends that defy expectations. In Paso Robles, a place flourishing with winemaking potential, L’Aventure has boldly claimed its stake, garnering approval from critics and connoisseurs alike. To sip L’Aventure’s wine is to participate in a legacy of innovation that whispers of exclusivity and guarantees your pallet something new.
Stephan Asseo’s vinicultural journey is a narrative steeped in passion and the relentless pursuit of perfection. It’s a tale that begins in the esteemed vineyards of France, where the terroir—the unique combination of soil, climate, and landscape that imparts distinctive character to the wine—is as much a part of the culture as the vines themselves. Yet, after 17 vintages, the rich but restrictive traditions of French winemaking left Asseo yearning for a canvas broad enough to hold the scope of his ambitions. His odyssey for the perfect terroir brought him to the variegated landscapes of Paso Robles—a place where the soil spoke to his soul. Here, freed from the stringent Appellation d’Origine Contrôlée (AOC) regulations dictating French winemaking minutiae, Asseo’s maverick spirit thrived. In this New World sanctuary, blending is an art form, and Asseo, the ever-daring artist, dismisses the notion that wines must conform to preordained profiles. His wines are a triumph, not just of terroir, but of bold innovation—melding the best of both worlds to create something truly extraordinary. This is the spirit of L’Aventure: a symphony of earth and effort, a testament to the magic that happens when you refuse to accept that the status quo is the pinnacle of what can be achieved.
Nestled in the rolling hills of Paso Robles, L’Aventure has become synonymous with bold, innovative winemaking, and this is nowhere more evident than in their celebrated varietals. The winery has garnered acclaim for its exceptional Rhône blends, robust with the complexity and depth that the region’s soil imparts. But it is the pioneering estate blends that truly set L’Aventure apart—chief among them, the Optimus and Estate Cuvée, which seamlessly marry Rhône varieties with the noble Bordeaux, creating symphonies of flavor that resonate with the essence of both Old World sophistication and New World audacity. Their Cabernet Sauvignon, Syrah, and Petit Verdot are testaments to the winery’s dedication to quality and the full expression of each grape’s character. Each bottle from L’Aventure is not just a beverage but a story of land and labor, a narrative told through each sip of their meticulously crafted wines.
Two of the samples in our flight (different specimens picked by the vintner) impressed us enough to purchase. We used to love finding wines priced around $10 at tasting rooms, but those days are long gone. These days, anything over $50 is out of our league unless it’s exceptional. Then I have to get down on my antique knees and beg Anne to sell one of the many jewels from her crown to cover the cost.
The Estate Rosé. We’re not fans of rosés because they’re often fruity and sweet—a holdover from the Mateus days. Not so in this case. L’Aventure’s rosé was dry and drank more like a chardonnay. We paid less than $30 for our bottle.
The Cote A Cote Red Blend. We were impressed with the complex hints of dark cherries and chocolate and how the terroir came out in this wine. I thought the tannin aftertaste was harsh but would mellow with age. This bottle sells on the north side of $50.
After our early morning tasting at L’Aventure, we left with a couple of bottles that caught our fancy and some good memories. The rosé was a pleasant surprise — not too sweet, how we like it. And the red blend? It was rich and bold, even if I think it’ll taste even better with time. With our wine adventure off to a great start, we were ready to grab a bite and gear up for the next round of tastings. Next week, I’ll tell you about our visit to Justin’s, a place you might know from your local store. But until then, don’t forget to check out my website < Jim’s Web Page> or my Fine Art America page <FAA Page> to see this week’s photo in full size.
Till next time, keep your spirits high and your humor dry
jw
Techniques: Mastering Natural Framing in Landscape Photography
This week’s photo at L’Aventure showcases a classic compositional technique: natural framing. Like curtains on a stage that focus the audience’s attention on the performance, the rows of vines guide the eye toward the central barn. Flanking the barn, the sloping hill on the left and the dark green oak trees on the right mirror each other, encasing the scene in a verdant embrace. This draws the viewer’s gaze to the heart of the image and adds a layer of depth, making the barn appear as the show’s star. Natural framing is a powerful tool, subtly suggesting where to look without overt direction. In vineyard photography, where every element tells a part of the story, such frames are the unsung heroes, providing structure and focus to the landscape’s natural beauty.
And About That Speck in the Sky
You might notice a speck against the clouds if you squint at this week’s photo. Let’s set the record straight — that’s not a smudge on your screen or a rebellious dust spot I missed in post-production. That, my friends, is a turkey vulture soaring high above the vineyard. These discerning birds of prey are known to patrol the skies over Paso Robles, perhaps keeping a watchful eye on the ripening grapes or just searching for their next meal. It’s nature’s quality control, though I’m happy to report they’ve yet to dip down for a taste test of the vintage. They may have a keen sense for the exquisite, but thankfully, they leave the wine tasting to us mere mortals.
Nature’s Golden Arrow: Pointing to Paso Robles’ Treasures – Follow nature’s golden arrow, leading us to the crown jewels of this Paso Robles vineyard.
Thumb-deep in the pages of my trusted wall calendar (see more on calendars below)—a tome that’s seen more flips than a circus acrobat—I’m struck by the revelation that November has tiptoed in. This month, we salute not only the leafy tapestries of autumn but also indulge in the time-honored pursuit of pumpkin plundering. The ultimate spoils? Whisking those grim jack-o’-lanterns into pie perfection! And let’s not forget each stellar pie deserves a vinous virtuoso by its side. This month, our glasses are poised for just that.
Paso Robles beckons us back, teasing with three vineyards yet untouched by the footprints of Queen Anne and yours truly. San Luis Obispo County—our seaside serenade in Cambria—lures us with its labyrinthine backroads, rustic seafood haunts, and the siren call of Paso Robles’ vine-clad hills, a wooded sanctuary just a ten-hour drive away.
The “Pass of the Oaks” isn’t merely another dot on the wine map; it’s a chapter from an 18th-century vintner’s diary. With the Mission San Miguel’s historic tendrils, the grape gospel here has been preached for centuries. In this Edenic enclave, broiling daytime heat waltzes with the cool nocturnal breezes—a climatic duet the grapes practically waltz to solar caresses, coaxing ripeness, nightly whispers preserving zest.
But the tale doesn’t end with the meteorological. The Salinas River, a silent matriarch, cradles Paso in a diverse geological lullaby. It’s a mosaic of terroir, each parcel boasting its own soil story and climatic character. Amidst the hidden theatrics of the fault line beneath the 101 Freeway, a sanctuary for over 40 grape varietals thrives.
While the east side of the freeway is renowned for its sandy soils, giving birth to the robust flavors of well-known labels like Robert Hall and Tobin James, it’s also a chessboard of corporate plays. Giants like Julio and Ernesto have swept through, snapping up vineyards and shuttering public tasting rooms, sealing them away from the thirsty public. It’s a reminder that behind every serene row of vines lies the pulsing heart of business—sometimes nourishing, and sometimes, like a wise game of Monopoly, reshaping the very access to these bottled elixirs.
Our visual offering this week captures the ascending vines off Adelaida Road, cresting in an arboreal amphitheater of Live Oaks. Envision us there: Queen Anne and I, picnic basket in hand, seeking reprieve under those leafy sentinels, feasting simply yet sumptuously, all while the tapestry of Paso unfolds beneath us.
Curious about those precision-planted vineyard rows or the storied slope where Queen Anne played Jill—her hill-tumbling fame secured? Navigate to my website <Jim’s Web> or journey to the Fine Art America Page <FAA Page>. Prepare for our next vineyard chapter—it promises to be a symposium of the senses!
Until then, keep your spirits high and your humor dry;
jw
Techniques: The Subtle Art of Polarizing in Photography
In the sprawling vineyards of Paso Robles, a polarizing filter can be as crucial to a photographer as a corkscrew is to a wine enthusiast. It enhances the lush greens of the leaves and deepens the blues of the sky, much like a fine wine enriches a meal. However, the key to using this tool is subtlety, akin to adding just a pinch of spice to perfect a dish.
While a polarizing filter can dramatically reduce glare and enrich colors, the adage “less is more” applies beautifully here. After finding the point of maximum effect by rotating the filter, dial it back a touch. This ensures the scene retains its natural charm without oversaturated colors appearing and the sky unnaturally dark.
Authenticity: Over-polarization can make your images look artificial, robbing them of their authentic feel—something significant in landscape photography, where realism is often the goal.
Dynamic Range: Maintaining some natural light reflections helps preserve the image’s dynamic range, avoiding the ‘flat’ look that can come from over-polarization.
Viewer Connection: A scene that is too perfect can feel alienating. By keeping the location more natural, your audience can connect more deeply with the image, feeling like they could enter it.
As you stand amidst the rolling hills, let your polarizing filter accentuate the contrasts and textures gently. Allow the sky to retain some lightness and the leaves their natural sheen. This way, when you capture the essence of Paso Robles’ terroir, it’s not just the vibrant colors that speak to the viewer but also the nuanced dance of light and shadow that gives the landscape life.
Think of your polarizer not as a tool to transform the scene but to refine it—bringing out its character in a way that’s palpable but not overpowering. By mastering the subtle use of this filter, your images will hold truth to nature that’s as honest and inviting as the region itself.
BTW:
Since there’s only one month left on my wall calendar, I need to order a new one for next year. If you’d like me to print a copy for you, please let me know before Thanksgiving. They’re 8½ X 11 inches on sturdy stock with a spiral ring at the top. I have no idea how much they will cost. Currently, Vista Print wants $14 apiece plus shipping, but they often mark them down later in the month. If you’re willing to roll the dice, let me know (please don’t leave your email in the comments).
Vulture City’s Mechanical Tale: A Flywheel’s Connection to a Bygone Era
Welcome back, intrepid explorers, to our final haunting episode in Vulture City. Today, we’re diving deep into the mechanical heart of this ghost town and a peek at the commendable efforts by the caretakers to ensure its stories are preserved for eons to come. Remember last week’s little misadventure? Let’s stick close together; one ghostly escapade is quite enough!
This week’s spotlight is a relic from yesteryears—an old gas-powered engine. Not the vroom-vroom kind in your garage, but a stationary titan engineered to power the weighty machinery of its time. Its genius? To be fuel-efficient, it was crafted to ignite every other cycle, creating an unmistakable bang-pop-pop sound. This rhythmic cadence christened them “Hit-and-Miss” engines. Much like the nostalgic rhythm of a gramophone, the beat of these engines is Vulture City’s undying echo from the past.
Surprisingly, despite their robust build with cast iron and boilers, you rarely find them in old abandoned mines. Why? Because most were sold or, unfortunately, scavenged for scrap. But in Vulture City, these pieces of history stand tall, painting a vivid picture of the bygone era.
Visiting Vulture City is akin to stepping into a time capsule. But don’t be fooled by the town’s pristine appearance. Recent photos showcase the harrowing reality of dilapidated structures just a few years back. However, the new stewards have tirelessly worked to resurrect the town. From rusty Core 10 stainless steel rooftops to stabilized walls, every corner has been touched with care. And while some artifacts aren’t precisely period-authentic, they enhance the visitor’s experience manifold.
OMG—They Do Exist!
Haunted Brothel: Pumpkins Celebrate in Style – Have you ever wondered why the Great Pumpkin never appears before the ‘Peanuts’ character, Linus? Here’s why. The Pumpkin has better things to do than hang out with kids all night.
Have you ever met pumpkins with more charisma than the guests at some fancy parties? Thanks to Ray Villafane’s magic touch, the pumpkins at Vulture City are a sight! Having showcased his prowess on HGTV, Ray’s uncanny ability to breathe life into gourds has added a spooky charm to the town’s Halloween festivities. For a deeper dive, check out this article here. All these initiatives spotlight the town’s undying spirit and commitment to entertaining and educating visitors year-round.
Thanks for tagging along on our ghostly gallivant this month. We’ve been overjoyed to share our tales and would be thrilled to hear yours! We invite you to share your Halloween or even brothel stories in the comment section below. Drop by my website for a closer peek at the engine here, or visit its gallery on Fine Art America here. Next week? A new location and saga you won’t want to miss. Be sure to tune in.
Till next time, keep your spirits high and your humor dry.
jw
Techniques: Shapes as Compositional Muses
Close your eyes and imagine… Oh wait, bad idea! Let’s explore the transformative power of shapes in photography. Do you think a plain signpost is mundane? Tilt it a bit, and you’ve got a story! Here’s a dive into how shapes craft a picture’s narrative:
Horizontal Lines: These lines evoke a sense of tranquility and restfulness. Imagine the horizon during a sunset; it exudes peace and serenity.
Vertical Lines: These lines impart strength, rigidity, and stability. Think of towering skyscrapers or tall trees reaching up to the sky.
Circles: Representing wholeness and unity, circles can create a focal point that keeps the viewer’s eye engaged. The never-ending loop of a circle often symbolizes the circle of life or eternity.
Triangles: Triangles can provide a sense of balance and stability in a composition, often directing the viewer’s eye to the top or base of the triangle. They can be dynamic or stable depending on their orientation.
Curves and S-Curves: These lines are graceful, flowing, and can be sensuous. S-curves, in particular, can guide the viewer’s eye through the composition, providing depth and interest. Picture a winding river through a landscape; it captivates the viewer into the scene.
