Sculpted by Time: Whitney Pocket’s Sandstone Wonders Picture of the Week - Mesquite, Nevada

White sandstone rock formation at Whitney Pocket, similar to Zion National Park, in the Gold Butte area of Nevada.
Sculpted by Time: Whitney Pocket’s Sandstone Wonders – Amidst the rugged beauty of Whitney Pocket, this layered sandstone formation stands as a silent witness to the artful touch of natural forces, its contours and colors a desert echo of the famed cliffs of Zion.

Before we even packed the Turd for our Nevada trip, I studied all of the Whitney Pocket YouTube videos I could find like they were a final exam. Packing the Turd for the trip felt a bit like preparing a stubborn mule for a mountain trek—full of hope but expecting surprises. When the morning of our exciting adventure finally came, I had my checklist ready. After a hardy breakfast at Peggy Sue’s Diner, we topped off the gas tank and checked the tires. Part of these exercises was taking precautions and waiting for the visitor’s center to open so that we could buy maps and get free first-hand advice.

The people who answered our questions and the Friends of Gold Butte group volunteers were constructive. With a lack of park rangers, they’ve stepped in to fill that role. After reassurance that my SUV would be capable of the drive, the guide offered one last bit of advice. “Be sure to tell someone where you’re going and when you expect to be back. No cell phone coverage exists, and you could be alone out there.” Anne and I glanced at each other, wondering who we could call—we were alone in Mesquite and didn’t know anyone in town. We decided to call her sister—Jane— in North Carolina and panic her, “If you don’t hear from us by 6:00 pm, call the police.”

After the long drive on the awful road I complained about last week, we made it to the end of the pavement—Whitney Pocket. When I first got out of the truck, I felt disappointed. With our backs to Virgin Peak, we scanned the southern horizon, which went on forever in the clear, dry Mohave Desert air. Except for a few lumps of sandstone close by, there was just a sea of yucca and creosote running endlessly downhill to a thin line of blue, which we identified as Lake Mead. Where were all the majestic sandstone formations in the videos I watched?

We were here, and I would make the best of it. Our map showed a petroglyph site three miles down a side road that we passed, so I drove a quarter mile back and started down what I jokingly call a road. The road was passable, but only if I kept the speed under ten mph. The Turd’s front sub-chassis sounded like it was about to fall off as we dodged the football-sized pavement rocks. In comparison, the entrance road was a freshly paved Interstate.

As promised, there was a parking area with a kiosk and pictures at the three-mile mark. Go to the right and see the Falling Man petroglyph, but there would be a large panel of petroglyphs if I went in the other direction. The guide told us that the Falling Man was a longer hike and tricky to find, so I set off toward the easy shot while Anne and her Kindel kept each other company.

After a half hour of scouring the rocks for rock art, I realized I had missed the trail, was lost, and needed to find my way back to the truck. The trail had been pronounced, so I don’t know how I messed up. I started the hike back using my old tried and true method: ” This looks familiar.” I noticed the rock colors and layers as I searched for the trail. They’re more subtle and muted than you find in Bryce or Zion—almost a pastel quality. Then, I crossed over the surface stone patch and found my trail. I stopped, looked around, and discovered that the trail zigged right while I went left. Ah, the old let’s lose the geezer on the hardscrabble trick.

Water or ice erosion exposing red sandstone layers beneath the surface in Whitney Pocket, Gold Butte area.
The Art of Erosion: Exposing Whitney Pocket’s Hidden Hues – Nature’s artistry on display: The intricate dance of erosion carves through time, uncovering the fiery red heart of sandstone beneath the desert’s sunlit canvas.

Now that I was un-lost, I started taking pictures of the stones and capturing the muted colors washed out with the early afternoon sun. My trip back to Anne and the truck was more deliberate as I spent more time shooting and exploring along the way. As we drove away on the rock road, I turned to Anne and said, “I don’t think we should risk running the Turd down these roads until we get new shoes for him.” Anne’s ‘Oh, thank God’ was laced with so much relief that I suspected she might start a Thanksgiving parade there.

While the grand formations played hide and seek with our expectations, the true majesty of Whitney Pocket revealed itself in a serendipitous encounter. This week’s photo—Sculpted by Time—captures a lone formation made from the same limestone that capped Virgin Peak (last week’s shot), one that almost seemed to beckon for attention amidst the vast desert. Its white, streaked face looks unremarkable at first, but if you look closely at the lower-right corner of the image, you’ll see a joint (not that kind, you stoners). This is where a layer of the Navajo Sandstone is popping its head from the ground. These are the same petrified dunes seen in Zion National Park, and we showed you in Utah’s Snow Canyon State Park last year. This shot was a dance of light and texture, a moment where time stood still, and the story of the earth was told in a single frame of layered rock.

Here is evidence of rising ancient seas and covering the dunes up. Over eons, the skeletons of shellfish collected on the seabed and covered the dunes with a layer of their own. I think that’s cool, not to mention that I like the natural window in the upper center, too.

Next week, we’ll return to Whitney Pocket, but our focus will shift to the ‘Dance of Light and Shadow’ this time. We’ll explore how the changing sunlight angles transform the sandstone from mere rocks into a canvas of nature’s art. Expect tales of how the sun brings out different personalities in the stones. If you’d like to examine the rock layering closer, you can stop by my Web Page < Jim’s Page> or my post on Fine Art America <FAA Link>.

Till then, keep your spirits high and your humor dry.
jw

Clouds Over Craters Picture of the Week

Clouds Over Craters - Monsoon clouds fill the sky over a pair of volcanic craters at the San Francisco Lava Field in northern Arizona.
Clouds Over Craters – Monsoon clouds fill the sky over a pair of volcanic craters at the San Francisco Lava Field in northern Arizona.

Tomorrow is Halloween, and the east coast has already had its first dusting of snow. Only last week, I had to switch from my daily summer uniform (t-shirt and shorts) into my winter outfit (t-shirt and jeans). I only wear long pants because my feet get cold with poor blood circulation. Otherwise, I’d wear shorts throughout the year—as men do in New Zealand. The last time we went to their islands, we saw road crews dressed in down parkas, shorts, and flip-flops.

I’m not boasting about our two seasons here in the desert; hot and less hot. Everybody back east already knows about our climate. In a couple of weeks, they’ll be camping in RV Parks throughout our state. This week’s rant is about why good things always come with baggage (this isn’t about Queen Anne either—stop that, you’re nasty). For example, as a kid, do you remember stretching out on a freshly cut lawn on a breezy summer’s eve so you could stare into the black sky and count shooting stars—only to be eaten alive by chiggers? Right there, that’s what I’m talking about.

Sitting at my computer, enjoying my first sweater of the season, and processing this week’s photo, I liked how lovely the monsoon clouds were. In Navajo lore, the gathering of puffy sheep in the sky foretells the coming summer rains. Our summer clouds are dynamic. They form over the mountains in the morning. They build and tower into the stratosphere and then charge into the desert with a triple fury of wind, dust, and frog-choking rain. By midnight, they disappear, and stars come out of hiding. It’s the opposite of the winter clouds that travel down the coast. They’re a homogenized grey sky, hanging around for days like a bowl of lumpy oatmeal. As I closely studied this week’s picture, I realized that the monsoon season might be my favorite time of the year—if it wasn’t so damn hot and muggy.

I named this week’s image Clouds Over Craters, and I took it at the S.P. Crater location I featured a couple of weeks ago. The dark blob on the right side is S.P. Crater, and the lesser volcano in the distance is unnamed. The grass growing on its slopes indicates that it’s rainy season. The crater’s shape and color remind me of Hawaii’s Diamond Head in a mirror. The diagonal scratches are from ATVs digging up the soil as they claw their way to the top. I could have Photoshopped the scars, but I wouldn’t say I like that. Besides, the clouds are the star of this show, both in the sky and the shadows they cast on the craters.

You can see a larger version of Clouds Over Craters on its Webpage by clicking here. It’s the finale of the San Francisco Lava Field project, and next week we’re at a new location. Here’s a clue—it’s across the street. Want to take a guess? We’ll see you when you return next Sunday to find out if you’re right.

Till next time
jw

BTW:

Since November is next week, it’s time for me to lay out my 2023 calendar. I make at least one for myself each year, but I’ll happily print another copy for you. Because I order them in low numbers, they’re an expensive wall calendar. When hanging, they’re the size of a copy paper sheet—they fit nicely between my desktop and cabinets. VistaPrint has dropped the small-middle-binding option this year so that they will be coil-bound along the top. When I add the shipping cost, they cost me $18.00 each, which is what I charge for them. I want to have them for Christmas, so if you want to be included, let me know by the 15th of November. That way, I’ll expect them after Thanksgiving. You can email me directly, leave a message on my Contact Page, or if I already have your email address (you’re a subscriber), you can order in the comments below (I’ll strip your email address from public comments).

S.P. Mountain Picture of the Week

S.P. Mountain - The cinder cone on the north flank of the San Francisco Peaks was named by C.J. Babbitt because it resembled a shit-pot.
S.P. Mountain – C.J. Babbitt named the cinder cone on the north flank of the San Francisco Peaks because it resembled a shit pot.

When Queen Anne and I visited the San Francisco Lava Fields this summer, we were there to photograph one cinder cone—S.P. Mountain. I watched several YouTube videos that featured the area, and I thought the cones would make an exciting journal project. I don’t see as many pictures from the lava field as I would expect, so maybe Ansel Adams left something for me, “Here’s a nickel, kid. Don’t spend it all in one place.”

The San Francisco Peaks is the taller of the two major Arizona volcanoes (the other being Mount Baldy/Mount Ord which are southeast in the White Mountains). The Peaks are the remnants of San Francisco Mountain—an active volcano that became dormant 400,000 years ago. Scientists have calculated the volcano was over 16,000 feet tall—4,000 feet above Mt. Humphreys, the highest remaining peak and Arizona’s high point.

Although the mountain has been dormant for a half-million years, there have been newer local eruptions. Geologists date the flow at S.P. Mountain to 55,000 years, and only a thousand years have passed since Sunset Crater erupted. That eruption caused the Sinagua Indians (the people we visited in August) to move 13miles south to Walnut Canyon because their Safeway was severely damaged.

Maybe one of the reasons the lava field doesn’t get more visitors is that much of it is on private land and doesn’t get much press. C. J. Babbitt is credited for the mountain’s name. If you’re young and ambitious, you can climb to the rim, and from that point of view, the crater resembles an overflowing chamber pot—or Shit Pot as he called them (and you thought those pretty flowered bowls and matching pitchers you see in museums was for washing your face). When the cartographers heard what the locals called the crater, they said, “Oh dear. We can’t put that on the maps. We’ll just use the initials.” If you’d like to see the view from the top without leaving your Lazy-Boy, I captured this Google Earth view.

When we drove out to the lava field, I wanted to video the cinder cone. Most of the time we spent at S.P. Crater was with the drone, and I didn’t get a still shot that I liked (if you’re interested in seeing the videos, here’s the Pond5 link). As we started to leave, I stopped to shoot last week’s photo of Split Top, and when I turned back, I saw this image of S.P. Mountain. The clouds were casting shadows on the cone, but a break in them let sunlight spill down on the grass and juniper trees. I’m pleased about how well this photo turned out. It’s only a couple of zebras short of being from an exotic African location. Naturally, I called this image S.P. Mountain because I didn’t want the Internet censors after me.

You can see a larger version of S.P. Mountain on its Webpage by clicking here. Come back next week when we finish our tour of the San Francisco Lava Field with one last photo. We’ll see you then.

Till next time
Jw

BTW:

I’m working on my Website’s Arizona galleries to make them flow better. Unlike the other State groupings, I have too many shots from Arizona to have a single page. So, I have subcategories for deserts, farms, towns, mountains, etc. This week I posted a second Arizona Index page that allows visitors to switch between a slideshow view and a thumbnail view with a button click. Some people like the traditional thumbnail view, while others prefer to see slides. Here’s the link to the page. What do you think?

What’s The Point  Picture of the Week

The Point - Afternoon shadows grow long on a portion of the Eagletail Mountains.
The Point – Afternoon shadows grow long on a portion of the Eagletail Mountains.

After last week’s rant about the failed hike Fred and I attempted in the Eagletail Wilderness Area, some of you have probably concluded that I’ll never do that again. I understand; I had those feelings too. After all, why attempt a 7-mile hike when a) I don’t enjoy hiking, and b) I’m not good at it? Well, it’s because I love being in the wild, and I find it revitalizes my soul.

I didn’t become a nature-lover from my father. He was born and raised in Pittsburgh, Pennsylvania, and grew up in a neighborhood derogatorily called Polack Hill—now Polish Hill. There wasn’t room for nature in the middle of Pittsburgh’s industrial district. I remember seeing the Allegany River between the warehouses from my great-grandmother’s back porch, but no one fished it. The steel mills polluted it so much that the catfish were discolored and had three eyes—like the fish in The Simpsons. Dad didn’t hunt, and the fishing trips he took me on were to fish farms.

It was Ansel Adams that sparked my interest in the natural world. As an impressionable young photographer, I was awed by his works. I wanted to see and shoot all the beautiful places in his pictures. It wasn’t until I moved to Phoenix and joined my brother-in-law on camping trips that ignited my love of the outdoors. He and his friends had the right gear to live well in the wild. That gang taught me that everything tastes better in the dirt. There was something out there that made me feel alive, even if we only swapped Jack Daniels flavored lies in the searing heat of a roaring cowboy fire.

Eagletail Brittlebush - A sure sign that spring is near in the Sonoran Desert, is when the Brittle Bush sprouts new blue-gray leaves.
Eagletail Brittlebush – A sure sign in the Sonoran Desert that spring is near is when the Brittle Bush sprouts new blue-gray leaves. Yellow flowers will soon cover the desert floor.

That feeling of adventure is addictive. I need a regular fix. Although I’m happy to roll down my car window and shoot mountains through it, the thrill is more significant when I know that I’m seeing something most people haven’t. Even though Fred and I failed to find the petroglyphs, we filled our memory basket with petrified wood, rose quartz, and signs of wildlife. I’m not sure if or when I’ll go back to the Eagletails. Other places sing the Sirens song for me.

This year is the beginning of my fourth quarter. Although I can’t see it from here, the end of the road is waiting. With every passing year, I better appreciate nature’s importance. That’s why I’ve joked with Queen Anne to place my ashes on Utah’s Powell Peak—but save my eyes. Like that weird little Microsoft Word assistant—Clippy—put them in a formaldehyde-filled jar so I can still look around. I can hardly wait to see the look on some poor camper’s face when they discover me watching them set up their tents.

This week’s picture is of a mountain ridge inside the Eagletail Mountains. I named it The Point for the granite dome at the center. It’s smaller than Courthouse Rock I showed last week. I shot this image after Fred got back from his reconnoitering trip. While I waited, I watched the afternoon shadows grow into a pleasing composition. You can also see the Ben Avery trail that we meant to hike. The flat Jeep trail near the bottom runs from left to right.

You can see a larger version of The Point on its Web Page by clicking here. Next week, Queen Anne and I begin a new adventure. I’ll give you a hint; it’s someplace in Arizona that I’ve never visited. Come back then and see what we’ve discovered.

Until next time — jw

Courthouse Rock Picture of the Week

Courthouse Rock - The huge granite monolith that attracts climbers and base-jumpers to the Eagletail Wilderness Area.
Courthouse Rock – The massive granite monolith attracts climbers and base-jumpers to the Eagletail Wilderness Area.

When you were in school, did you learn about the Lewis and Clark expedition—the party that explored the Louisiana Purchase and discovered the first Starbucks in what’s now called Seattle? Sadly, when it comes to the outdoors, my buddy Fred and I will never rise to that level of notoriety. We’ll most likely go down in history more akin to Laurel and Hardy.

Fred and Jim's overlapping skill sets - When we get together, things don't always go as we plan.
Fred and Jim’s overlapping skill sets – Things don’t always go as we plan when we get together.

Don’t get me wrong, Fred is a brilliant man. After all, he is an engineer, and I can write complete sentences, so when apart, we can navigate the world and safely return home (to the amazement of our wives). But when we go out together, our skill sets overlap like in a Venn diagram, setting up a thinking interference pattern that causes things to go south.

To finish up this month’s project, the Eagletail Mountains, I needed a couple more photos that are close to the subject. Since it’s a wilderness area, that meant hiking. I spent time researching and found a perfect trail on AllTrails. It’s only 3 1/2  miles each way and goes to Indian Springs. There, we should see a spring and a rock wall of petroglyphs. They described the hike as “the easiest trail in the world. It’s an old mine road with little grade change. A baby can do it.”

I began calculating. I walk at 2.2 miles per hour (I measured it using my hand-held Garmin), so 2 hours in, snap a couple of shots, 2 hours out, and add four hours of drive time down and back. The outing should easily take an afternoon. I asked Fred if he would be interested (somebody needed to carry me out when I fell). He said, “Sure.”

Monday at noon, I tossed on some comfortable jeans, my whitest Tee shirt (so the rescue helicopter could spot me), and a baseball cap. I drove to Fred’s house to pick him up. He opened the front door dressed like an L.L. Bean model, with a freshly pressed ‘cool-shirt,’ safari hat, day pack, and walking sticks. He was gorgeous.

It was a beautiful day, and we spent the two-hour drive talking about the hike and sharing the maps we brought. Fred downloaded the AllTrails map onto his iPhone; I had printed the directions to the trailhead; we were ready.

Mistake #1: The easy part was getting to the Gas-Pipeline road, but we had to count the miles to the turnoff. As Fred read the instructions, I watched the odometer. When the instructions said, “At 1 ½ mile, turn onto an unmarked road,” a road appeared on the left. We turned, but the sign that they promised wasn’t there. We continued anyway and came upon a group of young men camped at its end. This place must be our spot, so we parked.

Mistake #2: The boys/men were friendly and were sitting around packing parachutes. If we were in California, I would have expected them to be waxing surfboards. They had come to Courthouse Rock to climb the monolith and then jump off with a parachute—even though the rock wasn’t in danger of crashing. They asked why we had come. They said we were on the wrong road when we told them about the trail. They said we needed to return to the pipeline road and go another mile. Fred and I looked at one another, the maps, and the app. Since the trail was just over the hill, we ignored their directions—like any person holding a man-card should.

Mistake #3: We started hiking cross-country diagonally toward the trail. “Surely, it must be over that low ridge, and we’ll see it from the top,” I told Fred. We hiked to the ridgeline and saw——another hill. We began the long trudge to its top. What we didn’t realize at the time was that we were climbing Courthouse Rock’s talus slope. The rock must have been significantly larger at one time because sharp granite chips covered the ground. They had flaked off the enormous tower, making the footing lose. Falling on them would hurt—a lot.

Fred the trailblazer - Fred hikes to another ridge to see if it's the last of our hike. It wasn't.
Fred the Trailblazer – Fred hikes to another ridge to see if it’s the last of our hike. It wasn’t.

After an hour of hiking uphills and over gullies, we reached a point where we could see the trail. It was on the other side of a deep wash. That meant we could get to it if we could cross the dry creek, but it was still a half-mile away. We only managed to cover less than a mile during the past hour. I was ready to quit but could see yet another ridge on the horizon. I hoped it was the last. Fred volunteered to continue seeing if it was our summit while I sat, drank water, and caught my breath. He confirmed that it wasn’t, so we started back when he returned.

Instead of retracing our steps, we went down into the wash, where we could walk the sandy bottom back to the Jeep in half the time. We had to explain our failure to the base-jumping dudes when we reached the camp. “Yeah, I thought you should drive to the other road,” one of them graciously taunted. Since we were in the area, we did. We found the second road with signs, parking, and an informational kiosk. At least we’ll know should we ever go back, but the two-hour drive home was nearly silent for now.

I shot this week’s picture that I call Courthouse Rock at the beginning of our hike. It’s of the enormous granite monolith from its west side. The 20-foot palo verde tree gives scale, so I’m glad the tree photo-bombed my shot.

Click here to see a larger version of Courthouse Rock on its Web Page. Next week, we’ll finish our Eagletail Mountain visit and move on to another project. Hopefully, somewhere I can drive.

Until next time — jw

Eagletail Mountains Picture of the Week

 

Eagletail Mountains - The Eagletail Mountain Wilderness Area is an hour west of Phoenix, and south of Interstate 10. Since you have to hike to see the good stuff, it's challenging for me to photograph properly.
Eagletail Mountains – The Eagletail Mountain Wilderness Area is west of Phoenix and south of Interstate 10. Since you have to hike to see the good stuff, it’s challenging to photograph correctly.

I find some places where it is difficult to photograph properly. Most of those are wilderness areas. Because they’re not accessible by road, you have to hike to get to the good stuff; that’s exciting visually. You know by now how I feel about hiking—I’m vehemently against it. However, sometimes you have to do things that make you uncomfortable.

The Eagletail Mountains are one of those places. Plenty of old jeep trails are running through the area, but since it was declared a wilderness and set aside in 1990, you can’t drive on them. Instead, you have to hike anywhere within its boundaries.

I last visited the Eagletails in 2003—when I first created my Website. Since I routinely update the site with newer and better photos, I discarded those shots long ago. I needed a new project, so I decided to revisit the Eagletail Wilderness and try my luck again.

There are two mountain ranges in the Eagletail Wilderness. Foremost is the Eagletail Range that runs north-south. If it were a hand on a clock, they would be in the 11:00 position. The other range is Cemetery Ridge (hmm, there’s got to be a story behind that name), a line of mountains that run northwest-southeast, or 9:30-10:00. Most of this wilderness fits within this triangle between the two ranges. That’s the justification that Congress used to preserve it. It is a complete example of two mountain ranges separated by a flat Sonoran Desert basin.

This week’s picture is of the western slope of the Eagletails. It’s an aerial shot taken with my drone. Since I can’t fly into a wilderness, it’s as close as I could get from the east side. It shows the jagged ridgeline with Eagletail Peak—the high point—at center-right. If you got closer, you’d see its top has several granite spires resembling feathers—so its name is descriptive.

The trouble is that the interesting geologic formations and petroglyphs are on the other side. For February, my challenge is to see how far I can walk in and show you what’s there. It’s been several years since I last twisted my ankle, so I’m about due.

You can see a larger version of Eagletail Mountains on its Web Page by clicking here. Next week, we move south and get a shot, including Cemetery Ridge. I promise to see how it got that name. Come back then and see what we found.

Until next time — jw

Sunset Wall Picture of the Week

Alright, class, settle down. Get out a sheet of paper and a pen, then put away your backpacks. Today we’re starting with a pop quiz. There is only one question, and you have 15 minutes to answer with 10,000 words—or more. You must cite your sources. Spelling and punctuation will be graded. Are you ready? Your question is, “What do Memphis, Tennessee, and Kingman, Arizona have in common?”

I have talked before about old trading trails morphing into the well-laid-out highway system that we have today. Most of us don’t care how it happened, and we just drive on them. They think that Eisenhower signed a paper in 1956, and the freeways just popped into existence. I think that’s because people younger than me—and that’s pretty much everybody—didn’t experience the change first hand. Our forebearers built most roads over existing paths, and there are reasons someone blazed those original paths. Mark Knopfler describes this phenomenon well in his 1982 song Telegraph Road from the Dire Straits album Love Over Gold.

There have been trading trails across Northern Arizona since the first Pueblo inhabitants. European settlers didn’t use them much because the New Mexico territory was Spanish. Their roads came up from Mexico to towns like Santa Fe and the Old Pueblo at Tucson. Those roads followed the Rio Grande and Santa Cruz Rivers because there was always reliable water. The rest of the desert was a wasteland. What changed that? It was gold.

In 1848, James Marshall discovered gold at Sutter’s Mill in California. In less than two years, California became a state—that’s instantaneous in government time. They needed to move goods and people to the Golden State—and get the gold back to Washington. But, there were no east-west roads, so they put Captain Lorenzo Sitgreaves in charge of a surveying expedition, and he laid out a railroad route around the 35th Parallel.

Then in 1857, the Fed’s paid Edward (Fitzgerald) Beale to build a wagon road from Ft. Smith, Arkansas, to Los Angeles—again along the 35th Parallel (remember, Tucson was still in Mexico). He built his road in a year using camels because they needed less water and food than oxen and horses. By all accounts, it wasn’t much of a road, but Beale bragged that it was the shortest route by 300 miles and “It is the most level: our wagons only double-teaming once in the entire distance, and that at a short hill . . .” His road became the Santa Fe line in 1880, then Route 66 in 1926, and finally Interstate 40 in 1978.

SR 68 through Union Pass - Arizona State Route 68 (on the right) as it enters Union Pass through the Black Mountain Range.
SR 68 through Union Pass – Arizona State Route 68 (on the right) as it enters Union Pass through the Black Mountain Range.

His wagon road wandered a bit from the 35th as it meandered across the desert, but wagon tracks are visible in places on Google Earth. As vehicles became more efficient, each of the subsequent roads shortened its length. Some silly people hike the old road just for giggles. I’m not that ambitious. However, I do know of a place where you’ll be in Ed’s footsteps. Yep, you guessed it. It’s our Union Pass on SR 68. While Sitgreaves went through Oatman, Beale found a more accessible way to Fort Mohave and his river crossing.

Sunset Wall - Layers of volcanic rock upended vertically in the Black Mountain Range.
Sunset Wall – Layers of volcanic rock upended vertically in the Black Mountain Range.

I took this week’s picture on the west side of Union Pass, and it shows layers of lava and ash (tuff) that have been turned horizontal by geological forces. As Don Sprinkle commented in another post; “. . . just like the Grand Tetons.” It was sundown as I took this photo, and that’s why the ordinarily dark rock has a beautiful red glow, and that’s why I called it Sunset Wall.

So, back to your quiz; I’m going to let you grade your papers. What did you answer to: What do Memphis, Tennessee, and Kingman have in common? If you said that they are both along Interstate 40, you get 50%, and if you said that they both have a Beale Street, you get another 50%. I must add that there is a difference too. While Kingman knows who they named their street after, according to the Wikipedia entry for Memphis’ Beale Street, nobody remembers who Edward Beale was, which I find amusing. Maybe it’s forgotten because he was a Union Naval officer.

You can see a larger version of Sunset Wall on its Web Page by clicking here. Please come back next when we begin December’s project and new pictures.

Until next time — jw