National Parks – On the road with Jim

Cedar Mesa Chronicles: A Photographer’s Escape Picture of the Month - Bluff, Utah

View from Muley Point of the San Juan River goosenecks with Monument Valley in the distance and cloud shadows on the ground — Captivating Views: Goosenecks and Monument Valley from Muley Point – From Muley Point, the San Juan River’s goosenecks carve a winding path, with Monument Valley faintly visible on the horizon. Cloud shadows dance across the rugged terrain.

I can count on one hand the number of times I’ve been utterly captivated by a view during my days as a photographer. I’m talking about scenes that felt like they encompassed the entire world, vistas so mesmerizing that they made it nearly impossible to walk away. Places like the Summit Road on the Banks Peninsula in New Zealand, the patio of the North Rim Lodge at the Grand Canyon, Horseshoe Bend outside of Page, Arizona, and Bryce Canyon from Powell Point in Utah. These weren’t just beautiful landscapes but revelations that deepened my understanding of geography. During my May visit to the Bears Ears area, I discovered another such place—Muley Point on Cedar Mesa.

Why I Stopped at Muley Point:

From last month’s article, I drove to Utah intending to spend several days photographing various areas on the south side of Bears Ears National Monument. However, my trip was cut short when I threw out my back. After packing up and heading home from Natural Bridges, my back felt better within the supportive confines of the Turd’s captain chair. With some relief, I decided to stop and inspect the Muley Point overlook for future trips.

The three-mile dirt road to Muley Point was easy to traverse. When I arrived, I exited the truck, wandered the area, and took in the sights. I was immediately impressed. So much so that I decided to take some photographs, which meant returning to the SUV to fetch my camera and retracing the loop I had already hiked. Despite my initial setback, I’m glad to say that in the short time I was there, I managed to capture enough images to support this post.

iñon pine tree growing on the edge of Cedar Mesa in the Utah desert — Life on the Brink: Cedar at Cedar Mesa Edge – A cedar (piñon) tree clings to life along the edge of Cedar Mesa, demonstrating the incredible resilience of nature in the harsh Utah desert.

Geological Marvel:

Cedar Mesa, a striking landscape in southeastern Utah, is a geological marvel shaped by millions of years of natural forces. The mesa is primarily composed of Cedar Mesa Sandstone, a distinct formation different from the more well-known Navajo Sandstone. While Navajo Sandstone is renowned for its sweeping, cross-bedded dunes indicative of ancient desert environments, Cedar Mesa Sandstone is characterized by its horizontal layers, formed from sediment deposits in ancient coastal environments during the Pennsylvanian period, roughly 300 million years ago. These layers of sand and silt were compressed and cemented over time, creating the durable rock formations that define the mesa today.

The San Juan River, which carves its way through Cedar Mesa, has shaped one of the most dramatic landscapes in the region—the Goosenecks. These deep, serpentine bends result from a complex interplay between the uplift of the Colorado Plateau and the river’s erosive power. As the plateau slowly rose over millions of years, the San Juan River cut into the rock, deepening its channel. The combination of vertical uplift and horizontal river erosion created the meandering goosenecks, considered the deepest on the planet. These geological features provide a breathtaking testament to the relentless and patient forces of nature that sculpt our world.

Large fractured sandstone block perched on the edge of Cedar Mesa, shaped by natural erosion processes — Perched for a Fall: Cedar Mesa Sandstone Block – A fractured block of Cedar Mesa sandstone, shaped by wind, rain, and freezing temperatures, teeters on the mesa’s edge, ready to tumble down the cliff.

Cultural Significance:

Cedar Mesa and the surrounding Four Corners area are rich with traces of ancient cultures that once thrived here. The earliest known inhabitants were the Basketmaker people, who lived in the region from around 1500 BC to 500 AD. These early agricultural societies were named for their exceptional skill in weaving baskets, which they used for storing food and other essentials. The Basketmakers lived in semi-subterranean pit houses and were among the first to cultivate maize, beans, and squash in this arid landscape. Their success in agriculture, hunting, and gathering allowed them to establish relatively stable communities.

Following the Basketmakers, the Ancestral Puebloans, often called the Anasazi, inhabited the region from approximately 500 CE until the late 1200s. This period saw the construction of elaborate cliff dwellings and multi-room stone structures, many of which still dot the landscape of Cedar Mesa and Bears Ears today. The climate during the 12th century was somewhat wetter, supporting agricultural practices and allowing these communities to flourish. However, prolonged droughts in the late 13th century, along with social and possibly environmental pressures, led to the eventual migration of these people. They moved south and east, eventually becoming the Hopi, Zuni, and other Pueblo tribes of today. These migrations were driven by the need for more reliable water sources and agricultural land, leading to the dispersion and evolution of their cultures into the tribes we recognize today.

Twisted juniper tree growing out of sandstone rocks on Cedar Mesa, displaying an ancient and resilient nature — Twisted Roots: Cedar Mesa’s Resilient Juniper – A twisted juniper tree grows out of the sandstone rocks on Cedar Mesa. Despite its short height, the tree’s ancient trunk reveals its significant age and resilience.

Final Thoughts:

If you’re a desert lover like me, prepare to fall head over heels for Cedar Mesa. This place is a treasure trove of breathtaking vistas and rich subject matter, perfect for photographers and artists alike. It’s hard not to be captivated by the sheer beauty and history of the landscape. I plan to return here often. With the wonders of Bears Ears and the Grand Staircase nearby, it’s challenging to justify going anywhere else—except for the occasional indulgence in wine and coastal views to shake things up. If you visit, please be mindful to preserve this natural wonder for future generations.

Thank you for visiting and joining me on this journey. Head to my website or Fine Art America for larger versions of these images. These new photos will be featured for three months before they’re refreshed with new adventures. Since it’s August and we’re escaping the sweltering heat, stay tuned for next month’s article, where we’ll share our adventures on the Pacific coast. Until then, I’d love to hear your favorite views or stories from the Four Corners in the comments.

Until then, keep your humor dry and your eyes on the road.
jw

Natural Bridges: Beauty, Bears, and Backaches Picture of the Month - Natural Bridges National Monument

Eroded rock overhang with dark varnish stains in Natural Bridges National Monument — Ancient Waterway Overhang with Varnish Stains—Sedimentary layers and mineral stains highlight the geological history of this Natural Bridges formation.

I may not be the rugged outdoorsman that I appear to be. Until two years ago, Queen Anne’s and my camping world revolved around our little Casita trailer. We took it everywhere, from the Grand Canyon to Alaska. However, we had to part with it due to unforeseen circumstances and began using motels for our overnight trips.

As much as we enjoy watching The Big Bang Theory reruns in our motel room at night, it’s not the same as sitting around a campfire under the stars and eating Jimmyums. Recently, I decided that I would get back to basics on my next photo shoot—and the perfect opportunity was coming up.

Queen Anne’s Adventure

Anne’s sister Jane called about one of her bucket list items: a road trip to Utah’s Mighty-Five National Parks. Anne jumped at the chance to travel with her sister and even offered to drive. Their tour started for two weeks but got whittled down to a week by the time they left. While they were off ‘Thelma and Louise’-ing their way across the Beehive State, I decided to use that time to explore the Bears Ears National Monument near Blanding. After all, when we bought the Turd—my RAV4—I made sure there was room for me to stretch out in the back.

View of Owachomo Bridge from the canyon rim in Natural Bridges National Monument — Natural Beauty: Owachomo Bridge from Above- The delicate span of Owachomo Bridge is set against the rugged canyon landscape.

Preparation for the Trip

As I prepared for my adventure, I dug out the remains of our camping gear from the attic and added some kitchen items to augment them. Since I’d be alone, I bought a bunch of canned goods for food, reducing the need for an ice chest. I always heated them on my single-burner propane stove when I camped as a younger man. Besides, Cup-O-Noodles and coffee make for an easy, warm meal on those chilly mornings.

One thing I splurged on was a heavy-duty air mattress. I can no longer tolerate sleeping on a hard surface without a cushion. The one I bought from Amazon was designed to fit in the back of SUVs. It’s T-shaped and broad at the back doors, then narrows between the wheel wells. Another nice feature is that each side inflates independently—so I could pack my camp boxes on the deflated side while day traveling. Did I mention that it was guaranteed not to leak? Yeah, about that…

Once the girls got a head start, I carefully packed my new mattress, all of my photo gear, plenty of clean socks and undies, and the rest of my provisions into the Turd and set off on my 9-hour journey to Natural Bridges National Monument in Utah. On the road again—what could go wrong?

The Struggle

I arrived at the park after 4:00 p.m., so the campground was full. I expected that, but the BLM runs the Mani-La Sal forest, so throw-down camping is permitted, and I had ample time to find a good spot. Before long, I backed into a lovely level spot surrounded by Ponderosa pines beneath the towering red cliffs of Bears Ears.

The air had a damp-cool chill, so I put on the sweater I brought before setting up camp. Since I didn’t have a table, I used my sturdy camp box for one, which doubled as an ottoman after dinner. I stowed the rest of my boxes on the truck roof to keep them out of the dirt.

After emptying the back of the Turd, I unrolled my mattress and started inflating it using the portable pump that it came with. Before I began to inflate the passenger side, I looked closely at the sky and felt it would rain, so I moved the rest of my boxes back inside along the flaccid side of the bed. It cramped my bed space, but I’d be fine since I wasn’t planning on spooning with a bear.

Before dinner, I had time to wander and capture video clips of the red cliffs and trees in the sunset. Upon returning to camp, I prepared an Epicurean meal of warmed-over canned ravioli, a cup of peaches, and a cup of tapioca pudding. As the night grew late, I gathered my things and climbed into the back of the truck. Ah! The life of Reilly.

Outside was silence except for the trees rustling in the gentle breeze—a cowboy’s lullaby. The yellow moonlight was coming in the passenger side windows as I dozed off. I watched it a bit before snuggling into my sleeping bag as sleep crept over me.

The next thing I knew was feeling uncomfortable and opening my eyes to figure out the irritation. The moonlight was now at the back door, so hours must have passed. The mattress still had air, and the sleeping bag was warm. What’s nagging me? Then it hit me: as an old man with a prostate the size of a grapefruit, I had to pee. The one thing that I hadn’t taken into consideration. I needed to get up and out of the truck—NOW.

First, I untangled myself from the twisted sleeping bag and opened the zipper. I began feeling around for my boots, and as I tried to put them on, the laces were tight, so I had to fix that. Once I had them on my feet, I opened the door on my right. While grabbing the handle over it, I tried lifting my legs and pivoting them out the opening, but my right leg got caught in the useless seat belt harness. After freeing myself from the straps, I successfully extracted myself. As I slowly unrolled into a standing position, my back said, “Don’t ever do that again.” But it was not to be. Simone Biles would have been proud to pull off that gymnastics routine once, but I did it three more times that night—and my back seized up in protest.

View of Kachina Bridge from the canyon rim in Natural Bridges National Monument — Natural Splendor: Kachina Bridge from the Rim-Kachina Bridge’s grand arch spans the lush canyon below, offering a stunning contrast of colors.

Where’s My Towel?

I could barely walk when I got out of the truck the final time. Dawn lit the eastern sky, so I hobbled over to my chair and managed to put on a pot of water. As I sat and drank my instant coffee, I pondered my predicament. I had driven a long way and hadn’t snapped a single photo, but I certainly couldn’t spend another night injuring myself in the truck. Not until I can figure out a better method of extracting myself.

I threw in the towel. After my coffee, I started packing the truck, including the camp box that was now too heavy for me to move. I had to remove its contents, then drag the big empty box into the Turd, and finally repack it.

Play Through the Pain

After I had loaded the RAV4, I drove back to the park’s visitor center. It was closed, and I had the entire park to myself. I convinced myself that I could do some shooting even if it meant not hiking down into the canyons. So, as daylight broke, I raced another car from Texas from overlook to overlook, taking pictures. Where the hikes were level and short, I walked like Quasimodo, pulling myself on the handrails where I could.

Storm clouds gathering over Cedar Mesa Sandstone in Natural Bridges National Monument — Thunderstorm Approaching Cedar Mesa Sandstone in Utah – The interplay of storm clouds and Cedar Mesa Sandstone highlights the raw beauty of Natural Bridges.

Notes To Future Self

After I returned home and reviewed my images on the computer, I was happy to find they were publishable—I must have been on auto-pilot. They weren’t the ones I hoped to get, but that encouraged me to return soon. Even hiking in pain may have been beneficial. My back feels much better after a week of rest and light work. The constant low-level pain is there, but that’s how people my age know which of their body parts are still attached. I also conjured some strategery for the next trip—like providing a handy stash for my car keys, opening the tailgate with my remote, and then rolling over on my hands and knees and backing out that door. I’m also going to keep a pair of loafers in the Turd.

Thank you for joining us again this month. I hope you enjoyed my Utah horror story more than I did. As we customarily do, larger versions of my photos are available for you to examine on my website <Jim’s New Work> and on the pages that I created on Fine Art America <FAA Page>. They will be on display for three months before being rotated. Finally, Queen Anne and I can hardly wait to hear the ribbing you’ll give in the comment section. Please share your thoughts about the photos, camping, Utah, or travel horror stories. We love to hear from you.

Until then, keep your spirits high and your Ben Gay handy.
jw.

Suspended in Time: Adventures Beyond the Petrified Forest Picture of the Month - Petrified Forest National Park

Colorful petrified wood logs under a dramatic sky at Petrified Forest's Rainbow Room with the White Mountains on the horizon — Clouds Over Color: A Journey Through Time: The Petrified Forest’s Rainbow Room captivates with its rich hues of fossilized logs, set against a backdrop of the White Mountains and a dramatic sky.

We were parked on Blue Mesa in Petrified Forest National Park under a new moon when something strange happened. One moment, it was a quiet desert night—just me, Queen Anne snoozing in the truck, and a few restless coyotes yipping in the distance. The next second, everything went dead silent.

Then, as if the universe was playing a cosmic joke, the planets aligned in perfect alphabetical order across the sky. I didn’t even know that was possible. Maybe Jupiter bribed Mars to cut in line. Either way, it felt like the kind of thing that shouldn’t happen unless reality had a glitch.

And then, out of nowhere, a weird blue light appeared. It wasn’t headlights or a flashlight beam—this thing swirled like a dust devil but didn’t kick up dust. Instead, it glowed like the inside of a plasma ball at a science museum. Anne told me to stay in the truck. Naturally, I didn’t listen.

I edged closer. The light wasn’t just floating—it was a hole—a hole in the universe, a hole that swallowed the stars behind it. The sheer impossibility of its physics beckoned me closer yet filled me with an instinctual dread.

Retreating momentarily, I fetched a new tee shirt from our recent gift shop visit, wadded it into a makeshift projectile, and lobbed it at the spectral phenomenon. On contact, the light flared like a campfire doused in brandy, the tee shirt evaporating into a blaze of unknown physics. In its place, a window appeared—one that looked out onto another world.

Except it wasn’t another world. It was this world—just a couple hundred million years earlier.

Two vibrant red petrified logs in the middle of Petrified Forest National Park against a desert backdrop — Timeless Twins: Petrified Logs Standing Sentinel in Arizona’s Heartland—Red Remnants of Prehistory: Twin logs of petrified wood stand in stark contrast to the barren terrain of Petrified Forest’s central expanse.

The contrast was striking. Below me, the landscape stretched out at a significantly lower elevation, nowhere near the mile-high expanse of the modern Colorado Plateau. The sun blazed directly overhead, a stark reminder that this land had once been closer to the equator. What had been a blue-gray dust bowl moments ago was now lush and green—forests of towering Norfolk Island Pines lined the banks of a river fed by distant volcanoes.

A sense of awe welled inside me. I was witnessing the Triassic Period—the dawn of the dinosaurs. This was the initial deposition of what would one day become the Chinle Formation. I recalled from my readings that this geological stratum could reach staggering thicknesses of up to 1,000 feet, layering mud, volcanic ash, and silt into a colorful geological record. Each layer was a story in minerals left behind by cataclysmic floods—floods that had entombed trees, animals, and entire ecosystems in time.

I turned to tell Anne, but she was out cold—head propped against the window, breathing fogging up the glass with every snore. Occasionally, one got loud enough to jolt her awake, only for her to blink in confusion and drift right back off. The coyotes had gone silent, probably unnerved by the glowing vortex, but Anne’s snores carried on, oblivious to time travel unfolding just outside her window.

As I turned back to the portal, movement along the tree line caught my attention. A herd of dinosaurs grazed contentedly on the lush ferns, their stocky bodies covered in what looked like prehistoric leather armor. They had the build of a hippo, the tusks of a walrus, and the personality of a slightly confused cow. Upon later research (a.k.a. Wikipedia), I learned these were Placerias, some of the last big herbivores before the actual dinosaurs took over.

I watched in fascination—until I noticed two of them playing with an orange Frisbee. No, seriously. One scooped it up with his tusks and flung it across the meadow. The other caught it, twirled it, and then sent it flying back with an expert head flick—a prehistoric game of fetch.

That’s when I saw it. One of them was wearing my tee shirt.

Several large pieces of petrified wood clustered together in Petrified Forest's agate section — Agate Assembly: Petrified Logs in Nature’s Mosaic at Petrified Forest – Scattered Legacy: A cluster of petrified logs in the agate-rich grounds of Petrified Forest, each piece a fragment of prehistoric life frozen in time.

Reality teetered. Somehow, the vortex wasn’t just a window—it was a two-way door. My gift shop souvenir had traveled through time, and now, a pair of Placerias named (in my mind) Gonzo and Norm were engaged in a high-stakes game of Triassic Ultimate Frisbee.

Their game was a peculiar sight—half-fetch, half-soccer, with all the earnestness of Olympic competitors. It was a scene of sporting prowess that would have baffled even the most imaginative sports commentator. Amid my amusement and disbelief, a part of me couldn’t help but feel a touch envious of their uninhibited joy—a stark contrast to my usual self-deprecation and haplessness, which at that moment seemed confined to the sidelines of time.

It was a bizarre sight—part football scrimmage, part comedy routine. Norm, the bulkier of the two, lined up his shots while Gonzo made wild, dramatic leaps for the disc. The game might have gone on forever without a sudden, ominous shift in the air.

Dark clouds swelled over the distant volcanoes. A deep rumble rolled through the valley. The river that had seemed so tranquil moments ago was now choked with debris, swelling at an alarming rate. It wasn’t just a storm—it was a flood—a Triassic monsoon.

The realization hit me—this is how the fossils formed. This was the very moment when entire forests were buried, trees transformed into stone, and creatures like Gonzo and Norm were swallowed by history.

The Frisbee dropped. Gonzo and Norm turned, finally sensing the danger. They ran. Well, they tried to. Norm’s stubby legs churned in slow motion while Gonzo, the optimist, still attempted one last throw. The roar of the flood drowned out their squeals. Within seconds, a massive wave of mud and debris swallowed them whole.

The portal flickered. The colors blurred. And then, it was gone.

The coyotes started howling again. Anne stirred. “You ready to return to the motel?” she mumbled sleepily.

I nodded, glancing at the now-empty desert. The past was the past again.

Before leaving Holbrook the following day, we stopped at the park’s gift shop. I searched for a replacement T-shirt but found nothing. Then, as if on cue, the cashier said, “Funny thing—rangers found one like that near a dig site. It’s in lost and found. Want to see it?”

She handed me a stretched, dirt-crusted shirt—with a punctured orange Frisbee sitting underneath it.

I stared. I laughed. And I took it. Because sometimes, the universe has a way of letting you keep the souvenirs that really matter.

Deep erosional textures of the Chinle Formation seen from Blue Mesa walkway in Petrified Forest National Park — Blue Mesa’s Eroded Wonders: Textures of Time in Petrified Forest—Nature’s Sculpture: Blue Mesa’s eroded beauty unveils the Chinle Formation’s intricate textures, a testament to the relentless artistry of natural forces.

Thank you for joining me on this incredible Petrified Forest National Park journey. Suppose you’ve enjoyed this tale of prehistoric whimsy and modern-day mystery. In that case, I invite you to explore larger versions of this month’s images on my New Work Portfolio. These photos will be displayed there for three months before being rotated.

As the echoes of the ancient past slowly fade, let’s turn our gaze to a different historical exploration. Next month, join me for a night among the neon and nostalgia of Gallup’s abandoned motels. We’ll explore the haunting beauty of old motel signs, capturing the stories they whisper to the desert winds. Don’t miss this eerie yet visually captivating journey—subscribe now to get a reminder as soon as we go live.

Until then, keep exploring the layers of history around you, and perhaps you’ll discover your own story woven into the fabric of time.
jw

WPA Legacy: The Historic Cattle Dam of Gold Butte Picture of the Week - Mesquite, Nevada

WPA-built stone dam between rock formations in Gold Butte National Monument, captured by Jim Witkowski. — WPA Legacy: The Historic Cattle Dam of Gold Butte – Stepping Through Time: This WPA-constructed dam at Gold Butte stands as a rugged monument to past endeavors, harmonizing with the arid beauty that surrounds it. A silent witness to history, its stones speak of a bygone era of hope and hard work.

Victorious in my quest to capture the ancient whispers etched into stone, I returned to our trusty steed, the Turd. There, amidst the dust and echoes of bygone civilizations, sat Queen Anne; her latest book–escape, concluded. Her gaze met mine, an unspoken dialogue of adventure’s end, punctuated by a brief, ‘Can we go now?’ Her tone carried the weight of a royal decree, yet I knew the kingdom’s treasury of wonders still had one gem left to unveil.

At the end of the infamous paved road, you can turn south towards the abandoned town of Gold Butte or go straight towards the Arizona border and the Grand Canyon—Parashant National Monument. Both roads are equally evil to drive on, but I wanted to find another relic of history—a WPA-era dam, so I started east. We didn’t travel far because I spotted a cistern on the left as soon as we drove through the first dry wash. I pulled the truck over and grabbed my camera.

The cistern looked like a dry concrete bathtub, and a rusty pipe beckoned from the cistern to a narrow canyon on the right. A couple of creosote bushes blocked the view (and the path), so I brushed them back with my arm and saw the dam. It looked like a scale model of the Hoover Dam 50 miles downstream. Although it was built in the 30s and no longer maintained, it looked like it would still hold water if you closed the gate and valves. It is another testament to those folks’ work during the Great Depression.

After getting some shots, I wanted to see how deep the backside was, which meant climbing the stairs. In my younger days, I would have said, “Nothing to it,” and jogged up the stairs. But there’s no handrail, and my balance isn’t the same, so I did it the hard way—backing up one step at a time while sitting on my butt. I got my dose of vertigo and started back down the stairs when three outdoorsmen walked through the slot. My face turned red, and I apologized, “Sorry guys, this is how we geezers climb stairs these days.” One of them quipped, “We understand—Mister Girly-Boy.”

An erosion-formed window in a sandstone canyon wall, illuminated by sunlight at Gold Butte, photographed by Jim Witkowski. — Nature’s Art Frame: The Erosion Window of Gold Butte -Carved by the patient hands of time and elements, this erosion window in Gold Butte’s canyon wall frames a story millions of years in the making—each layer a verse in earth’s grand narrative.

This week’s other photo is of a natural erosion window along the canyon’s narrow. Unless you’re the stature of our friend and frequent commenter, Deb Poteet, you can frame your face with it by standing on your toes. As usual, Anne wouldn’t get out of the car, so I had to settle for shooting the opening without her pretty face. Still, it’s pretty cool.

In the mirror

Queen Anne and I covered a lot of ground this year. We visited two California Wine regions without being tossed out on our ears. We followed some of our favorite trails and got reacquainted with the charming cities of Bisbee, Tombstone, and Douglas. We explored the Beeline Highway and the Mazatzal Mountains, shot wildflowers in the spring, got caught in a monsoon storm at sunset, and discovered some fantasy shapes in Prescott’s Granite Dells City Park. With pandemic restrictions lifted, we did a decent job of broadening our range and bringing you more diversity with this year’s photos and stories.

This has been a year of growth for us. I’ve tried to improve my writing skills. I completed a couple of online creative writing courses. You’d think it would make my work more manageable, but it didn’t. What I used to knock out on a Sunday morning now takes me three days of writing, editing, and revising before I’m ready to publish. I also invested in a grammar checker that—hopefully—gets most of the commas in the right places.

I’ve been tinkering with my photo processes by watching online photographers. I picked up some new tips and tricks, which I’ve tried to pass along to you in the Techniques section. I think you found them helpful because I’ve received positive feedback from you. Finally, to attract new subscribers, we started producing monthly YouTube videos. In each of the last few months, I converted one of my static portfolios into a five-ish-minute video with music and voice-overs. With these new videos, we’re blending the old-world charm of static images with the zippy excitement of moving pictures—without the smell of darkroom chemicals. It seems to be working because my web traffic is on the rise.

Through the windshield

I have an Arizona wall map on our laundry room wall with colored dots indicating the places we’ve visited in the last couple of years. Instead of being evenly distributed, two empty spots glare at me from the map. The first is along the southern border between Nogales and Yuma. Since that’s restricted chiefly to military ranges, there’s not a lot I can photograph without starring in my impromptu sequel to North by Northwest. The other section is the northeast corner of Arizona—the Navajo and Hopi reservations. I intend to paste a dot or two in that corner next year. Maybe you could suggest some locations.

There’s more to discover at Gold Butte National Monument. I plan to return this spring if the Turd’s crummy tires ever wear out. Getting stuck out there without communication is a genuine concern for us. Some sights we missed this year include Devil’s Throat, the remains of Gold Butte’s ghost town, and Little Finland.

Finally, next year’s wine region adventure will be in Northern California. Will it be Napa, Sonoma, or the Russian River? Let us know where your favorite California wine comes from. We haven’t picked a winner yet, but the trip will be in August. As Samuel Clements once said, “The coldest winter I ever spent was a summer in San Francisco.” Some dispute that the quote is genuine, but for us desert dwellers, it’s a challenge.

Queen Anne and I wish you a very happy and prosperous New Year. We hope you’ll continue joining us on our escapades and maybe invite some friends. We’re always delighted to see you in the back seat. Feel free to share your New Year’s adventure plans in the comments below. They give us ideas for which roads we take.

Till next time, keep your spirits high and your humor dry.
jw

BTW:

Last week, I released my latest YouTube video based on my portfolio of pictures of California. It’s five minutes of eye candy, and I invite you to see it by using this link: [https://youtu.be/cgXAHPyzQ5Y]

Geologic Puzzle: Unearthing Whitney Pocket’s Sandstone Secrets Picture of the Week - Mesquite, Nevada

Brown layered Navajo Sandstone uplifted and eroded by fault activity in Whitney Pocket, with unusual rounded edges and color variation. — Geologic Puzzle: Unearthing Whitney Pocket’s Sandstone Secrets – Nature’s Tilt: Witnessing the Story of Uplift and Erosion in Whitney Pocket’s Sandstone Layers.

Arriving at a new location like Gold Butte ignites a whirlwind of excitement in me, and my initial instinct is to capture everything in sight. This flurry of photography is more about immersion than precision, leading to a digital pile-up that I inevitably sift through, discarding the excess like chaff. Unlike the costly days of film, where each shot was a precious commodity, the digital age allows me to indulge in this initial creative outburst, knowing it’s part of reaching the true gems.

Once the initial rush subsides, I transition from capturing to contemplating, delving into the ‘why’ and ‘how’ of the landscape before me. It’s here that Shawn Willsey’s geology videos come into play. As a professor at the College of Southern Idaho, Shawn has a gift for demystifying the complexities of earth science, guiding even the uninitiated through geological wonders. His explanations, particularly his Random Roadcuts segments, clarify unusual layering and erosion and bring a new depth to my photographs, transforming them from mere images to stories set in stone.

From a distance, the formation in the picture above looked like the blades of a turbine engine embedded in the Navajo Sandstone. For all I know, there is a 747 out there with the guts missing from one of its engine cowlings. The brown color, multi-layers, with rounded edges, stood out like the red marks on one of my term papers. How can I tell you about it when I haven’t a clue? So, I emailed Professor Willsey and asked if he’d look at my photo—and he accepted. He answered, “The feature in question is not a vein but appears to be an upturned section of Aztec (Navajo) sandstone. The near vertical layering is the cross beds deposited on the dune field’s backside (downwind) side. Some faults and other structures in this region of NV are likely the culprits that have tilted the rock layers. Very cool.” Then, he returned to hosting his live coverage of this week’s Iceland eruptions. Now, don’t you feel smarter?

A butte in Whitney Pocket with layered Navajo and Entrada sandstone, with the red end facing south, creating a 'Neapolitan ice cream' effect in the desert. — Neapolitan Earth: Unraveling Whitney Pocket’s Colorful Geology – Stratified Delight: The Neapolitan Butte of Whitney Pocket, where Geology Meets Gastronomy.

There’s a question in this week’s other picture as well. It’s an image of a sandstone formation that looks like a bowl of Neapolitan ice cream after Queen Anne was done with it. I say that because Queen Anne always eats the chocolate and turns her nose up at the rest. The issue is that the red section appears on the white layer. From all I’ve read, the Entrada era—with its rust-colored sandstones—came before the white dunes. My best guess is that the forces that lifted the Virgin Mountain Range over a mile in the air also jumbled the natural order in this basin. What are your thoughts?

I have posted larger versions of Geologic Puzzle on my website < Jim’s Web> and my Fine Art America page <FAA Link> should you want to examine the layers closer. Next week, we wrap our foray into Gold Butte National Monument with one of the rare evidentiary remnants that anyone preceded us. It’s like unearthing the Spinx. Join us then, won’t you?

Until next time, keep your spirits high and your humor dry.
jw

BTW:

As we gather to celebrate the holiday season, Queen Anne and I would like to extend a hearty Seasons Greetings to all of you. Whether you’re out there chasing the perfect light or cozening up at home with loved ones, may your days be merry, bright, and filled with the joy of discovery. Here’s to capturing more beauty, sharing more stories, and creating unforgettable memories in the year ahead.