Ghost Towns – On the road with Jim

Whispers from the Atomic Inn at the Edge of Death Valley This Month’s Pictures - Rhyolite Ghosts

Ruins of the historic Cook Bank building in Rhyolite, Nevada illuminated by the last rays of sunlight — Cook Bank Building — The most photographed ruin in Rhyolite, and for good reason. Built in 1908 with three stories of stone, marble floors, and electric lights, it was the pride of town… for about as long as the gold boom lasted. Now only the shell stands, glowing in the evening sun as the mountains steal the light away.

Monsoon Madness

There’s a sound this time of year that rattles me: the air conditioner, running without pause, day and night. During monsoon season, it gulps filters like snacks, demanding more every week, and still it drones like a jet engine parked on the roof. I swear it growls if I reach to adjust the thermostat. When I was considering putting it down for a nap, Anne filled the office doorway, arms akimbo, with her annual August decree:

“We’re going to do articles about California redwoods and coastal beaches. I booked us a week in Crescent City. Pack your bags.”

Her idea of bags was two matching roll-around suitcases already staged in the hall. One held clothes. The other? Let’s say Ulta would call it a warehouse. My idea of luggage was a brown grocery sack — stuffed with a change of socks, a toothbrush, three cameras, a knot of chargers, and enough cables to wire a small radio station.

“We’re leaving Sunday morning,” Anne said. “Reservations start Monday night in Crescent City.”

I did the math out loud cause — that’s my department. “Freeways, we can be there in two days.”

She nodded. “Fine.”

“But if we take 93 north, stretch it to three days, we could scoop up a couple of ghost towns on the way. Maybe even Reno for dinner.”

Anne shrugged. Driving and mileage are my problem. If I wanted to turn it into a backroads scavenger hunt, she wasn’t going to stop me.

Moby, the big Lexus, sat in the garage — roomy, comfortable, built for the open road. Instead, we crammed ourselves into the Corolla econo-box. Why? It saved us seventeen bucks on gas. Never mind that the inside looked like a rolling storage unit — cameras, Anne’s suitcases, a couple of coolers, bags of snacks, and enough odds and ends to qualify as a rolling kitchen. At least we wouldn’t waste time at McDonald’s.

Northbound on 93

We pointed the gutless wonder north on US-93 just as the sun cleared Four Peaks to the east. The stretch between Phoenix and Kingman, we could drive blindfolded. Thirty years ago, it was a two-lane daredevil run, white-knuckled and death-defying. Now it’s primarily four lanes, crowded with people eager to lose money in Vegas, blasting past at criminal speeds until the pavement pinches back to two and everyone stacks up like cattle in a chute.

But for us, the trip doesn’t really begin until the far side of Vegas. Out there, the road empties — mile after mile of desert sage, sky bigger than the map, hardly a soul in sight. On the west side of 93, the signs all promise wildlife refuge this and preserve that — acres fenced off for sheep and tortoises. The east side looks the same, but the clues are different: concrete chicanes at the exits, security gates, motion detectors strung along the fences, and town names that sound more like warnings — Indian Springs, Mercury, Sedan Crater. It’s almost like they’re keeping something hidden in this area.

Both horizons appear identical, but one claims it’s saving lives while the other practices ending them. Maybe the wildlife is just an act of contrition.

Check-In at the Atomic Inn

By the time we rolled into Beatty, the sun was already angling low, and the semis were tangoing through the four-way. We pulled in slow, scanning for our motel — and there it was, glowing like a Cold War punchline: The Atomic Inn. Yes, that’s where Anne made the reservations.

We checked in, tossed our bags inside, and immediately split up. I grabbed my cameras and headed for Rhyolite, hoping to get a few shots before the sun slipped behind the hills. Anne, naturally, went in search of antique jewelry at the local curio shops.

I spent a couple of hours wandering Rhyolite, watching the light slip across broken stone and bottle-glass walls. On the drive back, the landscape was to die for, colors shifting every mile along the empty road into Beatty.

When I opened the motel room door, Anne was gone. On the nightstand, a note: Bar across from the casino.

Weathered caboose car parked outside the historic Rhyolite hotel in Nevada — Union Pacific Caboose — This weathered red caboose once capped the end of freight trains rolling through the Nevada desert. Now it sits parked near Rhyolite’s depot, its paint sunburned and boards sagging, more ghost than railcar. In its day, the caboose was the rolling office and bunkhouse for train crews — today it’s just another relic in a town that outlived its purpose.

The Bar Across from the Casino

So I walked back to Main Street in the dusk. The neon buzzed, the semis groaned through the four-way, and the air smelled faintly of dust and fryer grease. I pushed through the door and stepped inside a bar dimmer than the twilight I’d just left.

At first, I couldn’t see much — just shapes. As my eyes adjusted, the room came into focus: gray, paneled walls slapped together from old shacks, gaps wide enough for the smoke from the back barbecue to seep through. The paneling glowed under animated beer signs. Love Shack playing on the juke box through the speaker wires drooping across them like vines. The ceiling sagged under dollar bills tacked corner to corner.

There were only a couple of tables inside, and four barstools at the counter. Three were already occupied — Anne, a whiskered man, and… a burro. The fourth stool sat open, waiting for me. Other than a man in the corner eyeing the room like he’d been followed, the place was empty.

I slid onto the stool beside Anne and waited while the bartender finished shouting drink orders to the patrons on the porch. Her voice carried just as strongly out there as it did inside. Then she turned to me, smiling.

“What can I get for you?” she asked, her Filipino accent lilting every word.

“What beers do you have?”

She rattled them off in one long practiced breath: “Coors Light, Bud Light, Miller Lite, Michelob Light, Busch Light, Natural Light, Keystone Light, Amstel Light… and Shiner… ”

“I’ll have a Shiner,” I said. “Shiner Bock.”

From outside came a burst of German voices, clinking bottles of Bud Light like it was Champagne.

Meet Harlan and Deborah

Anne set her glass down as I settled in. “Jim, I want you to meet Harlan…” She hesitated a beat, then added, “…and his friend, Deborah.”

“Nice to meet you,” I said. Harlan gave me a slow handshake, heavy as a sandbag. Deborah just snorted through her nose, a sound halfway between a laugh and a sneeze.

Anne lifted her glass and caught the bartender’s eye. “Another chardonnay — and this time, could I get a proper wine glass, please?”

The bartender froze mid-pour, leveled a glare across the counter, and kept right on filling the same stubby stemless glass.

“Boy, I’m hungry,” I said to no one in particular. “Are the burgers any good here, Harlan?”

“They usually are,” he drawled. “But the supply trucks haven’t shown up in a week… and the bar’s still flippin’ burgers. Wouldn’t you know it, Deborah’s sister went missing the other day.” He set his glass down and leaned closer. “So if I were you, I’d steer clear of the burgers.”

Deborah gave a little snort through her nose as if she agreed. Nobody else smiled.

I scanned the ink-jet printed menu and looked at the bartender. “What’s your soup of the day?”

“Homemade clam chowder,” she answered proudly.

“Ooo, my favorite. I’ll have a bowl of that.”

She scribbled on a ticket, clipped it to the wheel, gave it a spin, and shouted, “Order up!” A slight blur reached up and snatched the slip away as the wheel kept turning. From behind the thin paneling came the thud of a pot hitting the stove… followed by the unmistakable whir of an electric can opener.

Large trucks perform a careful dance around a sharp corner in Beatty, Nevada, by the closed Exchange Casino. — Exchange Club Corner — Once the centerpiece of downtown Beatty, the Exchange Club Casino now sits dark, its steampunk façade outshining the slot machines that went silent after the Covid pandemic. Truckers still provide the nightly entertainment here, swinging their rigs wide around the tight four-way stop, gears grinding while chrome octopuses glare down from the walls.

Beatty’s Second Fiddle Years

Anne leaned toward me. “Harlan’s lived in Beatty his whole life. He knows all the stories.”

“Great,” I said. “I’d love to hear them. What’s with the closed casino across the street?”

Harlan swirled his glass slow. “That was the Exchange Club. Town’s centerpiece, once. COVID killed it. Shame.”

I grinned. “I would have loved to toss 20 bucks away just to poke around inside.”

He shrugged. His voice came out in a gravelly drawl, slow as desert dusk. “We’d have gladly taken your money. Beatty’s always played second fiddle. Rhyolite had the gold; we just hauled the freight. Later, when the bomb boys came through, the scientists stopped here for drinks while the brass stayed in Mercury. Then Vegas lit up, and we just watched the traffic roll by.” He nodded toward the four-way. “These trucks out here? That’s the floor show now.”

I flagged the bartender. “Let me buy you a round. What are you drinking?”
“Cosmo on the rocks,” Harlan said. “And Deborah here’s got a Vodka Cranberry.”

The bartender set down two glasses that looked identical, except Deborah’s came with two long straws. I must’ve stared, because Harlan leaned in and explained, “Well, she can’t just pick it up with her hooves, now can she?” (Thanks, Joel.)

Deborah crossed her legs then, and I noticed her hooves were neatly manicured — polished, even. It made me wonder who in town offered that service, and how much they charged.

Nobody made a joke. Not in front of Deborah. Harlan might’ve called her his “friend,” but from the way the bartender shot her a quick glance, I figured she was more than that. Around here, Deborah was a big shot.

White ghostly sculpture with bicycle, The Ghost Rider by Albert Szukalski, at Goldwell Open Air Museum near Rhyolite train station — Ghost Rider — The tale Harlan swore was true finds its echo here: a spectral figure in white with a bicycle, part of the Goldwell Open Air Museum outside Rhyolite. The piece, by Belgian artist Albert Szukalski, was installed in 1984 and has become one of the site’s most photographed works — half sculpture, half apparition, and just eerie enough to make you wonder. Bath night not included.

The Ghost Rider of Rhyolite

Anne asked, “So how were Rhyolite and Beatty connected?”

Harlan swirled his Cosmo. “Rhyolite was the boomtown; Beatty was just the depot. Always been that way — second fiddle. First to Rhyolite, then to the bomb tests, then to Vegas, then as a truck stop along 93, then with the Exchange Club across the street. And when I-11 cuts east of town, downtown’s finished unless they sell themselves as the gateway to Death Valley.”

Harlan set his glass down and leaned closer. His voice dropped so low I had to lean in, too.

“My mama… or was it my grandma… worked the hotel over in Rhyolite. Every night, she rode her Schwinn the four miles down to Beatty after her shift. Then one night… she didn’t make it.”

He let that hang in the air.

Anne asked softly, “What happened?”

Harlan rubbed a hand over his whiskers, eyes fixed on the glass in front of him. “Folks said she was run down by an illegal alien.”

I blinked. “Mexican?”

He shook his head slowly. “Na. One of them little gray fellas. Came slidin’ down the canyon road in a flyin’ golf cart. Had it wound up faster than hell. She never saw it comin’. Passed so close she got sucked into the whirlpool trailin’ behind.” He paused, voice dropping lower. “Dragged her thirty yards down the gravel. Left half her Schwinn in the sagebrush.”

The bar had gone quiet, except for the hum of the jukebox wires overhead. Even Deborah had stopped snorting, her ears pitched forward.

“She was real pretty,” Harlan said, almost tender. “Sunday dress, ribbon in her hair. But you wouldn’t recognize her now. Folks say she rides that stretch every night — draped in white, like a shroud… or maybe a cape. Some swear it’s a wedding dress that trails out behind her, floatin’ in the wind. You’ll hear the pedals creak before you see her.”

He drained the last of his Cosmo, set the glass down gently, “’ Cept Wednesdays. That’s her bath night.”

Deborah slid off her stool, her hooves clicking against the wooden floor, and gave a little snort of goodbye.

“Big day tomorrow,” Harlan said, standing slowly. “Got business to settle in Pahrump.”

They shuffled toward the door, out into the desert night.

Anne and I stared at one another, mouths agape, while Love Shack started up again on the jukebox.

Till next time, keep your spirits high, and your humor dry — the spirits prefer it that way.
jw

Backroad Gold: The Art and Abandoned Mines of Chloride Pictures of the Month - Chloride, Arizona

Chloride Downtown Historic Buildings Post Office and Antique Store — Chloride’s Last Standing Originals: A Post Office and Antique Store – Three historic survivors of Chloride’s fiery past mark the heart of the small town’s original downtown. The white structure serves as the town’s active post office, while the other two—an antique store and an unused building—stand as quiet reminders of a resilient history.

We’re always looking for fresh material to share with you, so I turned to my trusty wall map and noticed a glaring gap in our travels—Mohave County. Curious, I paired my map-gazing with a quick Google search and a nudge from my AI brainstorming partner, ChatGPT.

“Besides Bullhead City—which, let’s face it, is mostly about gambling—what’s worth exploring in Mohave County?” I asked.

The response? “Chloride.”

“Chloride? Why Chloride?” I countered.

The answer? “Get off your duff and go find out yourself.”

Suddenly, it felt like I was stuck between two Queen Annes, demanding action and sass in equal measure. With that, the adventure began.

The Road to Chloride.

Thinking about the journey to Chloride made me shudder. Traffic at the I-40 and US 93 junction is always a nightmare, with semis and cars lined up for miles waiting to transition. And there’s always that one clown in a big rig who turns right onto 93, then immediately swings left to reach the Flying J. It’s like a slow-motion ballet of bad decisions.

Surprisingly, when I braced for the worst, the roadwork wasn’t as bad as I’d imagined. They’re already building a bypass around town, going to Coyote Pass, where the freeway picks up north of Kingman. For once, progress felt like it was helping.

Back then, US 93 was a rutted, narrow, two-lane road where only the brave dared pass. Now, it’s a rutted, crowded four-lane highway with so many potholes that you must dodge; you’d be foolish to speed down it. Even my trusty Turd struggles to keep up with the mad rush to throw money away in Vegas. Semi-trucks blink their headlights at me as if to say, “Move it, grandpa!”

US 93 cuts through a vast desert basin known as Golden Valley, flanked by the Cerbat Mountains to the east and one of Arizona’s many Black Ranges to the west. The valley’s name hints at riches, but today, it’s primarily low-density sprawl—cheap land attracting slow but steady growth. However, this is still the Mohave Desert, and with limited rainfall, water is a growing concern for the area’s future.

An alpine-style gas station in Chloride, Arizona, with vintage gas pumps, narrow-gauge tracks, and nostalgic yard art under a decorative portico. — Alpine Gas Pumps: A Nostalgic Stop in Chloride’s History—This alpine-style gas station in Chloride, Arizona, is staged with nostalgic yard art and vintage gas pumps to recreate its historic glory. Narrow-gauge tracks circle the building, possibly repurposed from ore cars, adding to the building’s unique character and charm.

Chloride the Town.

Chloride proudly claims to be Arizona’s oldest continuously inhabited mining town, with roots dating back to 1863. However, mining didn’t boom until the 1870s, when a treaty was signed with the Hualapai Indians, allowing for more significant expansion. By 1917, the town’s population peaked at around 2,000, but by 1944, mining had declined, and Chloride teetered on the edge of becoming a ghost town.

Not that the current residents see it that way. Unlike places like Jerome or Oatman, which fully embrace their ghost town status, Chloride’s locals still treat it as a living, breathing community—even if it’s quieter these days.

Chloride gets its name from the chloride compounds mined here, which have historically been used in chemical warfare, medical applications, and industrial processing. Various chloride forms have been used for everything from hospital disinfectants and intravenous solutions to de-icing roads and manufacturing plastics. The US military even experimented with chloride-based compounds for early chemical warfare research.

When the first mine played out, a more extensive operation opened several miles south, and many of the original miners commuted rather than relocated. Today, the new mine still creates rush-hour traffic jams during shift changes.

Much like my hometown of Congress, the town’s population is aging, and there’s no new construction. The nearest grocery store is 35 miles away in Kingman, and the closest Costco requires a road trip to Las Vegas. Local businesses include a restaurant, a B&B, and a gas station, where the prices are as inflated as a carnival balloon.

Antique stores dot the town, though most wares are old mining relics rather than fine china. And while the air is fresh, thanks to constant winds, the lack of rainfall in this part of the Mohave Desert makes long-term growth challenging.

Overview of Roy Purcell’s murals in Chloride, Arizona, showcasing a central cosmic-themed mural surrounded by smaller painted rocks in the Cerbat foothills. — Roy Purcell’s Milky Way of Art: Chloride’s Largest Mural Panel – An expansive overview of Roy Purcell’s murals in the Cerbat Mountain foothills near Chloride, Arizona. The central mural, bursting with vibrant colors and cosmic imagery, is surrounded by smaller painted rocks, creating a visual galaxy that echoes Purcell’s vision of interconnectedness between humanity, nature, and the cosmos.

The Murals: The Secret Reason to Visit Chloride.

The murals are the real reason to detour off the highway and visit Chloride. Yet, the locals don’t seem to market them at all. There’s no sign on US 93 pointing the way, and if it weren’t for a few boulders painted with rough directions, you might never find them.

Just before stepping into the Chloride visitor center—which also happens to be the town store—we crossed paths with a man straight out of a ZZ Top album cover.

He had a grizzled white beard that tumbled past his chest, sunglasses that hid whatever stories his eyes might tell, and a dusty black cowboy hat that had seen some miles. His Dickies overalls were well-worn, and his plaid shirt looked like it had survived a hundred desert suns. He leaned against the store’s porch railing like he had all the time in the world.

We asked about the murals.

“Oh, yeah. Those things,” he said, shifting his toothpick from one side of his mouth to the other. “Just go up this road until it turns to dirt. Follow it through the wash if it ain’t flooded, then head up the hill.”

Not exactly GPS coordinates, but we made do.

The murals were first painted in 1966 by Roy Purcell, an artist working in the mines while taking a break from his MFA studies. With little more than house paint and a grand vision, he covered massive boulders with bold colors, cosmic symbols, and surreal imagery, turning the desolate mountainside into an outdoor gallery. In 2006, Purcell returned to restore the murals, brightening them back to their original vibrancy.

After almost 20 years of exposure to the brutal desert sun, wind, and sand, the colors remain as vivid as if they were painted yesterday—a testament to Purcell’s craftsmanship and the enduring magic of this hidden treasure.

The first thing that goes through your mind when you see them is: How did he get up there? Was this guy part goat? The murals span multiple rock faces, tied together by a serpent winding its way up the mountainside. Around the central panels, smaller satellite paintings orbit like star clusters hanging at the edge of the Milky Way.

You can’t stand in one place and take it all in simultaneously. The murals demand movement—walking the viewing area reveals new details from every angle, unfolding like a slow-motion kaleidoscope of color and meaning. In that way, Purcell’s work feels almost Dali-esque; its surreal and shifting forms reveal something different depending on where you stand. Like Picasso’s cubist portraits, each fragment works as part of a greater whole, forcing you to engage with it rather than passively observe.

Roy Purcell described his work as a visual philosophy, blending Eastern and Western ideas into something profoundly personal and universal. In his own words:

“I painted these images as an expression of self-discovery, a synthesis of my studies in Eastern philosophy and Jungian psychology, and an exploration of humankind’s place in the vast order of things.”

A word of warning: Wear good shoes. Trying to scramble over the rocks in Top-Siders, like I did, is a bad idea. Those slick-soled boat shoes might be great for gripping a yacht deck, but they turn you into a human tumbleweed out here. The terrain is steep, uneven, and unforgiving—so unless you have goat-like climbing skills or an excellent sense of balance, plan accordingly.

If rusty yard art and ghost towns are your thing, visit Chloride.
If art and hidden gems are your thing, visit the murals—you’ll be one of Arizona’s insiders.

And if you’re the kind of person who ignores all advice and climbs rocks in boat shoes? Well… at least you’ll have a good story to tell.

Close-up of Roy Purcell’s mural in the Cerbat Mountain foothills, painted adjacent to ancient petroglyphs, respecting historical rock art in Chloride, Arizona. — Respecting History: Roy Purcell’s Mural Adjacent to Ancient Petroglyphs—This is a close-up of Roy Purcell’s mural in the Cerbat Mountain foothills, carefully painted adjacent to ancient petroglyphs. This juxtaposition highlights contemporary artists like Purcell’s respect for historical art, creating a fascinating intersection of cultural expression spanning centuries.

Final Thoughts.

Thanks for joining us on this mountainside adventure and enjoying this two-for-one special on ghost towns and hidden art. If you’d like a closer look at the murals and the town, larger versions of these photos are now posted in my New Work portfolio. They’ll stay there for three months—until something better comes along.

We’d love to hear your thoughts on Chloride, Roy Purcell’s murals, or anything near and dear to your heart—so drop a comment below. But do it soon! We close comments after five days, or we’ll be buried in Cyrillic spam up to our eyeballs.

Come back next month when we take another back road home.

Until then, keep your eyes on the road and your humor dry.
jw

Tires, Trails, and Tamarisks: Adventures at Palmerita Ranch Pictures of the Month: Along the Santa Maria River, Arizona

Rustic corral fence with desert bluff and trees at Palmerita Ranch in Arizona. — Corral Fence at Palmerita Ranch Bluff – This rustic corral fence, silhouetted against the rugged bluff of Palmerita Ranch, captures the spirit of Arizona’s ranching legacy. Framed by desert vegetation and illuminated by the warm light of the setting sun, the scene speaks to the enduring harmony between nature and history along the Santa Maria River.

Nearly three years after limping the Turd home from a Las Vegas dealer, it finally earned a new set of shoes. The Turd—our trusty but unglamorous RAV4—had been rolling around on a mismatched set of tires so cheap they probably doubled as floaties in their previous life. The dealer, ever the bargain artist, slapped two new tires on the front and waved off the rears, claiming they were “good enough.” Good enough for what? Ice skating?

Now, I’ll admit, I’m a cheapskate. No, wait—cheapskate is too generous. I’m a cheap-sketeer, proudly waving my coupon flag while riding into battle on a discounted steed. Queen Anne was already less than thrilled about buying an SUV in the first place, so I figured, why spend a penny more than necessary? Besides, I was sure those dealer-installed tires would wear out faster than flip-flops at the Grand Canyon. But to my surprise—and annoyance—they wouldn’t die. One year went by, then another, and finally, this fall, I noticed the wear bars creeping up between the treads like a slow elevator. “Yes!” I cheered. It was finally time.

I took the Turd straight to Tony’s Tire-O-Rama, where Tony recommended a set of beefier tires tough enough for Arizona’s backroads. I didn’t want anything flashy—no oversized doughnuts that scream, “Look at me, I’m compensating!” They’re a smidge wider and taller for an extra half-inch of clearance. The result? It’s subtle but satisfying. The Turd now stands a bit prouder, like a French maître d’ with a slight bow, murmuring, “Ho ho, monsieur, you mistake my purpose.” With these new shoes, I finally have the confidence to tackle sandy washes, rocky trails, and all the Arizona backroads where secret treasures are hidden.

East side of historic adobe homestead at Palmerita Ranch shaded by two large tamarisk trees. — Palmerita Ranch Homestead Shaded by Tamarisk Trees – The east side of the Palmerita Ranch homestead rests in the protective embrace of two towering tamarisk trees, their thick trunks and sprawling branches casting a cooling shadow over the adobe walls. These massive salt cedars, among the largest in the area, tell a quiet tale of resilience, thriving in the arid desert alongside the ranch’s enduring legacy.

Shakedown Cruise to Arizona’s Secret Lake

When I first heard about Palmerita Ranch, a historic homestead nestled in the Alamo Lake area, I knew it was the perfect destination for the Turd’s inaugural off-road adventure on its new tires. Alamo Lake, often called Arizona’s “secret lake” (or perhaps “secret park,” depending on who you ask), sits so far off the beaten path that it feels more like a treasure hunt than a road trip.

The journey began with a drive halfway to Quartzsite, where we turned right at a wide spot in the road named Wenden. From there, we headed north on Alamo Road, threading the Harcuvar Mountains through Cunningham Pass and descending into Butler Valley. I’d only been out this way once before—to photograph a hike in the Mud Cliffs—and I remembered the dirt roads being manageable enough that I didn’t need a tank to navigate them. My main concern this time was the deep sand in the dry washes.

Sure enough, the Date Creek Wash gave us our first test. As the Turd climbed the sandy bank on the far side, I felt a surge of confidence—no need for 4WD here. The extra width and chunky tread on the new tires made light work of the loose sand, even if Queen Anne didn’t quite share my enthusiasm. She grumbled through every bump and rut, reminding me why we call this a “shakedown cruise.”

The real challenge came when we reached the Santa Maria River. The ranch was on the same side of the River as us, but the high bank demanded an entry road that plunged sharply down a rocky, narrow cow path carved into the hillside. The grade was so steep that we couldn’t see the abandoned buildings until we were two-thirds down. Gravel and loose rocks made the descent feel like riding a controlled avalanche. By the time we reached the bottom and prepared for the climb back up, the sun was setting, Anne’s stomach was growling in duet with her commentary, and I decided it was time to engage 4WD to assist. Was it overkill? Maybe. But it got us up the hill faster, and sometimes, survival means knowing when to appease your passengers.

Of course, the entire trip from our house in Congress to the ranch measured precisely 100 miles. Had I been feeling adventurous (read: foolish), I could’ve driven up US 93 for 33 miles and hiked 14 miles down the Santa Maria Riverbed through the Arrastra Mountain Wilderness. But let’s be honest—you know how I feel about hiking.

Back door of Palmerita Ranch house with falling plaster revealing adobe block walls. — Back Door of Palmerita Ranch Exposing Adobe Walls—The back door of the Palmerita Ranch house offers a candid glimpse into the home’s construction, where time and weather have peeled away layers of plaster to expose the raw adobe blocks beneath. This weathered detail tells the story of the ranch’s enduring architecture, built to withstand the harsh desert environment and reflect a bygone era of resourceful craftsmanship.

The Hidden Legacy of Palmerita Ranch

The Valenzuela family, who founded Palmerita Ranch in the 1860s, were a remarkable lineage with roots stretching back to Spanish settlers who arrived in California in the late 1500s. Their eastward migration brought them to the Arizona wilderness, where they built a life of resilience and resourcefulness. As ranchers and homesteaders, the Valenzuelas thrived despite the isolation and arid conditions, raising livestock and cultivating the land with ingenuity and determination. Their story is one of courage, perseverance, and a deep connection to the land that still echoes through the ruins of Palmerita Ranch.

Palmerita Ranch sits quietly along the ordinarily dry Santa Maria River, where the water table isn’t far below the surface—a fact betrayed by the towering trees that shade the property. We discovered two homes nestled within a forest of giants during our visit. To the west, Red Gum and White Bark Eucalyptus trees soared over 100 feet, their stature a testament to the River’s hidden life. On the east side, the second house stood under the watchful guard of two colossal tamarisk trees, the largest I’ve ever seen.

A short walk along the riverbank brought us to a small cemetery, now overgrown and untended. Whatever names and dates once adorned the graves have been erased by time and the elements. Still, the site evoked a quiet reverence, hinting at the lives and stories that played out here. A visitor from the 1920s once described fields of alfalfa thriving in the riverbed, used to sustain livestock—hogs, cattle, and goats—that kept the ranch alive.

Though stripped of its comforts, the large adobe house revealed hints of its former grandeur. Its south wall featured large windows framed in flagstone, centered around a fireplace stained with years of smoke, and through the windows stretched a stunning view of the Santa Maria River and the Arrastra Mountains in the distance—a panorama that must have provided solace during the ranch’s more isolated days. Standing within those walls, I could almost imagine living there—if only it had electricity, city water, Wi-Fi, and a grocery store that wasn’t 100 miles away.

Palmerita Ranch may no longer be a working homestead, but its history and place in the Arizona wilderness endure. The soaring trees and sturdy adobe structures stand as monuments to the resilience of the people who once built a life here despite the challenges of isolation and harsh desert conditions. Walking its grounds, it was easy to feel connected to the past and to the enduring spirit of the land itself.

Backside of Palmerita Ranch house with porch and late afternoon sunlight, surrounded by eucalyptus and tamarisk trees. — The backside of Palmerita Ranch House in Afternoon Light – The backside of the Palmerita Ranch house basks in the golden glow of late afternoon sunlight, its rustic charm accentuated by the surrounding eucalyptus and tamarisk trees. This open section of the home offers a rare glimpse of the structure unobstructed by the dense greenery, with long shadows stretching across the weathered porch—a tranquil moment preserved in the Arizona desert.

A Pit Stop for Burgers and Brew

The sun sank low as we started back up the embankment from Palmerita Ranch. By the time we reached the top—after listening to Queen Anne grumble about the constant need to adjust her tiara—I knew we wouldn’t make it home before evening. I stopped the Turd so she could use the mirror to perfect her royal accessories.

“How long’s the drive back?” she asked, still fussing with her reflection.

“Well,” I said, calculating the distance, “long enough to work up an appetite. How about we stop at that bar on the way back and grab a burger for dinner?”

She huffed something indistinct, which I took as an enthusiastic “yes,” so we began the dusty trek toward civilization. Oddly enough, the drive back always feels shorter than the trip out, and before we knew it, we pulled into the Wayside Bar.

Holding the door for Anne to make her grand entrance, I followed her inside and let my eyes adjust to the dim light. The decor was exactly what you’d expect: rusted road trash nailed to the walls, a few highway signs, animated beer lights flickering halfheartedly, and dollar bills covering the ceiling like a green constellation. It reminded me of the Pinnacle Peak Patio at Riata Pass, the first place I’d ever seen that particular motif.

At the far end of the room sat a row of cowboys, their white hats lined up brim to brim along the bar. It felt like a scene straight out of Charlie Daniels’ Uneasy Rider. We grabbed a couple of stools at the other end, strategically positioned with a clear view of the door—just in case.

The barkeep came over and asked what we’d like. Anne ordered a Chardonnay, and I went for the only beer on the list that didn’t have “lite” tacked on it. When it arrived, Anne’s wine was served in a Welch’s grape-jelly glass. She was just about to object when I quickly clamped my hand over her mouth, sparing us both a lecture about proper stemware. My beer followed in—what else?—a frosty mason jar. High-class all the way.

We ordered a burger to split, piled high with jalapeños and enough sauce to make it slide apart at first bite. And fries. Lots of fries. Out there in the dirt, even a roadside burger tastes gourmet. We devoured it like we hadn’t eaten in days, which was a slight exaggeration but not by much. Naturally, I ended up with all of Anne’s peppers, so my half of the burger packed more punch.

When the barkeep returned to ask about dessert, I opened my mouth to remind Anne of the fresh-baked goodies at home. But before I could say anything, she politely declined, asked for the check, and whipped out her credit card to settle up. You could practically hear a record scratch. All along the bar, cowboy hats tilted slightly as they saw Anne paying. I was too busy mentally rehearsing my next line to notice the collective eyebrow lift.

As the bartender returned the card, I leaned over, channeling my manliest voice. “Are you ready to go…cupcake?”

The reaction was immediate. At the far end of the bar, the cowboys snapped their heads around so fast their hats created a breeze. Silence followed, then synchronized laughter erupted like a perfectly timed punchline. The catcalls started as we slinked toward the door, Anne’s tiara slightly askew. The long, quiet ride home was all the sweeter for the fresh-baked dessert waiting for us—though the real treat might have been the memory of that moment.

Final Thoughts

Thanks for coming along on our journey to Palmerita Ranch! We’d love to hear your thoughts—whether it’s about the ranch’s history, your own funny bar story, or anything else you’d like to share. Your comments always make these adventures more fun and meaningful.

If you’d like to see larger versions of the images from this trip, please stop by the New Work section of our website. They’ll be there for the next three months until fresh troops take their place. And don’t forget to join us next month as we set off on another dusty trail, chasing adventure, stories, and, of course, more unforgettable moments.

Until then, may your roads be smooth, your tires chunky, and your humor as dry as the Santa Maria River.
jw

Hot Springs, Dusty Trails, and Desert Tales: The Story of Agua Caliente Pictures of the Month - Agua Caliente, Arizona

1940s vintage gas station in Agua Caliente, now operating as an ice cream shop under a clear blue sky. — Historic Stop: Old Gas Station Turned Ice Cream Store – Perched near the edge of a dormant shield volcano’s western plain, this charming 1940s gas station is a window into Agua Caliente’s storied past. Once serving travelers as a vital fueling point, the “Sentinel Station” now delights visitors with sweet treats as an ice cream shop. Though replaced by a modern Chevron station nearby, its enduring presence marks the starting point for our journey to the historic resort town of Agua Caliente.

If you thought Arizona’s summer heat this year was terrible, you should have been here a couple of epochs ago. In the Miocene epoch, around 20 million years ago, molten lava wasn’t just rolling—it was stampeding across this landscape like spilled coffee on a countertop, much hotter and far less forgiving. Why? Because this corner of the Earth sat atop one of the most geologically active regions on the planet. Tectonic plates jitterbugged and collided, cracking the Earth’s crust like a fragile eggshell. Faults yawned open, releasing fiery rivers of lava, and the Earth wasn’t just warm—it was downright boiling.

Arizona’s Volcanic Past

Volcanoes were breaking out all over Arizona like pimples on a teenager’s face—a geological puberty that stretched for millions of years. It all started in the Miocene Epoch, about 20 million years ago, when the Earth’s crust stretched like an old pair of jeans across the Basin and Range Province. Magma bubbled through the cracks, spilling to form shield volcanoes and sprawling lava fields. One of the grandest results was the White Mountains, whose towering peaks and vast basalt flows gave the landscape a bold, volcanic makeover.

Arizona’s volcanic party got going by the Pleistocene Epoch around 2.8 million years ago. In the San Francisco Volcanic Field, stratovolcanoes like Humphreys Peak erupted with flair, spewing ash and lava while smaller cinder cones popped up like freckles across the northern plains. Bill Williams Mountain joined the festivities later, its viscous dome adding another dramatic feature to the state’s volcanic portfolio.

The evidence of all this geological chaos is still visible today. Any hill, mountain, or plain covered in black basalt is a telltale sign of volcanic activity. You can spot these dark, rocky remnants from your car as you cruise Arizona’s desert highways, head toward California, or explore the state’s backroads. These basaltic leftovers aren’t just eye-catching—like a giant road map to the state’s fiery past.

All this volcanic activity didn’t just leave behind rugged peaks and lava fields; it also created geothermal hotspots. When groundwater seeps deep into the Earth, it brushes against rocks still warm from ancient magma chambers and rises to the surface as hot springs. While Arizona isn’t as famous for these thermal features as neighboring Nevada, it still boasts a few noteworthy examples. Tonopah and Castle Hot Springs offer glimpses of this natural phenomenon. Still, one of the most intriguing is the spring at Agua Caliente—a warm oasis that once lured travelers seeking rest and rejuvenation in the heart of the desert.

Indigenous and Early History

Long before stagecoaches rattled across Arizona’s rugged terrain or settlers carved dusty trails, the hot springs at Agua Caliente were a haven for Indigenous peoples. Tribes such as the Hohokam and later the Tohono O’odham and Apache revered the springs as sacred ground. Their mineral-rich waters weren’t just warm—they were believed to heal both body and spirit, offering relief from ailments and a deeper connection to the land. The springs were more than just a practical resource for these early inhabitants—they were a spiritual touchstone, humming with the Earth’s energy.

When Spanish explorers ventured into the region in the 16th and 17th centuries, they encountered these springs and called them Agua Caliente—”hot water.” To the Indigenous peoples, however, the springs were simply part of a greater whole called Tonopah, meaning “hot water place.” Though the Spanish expeditions were brief, their naming left a lasting imprint on the area’s history.

By the mid-19th century, Agua Caliente was at the crossroads of history as westward expansion swept through the region. The Butterfield Overland Mail stage line, operating from 1858 to 1861, threaded its way across the Arizona desert, linking the eastern United States with the golden promises of California. While Agua Caliente may not have been an official stop, its reputation as a reliable water source made it a lifeline for travelers braving the relentless sun and parched soil. To a stagecoach driver, spotting those steaming springs must have been like finding an oasis in a sea of dust.

Later, the Oatman Route brought settlers, traders, and wagons rolling through the area, further cementing Agua Caliente’s importance. Named after the harrowing story of the Oatman family’s capture by the Yavapai, the trail became a crucial passage for pioneers navigating Arizona’s unforgiving wilderness. Even the Yavapai and Apache, who knew this land better than anyone, often stopped at the springs during their movements. Agua Caliente stood where cultures intersected—a desert crossroads where survival trumped divisions.

Before the railroads ironed their way through Arizona’s vast deserts, Agua Caliente was a beacon for anyone bold enough to journey through southern Arizona. From Indigenous healers seeking spiritual renewal to stagecoach passengers desperate for a drink, its waters sustained weary travelers across centuries. Every ripple in its springs carried a story, each as rich as the minerals bubbling up from the depths.

Basalt-covered mountain peak in Agua Caliente, likely formed by volcanic fissure eruptions, with the moon rising above. — Volcanic Legacy: The Basalt-Covered Mountains of Agua Caliente – This rugged peak in the Agua Caliente mountain cluster offers a glimpse into the region’s volcanic past. Likely formed by a fissure eruption, the hill is cloaked in black basalt, and the cooled remains of the ancient lava flow. These mountains once served as the underground furnace that heated the famous hot springs, drawing settlers and visitors to the area. With the moon overhead, this image highlights the geological forces that shaped the desert landscape.

Agua Caliente’s Heyday

By the late 19th and early 20th centuries, Agua Caliente had transformed from a dusty desert waypoint into a sought-after retreat. The adobe guest quarters, built in the 1870s and expanded over the following decades, were simple yet inviting, nestled among the desert plains. Their charm matched the bubbling pools of mineral-rich water, which promised relief from aching joints to mysterious ailments doctors couldn’t quite name. Agua Caliente was Arizona’s answer to high society’s spas for a taste of rustic charm with the allure of healing waters.

The Southern Pacific Railroad played a crucial role in the resort’s rise, mainly after Arizona achieved statehood in 1912. Railcars carried passengers from the soot-stained cities of the East, eager to trade Wall Street stress for desert serenity. Lured by tales of magical waters, visitors—many dismissive of Indigenous traditions—were quick to embrace the springs’ purported healing powers. After all, if hot water could fix a stiff back, gout, or “nerves,” it was worth a shot.

Agua Caliente thrived in a world that was rapidly modernizing. As Arizona became the nation’s youngest state, the resort became a beacon for weary travelers and health seekers. The adobe lodges buzzed with activity. Guests soaked in the steaming pools daily, claiming the mineral waters melted away ailments and sour moods. By evening, laughter spilled from the adobe walls as card games and tall tales of desert adventures echoed into the night. It was a perfect mix of elegance and frontier spirit—where boots met parasols, and everyone left with a story.

Agua Caliente Pioneer Cemetery with American flags flying over graves on Veterans Day, restored with white crosses for unidentified graves. — Flags of Honor: Agua Caliente Pioneer Cemetery on Veterans Day – As you approach Agua Caliente, the Pioneer Cemetery comes into view, a poignant reminder of the lives that once thrived here. Visiting on Veterans Day, I found flags proudly waving over the graves of veterans, paying tribute to their service. Once neglected, with missing headstones and anonymous graves, this cemetery has been given new dignity by an anonymous caretaker who placed white crosses on each grave, ensuring no one rests unremembered in the desert sun.

Agricultural Development and Water Table Decline

As the 20th century progressed, the once-thriving oasis of Agua Caliente began to wither—fade from neglect but from the insatiable demands of agriculture. For much of the early 1900s, Arizona’s deserts were seen as vast, useless expanses. But farmers soon discovered a transformative truth: add water, and the barren soil could burst into life. With the promise of productivity on the horizon, the surrounding plains transformed into a patchwork of cotton fields and other thirsty crops stretching to the horizon. Wells were drilled, pumps roared, and groundwater flowed like there was no tomorrow—all to sustain an agricultural empire that would help feed the growing demands of a nation.

The boom wasn’t just about local ambition. As the country mobilized for two World Wars, cotton and other desert crops became vital resources for military use, from clothing to tents and more. The fields didn’t just symbolize progress—they represented patriotism and the belief that even the desert could serve a higher purpose. But with this progress came a cost.

Farmers likely dismissed the first murmurs of trouble. After all, how could a few wells harm a spring bubbling faithfully for centuries? To them, the water table was like the change jar on the kitchen counter—always there when you needed it. But the Earth, it turned out, had a different balance sheet. As the water table sank lower and lower, the hot springs that had sustained Agua Caliente faltered. Once-vibrant pools turned to muddy trickles, and the resort’s lifeblood evaporated into the desert air.

The decline of the springs was more than just a geological shift—it marked the end of an era. Without the water, the allure of Agua Caliente faded, leaving the adobe walls to stand as silent witnesses to what was lost. The same farmers who benefited from the booming fields likely drove past the resort ruins, perhaps scratching their heads and wondering what went wrong. Few, if any, ever connected the dots between their pumps and the death of the springs, a quiet casualty of human ambition.

Plaster-covered adobe buildings in Agua Caliente, the former reception and guest quarters of a hot springs resort, with basalt ruins nearby. — Resort Ruins: Adobe Structures of Agua Caliente – Standing as silent witnesses to the past, these adobe buildings once served as the Agua Caliente Resort’s reception area and guest quarters. Their plaster-covered walls hint at a time when visitors came to enjoy the region’s therapeutic hot springs. Behind these two main structures lies a cluster of unmarked buildings, their purpose lost to time. North of the complex, basalt stone ruins crumbles in isolation, with decay more pronounced the farther they sit from the heart of the resort. These remnants evoke a haunting beauty, narrating the gradual fading of a once-thriving retreat.

Decay and Urgency to Visit

Once a bustling oasis, the Agua Caliente resort now teeters on the edge of oblivion. The adobe structures, including the reception area and guest quarters, slowly succumb to time, their plaster peeling like sunburnt skin and walls crumbling into dusty heaps. Surrounding buildings, some made from rugged black basalt, are in various states of disrepair—especially those farther from the leading club central, where collapse seems not just likely but inevitable.

Ownership of the site remains a mystery, shrouded as much in obscurity as the ruins themselves. Nearby, a covered structure housing hay and equipment hints at a private owner, though specifics are hard to come by. What is clear, however, is the lack of preservation efforts. With no markers, informational signs, or protective measures, Agua Caliente’s historical significance seems to hang by a thread, leaving the remaining structures at the mercy of the relentless desert sun.

For those intrigued by its haunting beauty, visiting Agua Caliente sooner rather than later is not just a suggestion—it’s a ticking clock. The adobe walls and basalt stones are steadily losing their battle against gravity and heat, while the surrounding grounds are a minefield of rusted roof timbers, ancient nails, and the odd relic of its former life. Add to that the possibility of encountering a rattlesnake seeking shade during summer, and it becomes clear: caution is your best companion.

But tread lightly, both literally and figuratively. These ruins are more than just crumbling buildings; they are fragile echoes of Arizona’s past. The desert reclaims a little more sand each year, and time erases what remains. If you’re tempted to take a souvenir or leave your marks, resist the urge. Respecting the past means preserving it for others to experience its quiet, crumbling beauty—just as you have.

Agua Caliente is a place where history whispers, not shouts. Visit while you still can. Move carefully, look closely, and honor the stories etched into the adobe and basalt. They won’t linger forever.

Final Thoughts

Thank you for joining me on this journey through time to the once-thriving resort of Agua Caliente. From its fiery volcanic beginnings to its heyday as a desert retreat and, finally, to its quiet decline, this place stands as a testament to the resilience of nature and history. It’s a story of survival, ambition, and the delicate balance between progress and preservation. I hope you’ve enjoyed exploring its layers as much as I’ve enjoyed sharing them.

Be sure to visit the gallery on my website for larger photos of the ruins and the surrounding desert landscape. These images, featured in the New Work portfolio for the next three months, capture this unforgettable place’s haunting beauty, quiet mystery, and inevitable decay—and they might inspire your own adventures.

Next month, we’ll hit the road again to uncover another abandoned spot steeped in history and intrigue. Where will the road take us? That’s a story for another time—you must stay tuned to find out!

Until then, keep exploring, respect the places you visit, and remember to bring water—especially if your journey takes you to Agua Caliente.

Vintage Red Crown Gas Pumps: Oatman’s Route 66 Treasures Pictrure of the Week - Oatman, Arizona

Vintage Red Crown gas pumps in Oatman, Arizona, along the famed Route 66, evoking the golden era of American road travel. — Time-Standing Still: Vintage Gas Pumps of Oatman – Step back in time with these meticulously preserved ‘Red Crown’ gasoline pumps, a vibrant reminder of Route 66’s golden era, now standing proudly outside Oatman’s antique store — a treasure trove awaiting its next collector.

Let’s talk about a little thing called ROI, or return on investment. In layperson’s terms, it’s like this: if your piggy bank’s diet consists more of withdrawals than deposits, it’s time to put that cash-chewing pastime on a strict no-spend regimen. It’s a handy rule of thumb for deciding whether that avocado toast obsession is a splurge too far and for the bigwigs running the corporate circus. They don’t just steer the company ship; they’re the jugglers, tightrope walkers, and lion tamers tasked with keeping the ROI roaring so the shareholders don’t start looking for a tamer’s head to put in the lion’s mouth.

In the harsh and unforgiving world of mining towns like Oatman, hitting the ROI redline means ‘game over’ for the local economy. The investors pack up their checkbooks, the mines shutter faster than a camera at a ghost sighting, and the workers scatter like tumbleweeds in a dust storm. The town’s pulse slows, and those left behind are like the band on the Titanic—playing on bravely, knowing the finale is nigh.

The tale of Oatman follows a script as predictable as the instructions on a shampoo bottle—minus the rejuvenating wash. It’s a cycle as old as time: boom, bust, and echo. The brightest stars eventually fizzle out, and Oatman’s star, once a beacon of the Gold Rush, was no exception. And just like a one-two punch in a heavyweight bout, Oatman’s knockout came swiftly. First, the mines dried up, and then Route 66 got a face-lift that sidestepped the town altogether. Modern progress, they said, but for Oatman, it was more like a step into obscurity.

The new road followed the railroad’s less adventurous path, leaving Oatman off the beaten path and out of the family vacation route. From the Clampetts to the Griswolds, no one was clamoring to visit an old shanty town at that time—and the Department of Transportation—forgot. Oatman became the town overlooking Mohave Valley with a ‘Do Not Disturb’ sign hung on its door.

As the rest of the world hurtled forward into the mid-20th century, Oatman seemed to hit the pause button. The once frenetic streets, echoing with the din of prosperity, fell silent, leaving only the whispering desert winds to tell their tales. For the few who chose to stay, life became a study of survival and simplicity. Oatman’s dwindling population, a patchwork of tenacious old-timers and resourceful souls, found a way to eke out a living from the sparse offerings of a town that had given its all to the golden days of yore.

The rustic sign of Judy's Saloon and Pool Hall under a wall-mounted American flag on the historic Main Street of Oatman, Arizona. — Judy’s Saloon: Echoes of Oatman’s Vibrant Past – Under Oatman’s azure skies, the worn sign of Judy’s Saloon points the way, juxtaposed with a rustic American flag, to a place where the spirit of the West is not just remembered but still lives on.

The rhythm of life here was no longer dictated by the pulsing promise of gold but by the sun’s arc across the sky. The remaining residents turned to the land, coaxing modest gardens from the arid soil, trading with neighbors, and gathering at Judy’s Saloon for some, reliving the glory days in stories told and retold like cherished family heirlooms. They adapted, repurposing old mining tools for mundane tasks and transforming abandoned structures into homes and makeshift businesses that catered to the occasional traveler, lost or adventurous enough to stray from the new Route 66.

In this era, Oatman’s heartbeat was a subtle one, felt rather than heard, in the stoic persistence of its people and the silent dignity of its weathered buildings. The community’s fabric was tightly knit, each person a thread bound to the other by shared history and collective tenacity. Life in Oatman wasn’t about thriving; it was about enduring, about preserving the essence of a town too proud to fade away.

The gasoline pumps featured in this week’s picture tell a story that’s as much about progress as it is about preservation. Red Crown gas, a blend marketed by Standard Oil (now Chevron), was the fuel of choice during the era these pumps would have served. Picture this: classic cars now wear the badge of ‘vintage’ had a dial for drivers to adjust the timing advance. A tank full of high-octane Red Crown meant more zip without the dreaded engine knock. Nowadays, that’s a job delegated to the computers in our cars.

But take a closer look at these gravity-feed pumps. Their pristine condition raises a question—have they stood the test of time, or are they beautifully restored pieces of history? It’s a bit of a mystery, much like the stories they hold. And for my eagle-eyed followers, yes, you’ve already noticed the white roof of the Diner Car peeking out on the left.

I hope you enjoyed this stroll down the quieter lanes of Oatman’s history, but don’t pack away your walking shoes just yet. Next week, we’re dusting off the fairy tale books for Oatman’s own Cinderella story—a happy ending sure to sparkle. If your curiosity about those Red Crown pumps is ticking like a Geiger counter in a gold mine, here’s your treasure map: l~~inks to my web page < Jim’s Site> and the Fine Art America page <FAA Link>.~~ And hey, if you find yourself meandering through Oatman in the next few months, pop into that antique store and snoop around for the price tag on those pumps. Don’t forget to spill the beans in the comments below—I think they’d make a lovely gate for the end of my driveway.

Till our next adventure, keep your spirits high and your humor dry.
jw

Techniques: Mastering the Art of Symmetrical Composition

This week’s photo ventures into symmetrical composition, a method that, admittedly, I usually give a wide berth. Symmetry in photography is all about balance, akin to placing two candles at either end of a mantle for that classic, mirror-image elegance. But who says rules can’t be bent for a bit of creative flair?

Regarding the Red Crown gas pumps, symmetry was the starting point, not the destination. I aimed to capture both pumps in a single frame, spaced evenly from the frame’s edges to create a sense of balance. However, I opted for a slight twist rather than a straight-on, textbook symmetric shot. By shifting my position to the right, the pumps became natural frames for the ‘Antiques’ sign in the background, adding layers and depth to the image. It’s like setting those candles at different heights on the mantle; it catches the eye, creates tension, and makes you look twice.

The result? A photo that adheres to symmetry principles while stepping out of the conventional bounds, making for a more intriguing and dynamic composition. Sometimes, bending the rules just a little can lead to a more compelling story being told through the lens. What’s your take on it? Traditional symmetry or a dash of asymmetrical intrigue?