Oh my, it’s another Sunday already. It’s the last Sunday of our Harquahala trip, of the month, the year, and the decade. I should have thought of something profound to memorialize this moment. Alas, I’ve been too busy staring at all of these trees to notice a passing forest. I’ll try to do better ten years from now.
For this week’s episode, we’ve turned the corner, literally. Anne and I had been traveling southwest on the Eagle Eye Road, and to continue, we turned right on the Salome Highway, which runs northwest from Buckeye to Salome. At one time, the highway was a detour while they built Interstate 10. Now, both roads are free of traffic. As when we made stops along the way, I pulled off on the broad shoulders, but I didn’t need to. There was no traffic to block, so I could’ve parked in the middle of the road.
As we drove toward Salome (“Where she danced” Dick Wick Hall; one of Arizona’s famous humorist and former Salome resident), the day grew late. The long shadows on the mountain began to look like a minimalist graphic in the style of an Ivan Earl painting, or a Scotty Mitchell pastel. So, I searched for a spot where I could take a picture of the mountain behind a sea of creosote. I found such a place near a large ranch. So I got a chance to shoot this image with and without buildings in the distance. I preferred this version, and I called it Harquahala Sunset.
The part about “without buildings” is a lie. As I processed this picture, I combed through it, looking for dust spots—a regular part of my routine. That’s when I discovered the ruins of the 1930s solar observatory. At the top of the highest center peak is a white tower and utility building. They’re abandoned now, but a few miles behind us, there’s a ten-mile road that goes to the mountain’s top. It’s a challenge that is too much for Archie, but I’d like to take that trip someday.
You can see a larger version of Harquahala Sunset on its Web Page by clicking here. I hope you enjoy viewing it. Next week, we’ll be talking about a new back-road trip somewhere in Arizona.
Picking a new back road to explore, photograph, and talk about is easy for some months. I may have seen a place that piqued my curiosity, and I’m ready to go. Other months are hard. I’ll pour over my maps, hoping to find inspiration. This month was different. When Queen Anne told me that she wanted to visit an ex in Florence (1), I knew right away which trail we’d be talking about in November. Of course, we’d pick the Florence-Kelvin Highway.
The highway between Florence and Kelvin is a 34-mile shortcut between the towns. Although it’s 13 miles shorter, driving around the Tortilla Mountains and through Superior using the paved highways is faster. I’ve partially traveled this road before when I photographed the Cochran site—the ghost town where only the coke ovens remain. They paved sixteen miles of the highway between Florence and the Cochran Road. It’s a long gentle grade rising 1500 feet. Then it winds through the Tortilla Mountains, past a couple of ranches, before descending into Kelvin—a small community along the north bank of the Gila River. Although there may be some wash boarding between gradings, the dirt is broad and doesn’t require a particular vehicle.
On this trip, Anne and I drove east to west, so we’d be somewhat closer to home. From Congress, we drove two and one-half hours to Superior, and most of that time was spent getting to the other side of Phoenix. In Superior, we turned south on County Road 177 to Kelvin—a community so small it doesn’t even have a Dollar Store. Something that Kelvin does have is the Ray open-pit copper mine currently managed by the Mexican mining company, Asarco. And it’s where I photographed this week’s featured image that I call Ray Tailings.
This operation is so massive that you see it on the east side of the highway for a couple of miles. The central pit—Jimmie Luck Gulch—looks like it could be used to mold giant Devo hats (“Whip it good“). In the middle of the Dripping Spring Range, the mineworkers have dug a negative mountain with terraces that the behemoth trucks use to haul ore to the surface. Digging that much dirt out of the ground to remove the copper, you have to stack the sterile waste somewhere, and that’s what I photographed for this week’s issue. It’s the mountain stacked up—inside out. The minerals found beneath the surface colors each layer. To me, the 500-foot pile looks like a gay-pride wedding cake.
It’s an impressive bit of technology to see, but it also causes environmental problems. Because the rocks and dirt are devoid of nutrients, unless scientists intervene, it will take centuries for plants to colonize the tailings. So that makes them susceptible to accelerated erosion. With each heavy rain, bit by bit, the pile makes its way into the Gila River and eventually the Sea of Cortez. That’s not good for the downstream people who rely on the river for clean water (Arizona Copper Co. vs. Gillespie).
You can see a larger version of Ray Tailings on its Web Page by clicking here. I hope you enjoy viewing it. Next week, we’ll continue along the Florence-Kelvin Highway, and I’ll show some of the natural beauty we found there.
Until next time — jw
(1). For those of you that live in another state, or don’t get the joke, Florence is the location of Arizona’s State Prison. She doesn’t really know anyone incarcerated there, but that’s not as funny.
Lake Como – A little alpine lake from California Pass in Colorado’s San Juan Mountains.
Something is intoxicating about standing on a mountaintop. You get a sense of accomplishment—an incredible buzz—while taking in the view. As you spot familiar landmarks, the map you carry around in your mind gets updated. I can understand the addition mountain climbers have to the highest peaks. I’m just too lazy to be one of them, and you won’t catch me on the climbing wall at the local gym—or inside the gym in the first place. Spending a day with Fred driving his FJ up-high passes in the San Juan Mountains was good enough for me.
When we decided not to spend all day driving Colorado’s Alpine Loop but drove up two of its passes, we wanted another challenge. The first ascent was scary, while the second was not so much. I felt like a kid on a swing urging his parents to push harder. “Again,” I shouted. So, we stood on Engineer Pass with the map spread over the hood, looking for another route back to Silverton. After all, we didn’t want to go back down the way we came. That was along the Animas River and was flat and dull. We agreed on a route that would take us over two more passes before dropping back to Silverton via Cement Creek, and that meant that we’d have first to drive back down to Animas Forks.
From the ghost town, we headed west up California Gulch. Going in this direction, the road ran straight ahead for several miles and appeared to end midway up California Mountain. Several times, I’ve traveled roads without a clue what’s ahead. For example, Interstate 15 is heading north out of Mesquite, Nevada. As it leads for the Beaver Mountains, you can’t pick out where the freeway climbs over them. I always involuntarily back out of the gas in case the road suddenly ends—like against the mountainside. At the very last moment, the Virgin River Gorge opens and swallows the highway. I was getting that feeling now.
It wasn’t until the perceived end of the road that it turned on itself and climbed behind a side ridge that hid the route from below, and as we drove around the bend, the trail went vertical. I questioned our decision to go this way because this was undoubtedly the beginning of the roller coaster from hell. Fred managed to keep all four wheels on the ground while his truck grunted its way up the grade. When we reached the top, as with the other passes, there was a spot to park and look around. When I got out, I decided a box of Depends would be a handy accouterment on these trips.
But the view! The light was coming in, and there were great shots back at California Gulch, and in front was this pretty little alpine lake—Lake Como—on the other side. I have seen pictures of places like these in magazines, but I’ve never been to one. It was breathtaking—well, 13,000 feet is stunning enough, but you know what I mean. I snapped several variations of this photo, and we eventually drove down to the lake where Fred tried to park over an open mine shaft, but that’s another story. This week’s featured image is the version I liked best because of its composition and color details. I call it Lake Como. I hope you like it.
Don’t let your eyes miss out—feast them on an even grander version of Lake Como right here (Jim’s Page)! Buckle up because we’re diving back into Colorado’s enigmatic San Juan Mountains aboard Fred’s Toyota next week. Trust me, you won’t want to miss this!
With this posting, we’ve completed this month’s photo excursion of Castle Hot Springs Road. The detour north of State Route 74 started with almost prairie-like flat desert adjacent to the Wickenburg range. Then the road ascended into the Buckhorn Range with a magnificent view of the Bradshaw’s. Next, our back road dropped down to Castle Creek through the Hieroglyphic Mountains past the hot springs resort. Finally, we returned to asphalt at Lake Pleasant where we saw vast groves of saguaros growing on the mountain slopes (I put that in my mental filing cabinet for a future outing).
There was one scene along the way that wasn’t quite ripe enough to shoot when I first drove by it, so I wanted to backtrack and see if it improved with the warm afternoon sun. It did, and it is this week’s featured image which I call Mine Tailings.
I don’t know if there are an inordinate number of mines in Yavapai County, but it seems like they’re everywhere. A few hearty souls—that either suffer from unrelenting gold fever or have nothing better to do—still work the claims, but most of the mines are abandoned. When the ore runs dry, the prospectors move on in search of the next elusive bonanza. Because there’s no economic incentive to restore the claim, abandoned mines are left unposted and are often dangerous. Just this year, rescuers have pulled a couple of people trapped in mine shafts. It’s a growing Arizona problem.
One of the tells of an old mine is the tailings. As prospectors tunnel into a mountainside, they have to remove the diggings and pile them somewhere. In massive operations, fleets of trucks build hundred-foot-tall dikes, like the one that used to line Highway 60 in Miami, Arizona. But with smaller claims of one or two men, they will fill a wheelbarrow and walk it outside and dump it over the edge, building a tailings dump; the deeper the mine, the bigger the tailings.
The thing that makes the tailings in this week’s photo interesting to me is that they’re red, and the late afternoon sun exaggerates that color. The red against the blue sky vibrates my eyeballs. There’s more that we can learn from the image, like how old it is. The erosion patterns are deep from many seasons of heavy rain, and its fan pattern is reminiscent of what you see in the Painted Desert. In both cases, water easily cut through soft soil. Finally, dirt and rock that comes out of a shaft is well below the topsoil level, so it’s not rich in nutrients. Here, the desert Mesquite has begun to colonize the hillside, so the soil contains some organic material already.
You can see a larger version of Mine Tailings on its Web Page by clicking here. Be sure to come back next week when we set off for another adventure exploring Arizona’s back roads.
It doesn’t much matter which way you travel on Castle Hot Springs Road, either clockwise or the other way, will get you to the historic retreat—the luxury resort for the rich and famous built in 1896. Your choice of travel depends on whether you want to drive through the mountains via Morristown or north from Lake Pleasant via Castle Creek. As a history buff, I prefer the original route, but I also live closer to the old railroad depot, and I’m too lazy to drive that distance to Lake Pleasant.
After I moved to Arizona, I heard stories of the ghost resort from friends, but I didn’t lay eyes on it for thirty years. After the last of my infamous station wagons was totaled while it was parked in the Sun City Boswell Hospital parking lot, we replaced it with my first SUV—Shadowfax. It was an Olds Bravada with ground clearance and four-wheel drive good enough to begin exploring back roads. One of my first outings was to Castle Hot Springs. As a film shooter back then, I didn’t have a perfect shot of the main house, so I didn’t bother taking any pictures.
There’s quite a bit of history that would make good stand-alone stories. Trivia like:
The hot spring found by Ft. Whipple Calvary soldiers tracking bandits.
Frank Murphy—the Congress Mine owner—bought the land, built the buildings, and then paid for the road.
The resort thrived during the first half of the 20th Century catering to the likes of the Roosevelts, Rockefellers, Vanderbilts, Wrigleys, Zane Gray, and Clark Gable (there had to be famous actresses that visited too, but I didn’t discover any of their names).
Murphy’s brother—when he was the territorial governor—turned the resort into Arizona’s Mar-A-Lago because winters were too cold in Prescott. And because Warren Murphy ran the state from here, Arizona’s first telephone was installed in the hall of the main building (I believed it survived the ’76 fire).
The temperature of the hot springs water is 12oº, which is the same as every Phoenix household during summer.
There’s another more interesting story, however. During the Second World War, the resort was dark because of rationing and shortages. After the war ended, Walter Rounsevel—then owner and general manager—leased the property to the US Military as a recovery and rehab facility for injured officers. One of those officers was a young lieutenant whose back was injured after a Japanese destroyer rammed his PT boat. The officer’s name was John F. Kennedy, and he spent several months recovering at Castle Hot Springs soaking in the springs, hiking trails, and golfing.
For its part in helping with the recovery of these servicemen, a special dispensation was given to Castle Hot Springs to fly an American flag 24 hours a day atop Salvation Peak. The flag is visible along the road before and after passing the resort, and I took several shots of it even though the sun was directly behind. My favorite version is this week’s featured image, and I call it, Salvation Peak Flag. Although it looks formidable, Salvation Peak is a smaller outcrop of Governors Peak which is located within the Hells Gate Wilderness area.
You can see a larger version of Salvation Peak Flag on its Web Page by clicking here. Be sure to come back next week when we’ll present our final photo that I made on my Castle Hot Spring Road outing.
Serendipity is a word that means finding something different from the thing you were trying to find. It was so overused back in my flower child days that I don’t like to use it. I wish there were a better term—but there isn’t—that describes what happened to Fred and me this week.
As I wrote in last week’s post, my project for April is to find exciting things to photograph in Nothing—the abandoned gas stop on Highway US 93. It’s a voluntary exercise to help improve my creativity. Nothing is in the middle of nowhere; I’ve been pouring over my maps the past week. I found that on the north side of the gas station, there is a sizeable lava flow. It’s spring, so there is new bright green growth on the desert plants, and that should contrast well against the black rocks. Even better, I found that the flow’s west side covered a wash or creek. Over eons, the water has opened a channel through the hardened magma, and it’s called Black Canyon (I know, there must be hundreds of Black Canyons in Arizona).
After deciding to try to follow the back trails and visit the canyon, I asked Fred if he’d like to sit shotgun. I figured that he could change a flat if needed, and he always carries his cell phone which might be handy. It surprised me when Deb permitted him to go out with me again, but only after I swore up and down that we’d be home by dark.
On Thursday we packed Archie and set out on a new adventure. We got a late start because I wanted the proper light, but the day ended in overcast, so I gave up on beautiful sunset pictures. The topo map that we brought showed a jeep trail, leading to the canyon; then we’d have a half mile hike up a pack trail at the end. As we crept along the so-called road, I knew that I had to stay left at each intersection that lay before us. The last turn put us on a rutted track where we maneuvered between boulders, but at its crest, we saw Black Canyon in the windshield which meant that we were driving along the pack trail. We would have done better with Fred’s ATV.
As we descended to a wash we came upon a couple of sheds, and I thought, “Oh no! We’re reliving the night we spent at Stephen’s house.” You’ll remember him from our first outing where we got trapped inside private property. I got out of the truck and started calling. No one answered, so we walked around both sheds trying to find the owner. We saw the sign in the first photo that raised more questions than had answers. What Fred and I stumbled upon is—as I call it now—George’s Camp.
As we wandered the campsite, I wondered about George. Did he sell his paintings, had I ever seen one? How did he get groceries? What made him become a recluse? Of the artifacts we found, they seemed fresh enough to suggest that George’s passing was recent. If he had any property of value, someone had already taken them. It was apparent from the words on the sign that someone felt sad that George has moved on.
We delayed our canyon hike long enough to look at the art pieces George had left. I tried to imagine the kind of soul that he was, and I got a bit sad that I missed meeting a fellow artist. Of the scattered yard art, the tree ornaments moved me the most, and that’s why I selected it as this week’s featured image. I call it George’s Cup. It already has a picture frame.
You can see a larger version of George’s Cup on its Web Page by clicking here. I hope you enjoy viewing this week’s post and next week; we’ll show another featured image from Nothing. Maybe by then, we’ll make it to Black Canyon.
My generation is probably the last to have a love affair with automobiles. For us, cars defined who we were. They opened the country for us to explore. Now that we’re old, most of our recollections are car-centered, and I’m an example of that. Over my life, I’ve owned a varied stable of vehicles; from ones German engineered to station wagons that the Griswolds from Family Vacationwould reject.
The car that still gives me the most angst was the Camaro that my parents gave as a wedding gift for my first marriage. It was special because it was the racecar version built for the original Trans-Am series. To qualify for the races, manufacturers had to produce at least 1,000 units, and they had to sell them through their dealer networks. Very few Americans knew they existed. I knew, because I read racing magazines, and after I got back from my overseas tour, I hunted one down. Their moniker came from the option package number—Z/28. After the first batch quickly sold out, Chevrolet offered them to the public.
It was British racing green with a pair of broad white stripes on the hood and trunk. Ours didn’t carry the familiar Z/28 badge on its nose; instead, it just had the numbers 302 which was its engine size. Trans-Am limited the displacement to 5 liters, and that meant that it was the smallest V8 that Chevrolet put into Camaros, but those engines were specially built and had more horsepower than the other power plants available. Since it was a high revving motor, you couldn’t get air conditioning or (gasp) power steering. Because I raced mine, I added 10” wide wheels and fat tires which made it near impossible for my wife to drive.
At the collector’s car auctions, 1968 Z/28s sometimes go for over a hundred grand, and because mine was a low chassis number, I believe it could’ve been more valuable if it were in pristine shape. But, I was living in a lot of turmoil and planned to move to Arizona where I would need an air-conditioned car, so I got a thousand dollars on trade for a Vega—possibly the worst purchase I ever made in my life.
It was mustard-yellow with a single black stripe. I wanted the GT version because it came with gauges instead of idiot lights. The dealer didn’t have one with air, so they installed an aftermarket unit, which was like bolting a cinder block to the side of the engine. Because of the weight and engine vibrations, the compressor fell off when the bolts sheered—twice. All of the gauges worked except for the water temperature, which I noted to the dealer while it was under warranty. They said they’d order one, but I don’t think that they ever did, and wound up rebuilding the engine after it seized from overheating.
My horrible decision meant that I gave away the impractical car that I loved, to buy the practical car that I hated, and that includes all the awful station wagons we’ve owned. Its gas mileage wasn’t any better than my hot rod, and with a nine-gallon tank, our gas stops doubled. The engine vibrations were so bad that I carried a screwdriver and wrench because, at each fill-up, I had to re-tighten the carburetor screws. The only fond memory I have of that car was besting the local legend—Don Roberts—at a Big Surf event. He drove a different Vega—a station wagon. That was a nice feather to have in my cap.
My second wife and I went to Las Vegas, Bullhead City, or one of those destinations involving Highway US 93. We packed the Vega—it never deserved a name—and headed north for the weekend. We planned gas stops in Wickenburg, Kingman, and Vegas—or wherever. However, because of the Vega’s limited range, we had to stop again after climbing the grade after the Santa Maria River—at Nothing, Arizona. I had to pay a buck-and-a-half for gas, which was highway robbery at the time. That makes me the only person in the world to have bought gas in this month’s featured destination—Nothing—population: 4.
The abandoned store in Nothing is at the top of the pass between the Poachie and Aquarius Mountain Ranges. Its elevation is 3700-feet, and the terrain is part of the granite boulder field that stretches from Prescott to Kingman. The store, as they tell it was, ”built by four drinking friends having nothing better to do.” It was open only a couple of years before being abandoned. I don’t remember this, but according to Wikipedia, in 2016, Century 21 ran a promotion for father’s day with the promotion line, “Give Dad Nothing for Father’s Day.” They sold 24-hour deeds to property in Nothing. The current property owner was in on the joke and buyers could download a gift card and a “Certificate of Nothing” valid on June 19, 2016, only.
So for April, I will be trying to make something from Nothing—pun intended—like this week’s featured image—Large Boulder. There’s some pretty country in the pass between the Santa Maria River and Burro Creek. My job is to find enough to produce four images for April. Do you think I’m up to it?
You can see a larger version of Large Boulder on its Web Page by clicking here. I hope you enjoy viewing this week’s post and next week; we’ll show another featured image from Nothing.
Until next time — jw
P.S. You should see my grammar checker going nuts over Nothing.
P.P.S. Speaking of old Chevys—this week I sat through a show that Queen Anne likes. I think its called The Kids Are Alright. It’s about a Catholic family with a gaggle of boys. They’re struggling to make ends meet, so they drive an old station wagon—a ’66 Chevelle. As I watched, I had to pause the show and show Her Majesty the station wagon’s nose badge. It indicated that the car had a 396 motor, but it wasn’t an SS model. Very rare and valuable.