Herberger Theater Exhibition New Art Show Announcement

The Herberger Theater art curators have selected one of my photographs to be part of a show this month. It’s not an art show as such as it will be on display inside the theater and the only way you can view it is to buy a theater ticket. But what the heck, something of mine is hanging on a wall somewhere.

Sunset Thunderhead
As the sun began to drop below the horizon, this beautiful thunderhead moved southward over the Weaver Range.

The theme of this exhibit is Sunrise/Sunset. The pieces submitted are depictions of events or scenes taken at those times when the light is golden. They accepted my image called Thunderhead Sunset. This is the third time this picture has been selected for a show,  so it seems to be popular.

The exhibit will run until the end of October and will be in Bob’s Spot Gallery—I believe that’s the bar area. If you happen to be going to the Herberger, stop by and check it out. Wait, maybe I should rephrase that. You should buy a ticket to a play at the Herberger before the end of October so you can see my artwork. There, how was that?

Until next time — jw

Capitol Butte Picture of the Week

Sedona is the most romantic town in Arizona. Don’t believe me? Just watch the Social Sound Off question on the evening news. Each evening, they ask a trivia question about Arizona. The news people get lists from internet sites or magazines about the most popular places for something or another. If the question is about tourism or travel, the answer is either the Grand Canyon or Sedona. The romance question was a recent topic and—you guessed it—Sedona was the answer. For more evidence linking the Red Rock Country to lovers, try booking a hotel room in Sedona for Valentine’s Day. The closest room you’re likely to find is in Eloy.

Capitol Butte
Capitol Butte – a tribe of millionaire-Bedouins have camped in their shabby-chic tents for the night among the red rocks of Sedona.

It’s been over a decade since I last visited Sedona and all of the changes shocked me. Gone is the quiet dusty little creek-side town nestled in Oak Creek Canyon. Back then, there were the usual galleries, jewelry, and souvenir stores in the village, but now it looks like Scottsdale or Newport Beach. The single traffic light has been replaced with dozens of traffic circles. With its limited space and water supply, Sedona has always been the place we loved to death and surely it’s now ready for hospice care.

As a photographer, I’ve been frustrated when shooting there. When you’re trying to get a shot that tells the town’s story, you’re thinking about red rocks, Oak Creek, and the old sycamore trees. You can get that shot at Red Rock Crossing State Park and virtually every photographer has it in his or her portfolio. On this visit, I wanted something different to photograph, so I did a bit of exploring. I hiked a short trail in Boynton Canyon and I ended my day on top of Airport Mesa.

I hung around after sunset until the crowd left—there’s a dedicated parking lot for this viewpoint and people pay three-bucks a car, who knew? I wanted the town dark but have Capitol Butte lit with the soft residual light in the western sky, so I waited until the town lights began to come on.

I believe that I got a different interpretation of this familiar view. I called this image Capitol Butte after the red-rock feature towering over the village. It shows how packed the dwellings are between the rock formations that draw so many people from around the world. I like the contrast of the orderly north-south-east-west streets within a so-called nature setting. When I look at this image, I see a tribe of millionaire-Bedouins camped for the night around the waterhole.

You can see a larger version of Capitol Butte on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we’ll show more from Sedona.

Until next time — jw

The Big Clean Living With Royalty

When we returned from our Utah vacation, we unpacked and found a guest living in our house—a stealthy guest. We never saw him and only concluded that he was there because of his rude eating habits. Whenever he decided to have a snack, he chewed holes in food bags. He chewed through a bag of raisins, our pancake mix, and the last straw was a lemon Larabar that Queen Anne had brought home from the store the day before. We guessed that we had a rodent in our house and he had to go.

Monday morning we took action. Our first step was to tear apart the pantry to find and seal off all the exits. Anne emptied the shelves and I moved the freezer away from the wall. We got a flashlight and examined the back of the cabinets but never found the black half-circle hole cartoons lead you to expect. Instead, we found droppings—especially behind and in the freezer’s mechanics.

I made a bucket of detergent and bleach in hot water and began cleaning. The area behind the freezer came first and when that was done, I shoved the heavy white box back in its cubby, so I could start on the rest of the pantry floor. Before I started, I had to move all the crap that was in my way. That included the recycle bin, the can bin, the paper bin, a step stool, and two gallon-sized paint cans in plastic bags. Her Majesty had just finished painting the kitchen and hall and stored the leftover paint in the pantry for when she needed it for touch-ups. I grabbed the two bags of paint cans and moved them into the kitchen.

“Be careful carrying those cans like that,” she admonished.

As if it was the period to her sentence, one of the bags broke and the half-full can of paint slammed to the floor. It didn’t fall over, but—in a way that only a thick liquid can do when it rapidly accelerates then immediately stops—the can’s contents popped the lid and with a big gaaalooop the sand colored paint recoiled out of the can reaching the top of the white upper cabinet door. I saw the wave go past my nose and immediately remembered that I was wearing a brand new tee-shirt. I looked down, but it wasn’t covered with paint splatter, but the white cabinet, the black granite counter top, the stainless steel range, and the oak flooring were. I’m still amazed that so much of it got everywhere, but not one drop of paint landed on the wall of that color.

You know those moments when you know you’re going to die or be seriously injured? I didn’t have anything to say for myself because I already knew that I had just cocked a loaded gun and it was pointed at my head, so I did what any sensible man would do. I turned to her and with the most sincere voice that I could muster, just asked, “Why?”

It took another hour to clean up. It was lucky that I had a bucket of wash-water at hand. By keeping everything wet, we were able to keep the paint from setting. After getting it all up, I made a rinse bucket of vinegar and warm water and that cleared the remaining haze. The moral of this lesson is that you should listen to your wife … before she tells you what to do.

What about Mickey? Well … let’s just say that he’s moved on to that great magic kingdom in the sky. It serves him right—the little bastard started this.

Until next time—jw

Kodachrome Pipe Picture of the Week

When exploring Utah’s State Route 12, you really must take time for a side trip to Utah’s Kodachrome Basin State Park—20 miles east of the Bryce Canyon entrance road. Kodachrome Road runs among the cattle pastures from Cannonville to where the pavement ends and the park entrance. There is a small entry fee which you pay at the visitor’s center. If you’re camping, the park’s sites are coveted and the restrooms have flush toilets, hot and cold water, and they’re heated in winter.

Kodachrome Pipe
Kodachrome Pipe – Sand pipes are unique to Kodachrome Basin State Park and there are over sixty of them to photograph. All you have to do is find them all.

I’ve written about Kodachrome Basin in my newsletters before because it’s a favorite destination of ours. Located on the valley floor below Bryce Canyon, the elevation is three-thousand feet lower, so in winter it doesn’t have a bitter cold you’ll find back up on the hill. But it also means that summers are warmer and the temperature can crack the century mark.

Surrounding the park are tri-colored cliffs—red, white, and gray—the same colors that make up the middle three stairs of the Escalante Grand Staircase. Unique to Kodachrome Basin is its sand pipes. It’s thought that millions of years ago, this area was like Yellowstone with geysers and hot springs and as the basin sank into a shallow sea it was covered with layers of sand. The geyser’s immense pressure forced fractures in the hardening sandstone and drilled vents. Then, as the plateau rose, rivers cut into the soft sandstone leaving the hard stone pipes behind. There are over sixty pipes in the park for you to find and photograph (hmm, sounds like a book idea). The one in this month’s featured image is on a shelf overlooking the campground like a trophy on display.

Our Kodachrome visit on this trip was by accident. Each day, afternoon thunderstorms kept us off the dirt roads we’d planned to explore. Because the park roads are paved, we changed plans and wasted some electrons photographing Kodachrome Basin in the rain. My first observation is that the colors are duller when they’re wet. My second was that the trails were muddy and the washes were running so we stayed near the roads. I’ve photographed this pipe before but wasn’t happy with the result. This time, I think I have an interesting shot for you. I call this image Kodachrome Pipe, but I may have to begin numbering them in the future. Because it was so overcast, I wasn’t aware that I was shooting directly at the sun—the bright area in the photograph’s sky. While I processed the image, I tried forcing the clouds to be darker, and when I did, the sun’s disk began to show including a rainbow ring around it. The results didn’t look natural, so I dialed it back to this version.

You can see a larger version of Kodachrome Pipe on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week—a new month—when we’ll start a new series from a different place.

Until next time — jw

Teasdale Cock’s Comb Picture of the Week

The geological roller coaster ride that is Utah State Route 12 ends on its east side in Torrey, Utah, and as the road descends Boulder Mountain’s north slope into town, there is a jagged uplift called the Cock’s Comb (Google Earth spelling) that you can get to via the side road to Teasdale. From Highway 12, it looks like a miter—a bishop’s hat, but when viewed from the south it’s a quarter-mile long section of crust ripped from the earth’s surface and stood on end. When I did some research for this post, I found that there’s something interesting about the Cock’s Comb besides being a big old hunk of rock. There are a road and trail—Fish Creek Cove—that lead to a very large panel of Fremont Era Rock Art. I wish I knew about that while we were shooting, but now I have a reason to go back.

Teasdale Cock's Comb
Teasdale Cock’s Comb-A quarter-mile uplift found outside of Teasdale, Utah is threatened by afternoon thunderstorms.

Of all the shots I took at the site, I selected this one to be this week’s featured image because of the layers. The thunderstorm was moving north from Boulder Mountain rapidly and the main part of the rift is in shade, but the smaller ridge is still in the sun. I also thought the clump of juniper trees in the foreground added to the sense of depth. I call this image Teasdale Cock’s Comb.

You can see a larger version of Teasdale Cock’s Comb on its Web Page by clicking here. I hope you enjoy viewing this week’s post and come back next week when we show more of the dramatic landscapes along Utah’s State Route 12.

Until next time — jw